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Shigaraki, Potter’s Valley
Louise Allison Cort
Tokyo: Kodansha, 1981. -
Medieval Ivory Carvings: Early Christian to Romanesque
Paul Williamson
London: V&A Publishing, 2010.Authoritative guide to the Victoria and Albert Museum collection.
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Plankton: A Microscopic World
Gustaaf M. Hallegraeff
Bathurst: E. J. Brill / Robert Brown & Associates, 1988.Published in association with CSIRO, a vast collection of microscopic photography of plankton.
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Jewelry: Concepts and Technology
Oppi Untracht
London: Robert Hale, 1985. -
Metal Techniques for Craftsmen
Oppi Untracht
London: Robert Hale, 2002.A Basic Manual for Craftsmen on the Methods of Forming and Decorating Metals.
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Pheromone: The Insect Artwork of Christopher Marley
Christopher Marley
Petaluma: Pomegranate Communications, 2008. -
Understanding Jewellery
David Bennett; Daniela Mascetti
Woodbridge: Antique Collectors’ Club, 2006. -
The Indigenous Patterns and Hotel Okura
Iwajiro Noda; Hotel Okura
Tokyo: Hotel Okura, 1982.Photographic record of the iconic luxury Hotel Okura and of the classical Japanese art and design contained therein. Opening in 1962 Hotel Okura played host to famed international dignitaries and diplomats. Murakami mentions Okura in 1Q84 and James Bond stays at the Okura in You Only Live Twice. This revised edition includes record of the south wing which opened in 1973 and is preceded by an earlier edition in 1964. Despite outcry the historic main wing was demolished in 2015 to make way for a modern redevelopment which opened in 2019.
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Channels & Confluences: A History of Singapore Art
Kwok Kian Chow
Singapore: Singapore Art Museum, 1996. -
Richard Prince
Richard Prince; Nancy Spector
New York: Guggenheim Museum, 2007. -
Rodrigo Moynihan: Paintings and Works on Paper
John Ashbery; Richard Shone
London: Thames & Hudson, 1988.Monograph of the English painter.
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Patricia Piccinini: Curious Affection
Patricia Piccinini; Peter McKay; Rosie Braidotti; Elizabeth Finkel; China Mieville
Brisbane: Queensland Art Gallery, 2018.Catalogue from the exhibition at GOMA, Brisbane, 24 March – 5 August 2018, with essays on the artist’s work. Arts Minister’s message by Leeanne Enoch. Foreword by Chris Saines.
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Marcel Duchamp: Etant Donnes
Michael R. Taylor
New Haven and London: Philadelphia Museum of Art and Yale University Press, 2009. -
Science and the Perception of Nature: British Landscape Art in the Late Eighteenth and Early Nineteenth Centuries
Charlotte Klonk
New Haven and London: Yale University Press, 1996. -
Mirka.
Ulli Beier; Paul Cox; Mirka Mora
Melbourne: Macmillan, 1980. -
Geology of Australian and Papua New Guinean Mineral Deposits
D. A. Berkman; D. H. Mackenzie
Melbourne: The Australasian Institute of Mining and Metallurgy, 1998.AusIMM Monograph 22.
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The Australian Dragonflies: A Guide to Identification, Distributions and Habitats of Australian Odonata
J. A. L. Watson; G. Theischinger; H. M. Abbey
Canberra and Melbourne: CSIRO Publications, 1991. -
Introduction to the Mushrooms, Toadstools and Larger Fungi of Queensland
J. E. C. Aberdeen
Brisbane: The Queensland Naturalists’ Club, 1979.Handbook No. 1 of the Queensland Naturalists’ Club.
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Seven Walks: Cape Leeuwin to Bundeena
Tom Carment; Michael Wee
Casino: Roc-Hin, 2014.Documents seven long distance walks in Australia: The Overland Track (Cradle Mountain, Tasmania). The Blue Gum Forest (New South Wales), Otford to Bundeena (New South Wales), Cape Leeuwin to Cape Naturaliste (Western Australia), The Heysen Trail (South Australia), The Snowy Mountains (New South Wales, and Wilsons Promontory (Victoria).
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Wild Australia: Meston’s Wild Australia Show, 1892-1893
Michael Aird; Mandana Mapar; Paul Memmott
Brisbane: University of Queensland Anthropology Museum, 2015.“The ‘Wild Australia Show’ was conceived by Archibald Meston and was a travelling troupe of 27 Aboriginal and Torres Strait Islander people conscripted from the Queensland frontier who performed in Brisbane, Sydney and Melbourne during 1892 and 1893 in preparation for departure on an international tour in the era of World Exhibitions. However the plans were curtailed by contractual disputes, scandals of financial incompetence and accusations of the capture of certain troupe members against their will in chains. The exhibition came out of a meticulous process of collection and research by Queensland Museum senior curators Michael Aird and Mandana Mapar, and University of Queensland academic, Professor Paul Memmott who place the previously unknown images in a visual and historic context. This exhibition catalogue uses the same title of Meston’s show of more than 120 years ago, Wild Australia, and gives human dignity to the names and faces of the people in the photographs, whose strength of spirit and determination are evident in the gazes of the portrait subjects.”