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The Windmill Collection: Photographs by Rose & Emma Windmill
Peter Elliston
Sydney: T&G Publishing, 2008.“These rare photographs, never published before, present a charming portrait of times gone by, an Australian ambience that no longer exists. The Collection comprises vignettes of family and social life in the years between the first and second world wars in Victoria. The photographs also provide the viewer with an opportunity to see what life was like at that time, the emotional landscapes of cities and towns that are today dramatically altered by the modernisation of life.” (publisher’s blurb)
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The Australian Environment: Landscape as Art & Inspiration
Siegfried Manietta
Sydney: T&G Publishing, 2011.“The book covers 30 years of consistent landscape / environmental photography. My work attempts to transcend the standard collectible tourist photograph, looking instead at documenting underlying structures and qualities, choosing the vernacular, carefully designed and imaged in sympathetic light. I believe it represents a more subtle way of seeing, understanding and appreciating our environment. The images are in 3 chapters (+ epilogue) each representing a particular approach to the environment.” (publisher’s blurb)
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Waiting Under Southern Skies
Colin Abbott
Sydney: T&G Publishing, [2019].“Waiting Under Southern Skies is a selection of evocative, and previously unpublished, images from Colin AbbottÂ’s personal archive of over 50 years documenting Australian life, as it presented to him. It is an intimate narrative of people and places during a period of immense social change in Australia.” (publisher’s blurb) This copy signed by Abbott on the title page and with a signed photographic print in a paper folder laid in.
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Monte Cassino (Con Amore) w/ Print
Steven Nestor
Sydney: T&G Publishing, 2019.“Monte Cassino: Con Amore is an exploration by Steven Nestor of the destruction of a small Italian town Monte Cassino and its monastery in the Second World War. Surviving copies of The Illustrated London News from 1944 lead Nestor on a journey to discover and record the last remaining traces of the devastation of the town and the Benedictine monastery built on the site of the original Abbey chosen and founded by St Benedict in the 6th century. Blending original material from his research archive alongside his own images, Nestor encourages the viewer to cross into an elusive but violent past. The photographic windows throughout this book look out onto a buried past that continues to inform and shape our present through the fragments that have survived destruction, the passage of time and a human quest to overcome disaster. This is a journey across unremarkable contemporary places and into their dark history: forlorn graffiti semaphores in a space once littered with casualties of battle, a collapsed street sign lies unnoticed on the edge of town and autumnÂ’s mulch burns on the road that snakes its way up to the summit of worship and war.” (publisher’s blurb) This copy signed by Nestor on the title page and with a signed photographic print in a paper folder laid in.
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Monte Cassino (Con Amore)
Steven Nestor
Sydney: T&G Publishing, 2019.“Monte Cassino: Con Amore is an exploration by Steven Nestor of the destruction of a small Italian town Monte Cassino and its monastery in the Second World War. Surviving copies of The Illustrated London News from 1944 lead Nestor on a journey to discover and record the last remaining traces of the devastation of the town and the Benedictine monastery built on the site of the original Abbey chosen and founded by St Benedict in the 6th century. Blending original material from his research archive alongside his own images, Nestor encourages the viewer to cross into an elusive but violent past. The photographic windows throughout this book look out onto a buried past that continues to inform and shape our present through the fragments that have survived destruction, the passage of time and a human quest to overcome disaster. This is a journey across unremarkable contemporary places and into their dark history: forlorn graffiti semaphores in a space once littered with casualties of battle, a collapsed street sign lies unnoticed on the edge of town and autumnÂ’s mulch burns on the road that snakes its way up to the summit of worship and war.” (publisher’s blurb) This copy signed by Nestor on the title page.
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New Settlers
Louise Whelan
Sydney: T&G Publishing, [2013].“Documents the diversity of people who immigrate to Australia, and defies the prejudice and stereotyping embedded in parts of society. It is common in media coverage to play on fear in the community and demonize boat people. Text by The Hon. Michael Kirby AC CMG One-time Justice of the High Court of Australia and Fiona Upward.” (publisher’s blurb) This copy signed by Whelan on the title page.
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War: A Degree South Collection #1
Degree South
Sydney: T&G Publishing, 2009.“The collection of images in War — A Degree South Collection #1 truly illustrates that war is the disease of humanity. There has never been a time that it didn’t exist. Once the battlefield was the place of devastation. Now it is streets, alleyways, schools and places of worship. People and places are no longer protected or sacred. During times of war it is now officially safer to be a soldier than an unarmed civilian. In WWI, five percent of casualties were civilians. WWII the figure was fifty percent. In 1990, planet earth was host to 32 conflicts or wars and ninety percent of the casualties were civilians, nearly all of them women and children. Things have not improved and at present there are 43 conflicts taking place on our planet.” (publisher’s blurb) The photographers are Tim Page, David Dare Parker, Ben Bohane, Stephen Dupont, Jack Picone, Michael Coyne, Ashley Gilbertson and Sean Flynn. Text by Shaune Lakin and Tim Page. This copy signed by 7 of the 8 photographers (Sean Flyyn went missing while on assignment in Cambodia).
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War: A Degree South Collection #1
Degree South
Sydney: T&G Publishing, 2009.“The collection of images in War — A Degree South Collection #1 truly illustrates that war is the disease of humanity. There has never been a time that it didn’t exist. Once the battlefield was the place of devastation. Now it is streets, alleyways, schools and places of worship. People and places are no longer protected or sacred. During times of war it is now officially safer to be a soldier than an unarmed civilian. In WWI, five percent of casualties were civilians. WWII the figure was fifty percent. In 1990, planet earth was host to 32 conflicts or wars and ninety percent of the casualties were civilians, nearly all of them women and children. Things have not improved and at present there are 43 conflicts taking place on our planet.” (publisher’s blurb) The photographers are Tim Page, David Dare Parker, Ben Bohane, Stephen Dupont, Jack Picone, Michael Coyne, Ashley Gilbertson and Sean Flynn. Text by Shaune Lakin and Tim Page.
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No Worries
Martin Parr
Sydney: T&G Publishing, 2011.“In 2011 Magnum photographer Martin Parr set out to photograph three Western Australian port cities, Fremantle, Port Hedland and Broome. Each town was a unique setting for a photographer famed for his images of British seaside culture in the publication Last Resort. Using his unmistakably intimate and satirical style, Parr went about photographing Australian cliches, full of saturated colours and flash photography. The resulting photographs, published here for the first time, are an invaluable collection from this world-renowned British photographer.” (publisher’s blurb)
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Rage Against The Light
Markus Andersen
Sydney: T&G Publishing, 2015.“Markus Andersen’s photographs feature the city of Sydney as an abstracted backdrop for a fragile human presence, one dwarfed by overwhelming architectural development and consumerism. In these moody black-and-white images, people scurry about and are literally exposed by light. Struck by shafts of illumination between buildings, they are like insects coming out for food.” (publisher’s blurb)
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Narcolepsy
Max Pam; Bob Charles
Sydney: T&G Publishing, 2012.“Narcolepsy radically delivers a process that shakes-up the form of the book to produce the art as book and the book as art. The book is a fully realised graphic vehicle. The ways in which the book operates as a series of closures and openings, also parallels the content of the book and amplifies it as an evocative, mysterious object. Narcolepsy is loaded with the poetics of sex and death realised through an exciting fusion of drawing, painting, text and photography. Narcolepsy is a disturbingly ambiguous novella in pictures and words by Max Pam (photographer) and Bob Charles (writer).” (publisher’s blurb)
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At Water’s Edge
Paul Blackmore
Sydney: T&G Publishing, 2012.“At Water’s Edge, the long-awaited publication from photographer Paul Blackmore, explores the relationship between humanity and its most vital natural resource. This extraordinary body of work – spanning 11 years and 14 countries – provides a global look at how water flows through the spiritual and physical daily lives of people around the world. The photographs poignantly illustrate the unfolding drama of the global water crisis and how it is affecting those caught up in it: a billion people without access to clean water, another four billion without an adequate supply. Against this dire backdrop, the work also celebrates the quiet, yet essential connection with nature that water offers us.” (publisher’s blurb)
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Portraits from a Land Without People
John Ogden
Sydney: Cyclops Press, 2008.A Pictorial Anthology of Indigenous Australia, 1847-2008. This copy signed and numbered by Jimmy Little and signed by John Ogden.
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Nature Boy
Brad Rimmer
Sydney: T&G Publishing, 2019.“Nature Boy is a sequel to Australian photographer Brad Rimmer’s monograph Silence (2009). Probing at the essence of rural Australia and the emotional impact of the natural landscape upon individual psyches. Rimmer this time adds stories to the compendium. The raw, yet poetic narratives conjure the late adolescent years of a lad wrestling with whether to stay or leave his remote country homeland for the lure of the city and so much more. A coming-of-age account, the elegant mix of observation and heartfelt reminiscence are almost autobiographical, and hint to the nascent sensibilities of the young Rimmer as an artist.” (publisher’s blurb)
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Leros
Alex Majoli
London: Trolley, 2002.Debut photo book by Magnum photographer Alex Majoli documenting the psychiatric hospital on the Greek island of Leros.
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The Language of Oysters
Robert Adamson; Juno Gemes
Sydney: Craftsman House, 1997.Photo and poetry book on the lives of the oyster farmers on the Hawkesbury River, New South Wales. This copy inscribed by the photographer, Juno Gemes.
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Cactus: Surfing Journals from Solitude
Christo Reid
Forresters Beach: Strangelove Press, 2010.Illustrated history of surfing in South Australia.
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Daughters
Margaret M. de Lange
London: Trolley, 2009.“Fifteen years ago Norwegian photographer Margaret M. de Lange was at home looking after her two young daughters. She soon picked up her camera and began to photograph what came a natural subject matter to her – her daughters.” (from back cover)
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Saltwater People of the Broken Bays / Fatal Shore: Sydney’s Northern / Southern Beaches (2 Volumes)
John Ogden
Sydney: Cyclops Press, 2012.The slipcased issue of both volumes, together encompassing a focused look at the shorelines of Sydney, New South Wales, and the people who inhabit them, from ancient times through to modern surfing.
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Portrait of a People: The Tiwi of Northern Australia
Heide Smith
Narooma: Hobbs Point Publishing, 2008.