Charlene White
Buffalo: After Hours Book Inc., 1966.

After Hours pulp AH 145. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a subtle goof by Stanton on Steve Ditko’s Spiderwoman. The pseudonym of Charlene White sometimes credited to prolific low-budget filmmaker and pulp novelist Ed Wood, however this is disputed. Unrecorded in OCLC.

Bud Conway
Buffalo: After Hours Book Inc., 1966.

Lesbian pulp fiction by American pulp writer Paul Little under his Bob Conway pseudonym. After Hours AH 134. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.

Anthony Dean
Buffalo: After Hours Book Inc., 1966.

A group of college girls move out to San Francisco and get jobs as topless waitresses. After Hours AH 152. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a self-portrait of a grabby Stanton. Unrecorded in OCLC.

Edward Marshall
Buffalo: After Hours Book Inc., 1966.

Lesbian domination pulp. “Whether you had a Lolita-complex, a fetish urge for black leather, a desire for kissing silky soft panties, or if you liked to peep on others, or even if you were on the gay side and liked to make love to members of your own sex — you could have it (at a price) when you visited Madame Butch.” After Hours AH 131. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.

Ivan Tarpoff
Buffalo: After Hours Book Inc., 1965.

Femdom pulp. After Hours AH 110. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.

Raymond Harte
Buffalo: Market Arcade, 1967.

After Hours pulp AH 164. Cover art by Bill Alexander. Continuing the series of colour covers by Stanton for the After Hours series published by Stanley Malkin in the 1960. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.

Ron Horton
Buffalo: After Hours Book Inc., 1965.

Lesbian orgies on the high seas. After Hours AH 115. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.

Anthony Dean
Buffalo: After Hours Book Inc., 1966.

After Hours AH 138. Cover art by Gene Bilbrew AKA Eneg. An occasional Bilbrew contribution to the After Hours series published by Stanley Malkin in the 1960s. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.

Jon Parker
Buffalo: After Hours Book Inc., 1966.

Lesbian pulp fiction. After Hours AH 129. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.

Barry Grover
Buffalo: After Hours Book Inc., 1965.

Lesbian pulp fiction. After Hours AH 114. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.

Paul Prentiss
Buffalo: After Hours Book Inc., 1966.

Lesbian pulp fiction. After Hours AH 144. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.

Bud Conway
Buffalo: After Hours Book Inc., 1965.

Lesbian pulp fiction. After Hours AH 119. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. 1 copy recorded in OCLC.

Myron Kosloff
Buffalo: After Hours Book Inc., 1964.

Voodoo occult lesbian pulp fiction by Paul Hugo Little under his Myron Kosloff pseudonym. After Hours AH 105. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. 1 copy recorded in OCLC.

Shawna deNelle
Buffalo: Book Magazine Distributors, 1967.

Lesbian pulp fiction. After Hours AH 157. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.

Jake Edwards
Cleveland: Chevron Publications, 1967.

Sleaze pulp fiction. Chevron 109. Cover art by Gene Bilbrew AKA Eneg. The story of a chandelier and its journey to being the centrepiece of a private sex theatre. 1 copy recorded in OCLC.

Victor Jay
North Hollywood: Private Edition Books, 1965.

Gay pulp fiction by Victor J. Banis AKA Don Holliday under his Victor Jay pseudonym. PE-344. “He burned with a lusty passion as he soared into the ecstasy of love — but this time his partner was a man.”

Nina Sands
Buffalo: Wee Hours Books Inc., 1967.

Lesbian biker pulp fiction. Wee Hours 547. Cover art by Bill Alexander. Unrecorded in OCLC.

Lindsay Welsh
New York: Masquerade Books / Rosebud, 1996.

Lesbian superhero fiction.

Randy Salem [Pat Perdue]
New York: Tower Publications, 1962.

Lebsian pulp by Pat Perdue . Midwood-Tower F196. “She fell in love with her boss, but her boss was a woman.” GRIER A**.

Raymond E. Banks
Wilmington: Orchard Publishing Co., 1978.

Sci-fi smut pulp. Castle Books CB 209. Also published as Lust in Space under the pseudonym Ralph Burch and The Moon Rapers as Ramond Banks. Cover art by Paul Stinson.

Gil Lyons
North Hollywood: Valley Circle Publishing, 1974.

Sex murder pulp. Famous Sex Crimes Series SC-119. A has-been Hollywood director goes on a killing spree against Geminis.

Olin Demar
[Las Vegas]: Spartan Line, 1965.

Lesbian pulp. Spartan Line SL 105. “She lusted after another man’s wife…” Spartan Line was an imprint of Pioneer Publishing.

Carl Mitchell
Van Nuys: Triumph News Co., 1967.

Gay / bi pulp. TNC 312. “The lusty ex-marine was equally turned on by men and women – with devastating results”. Pulp publishing house of Ray Goldin.

Kenneth Morgan
Woodside, New York: ZIL Inc., 1968.

Sleaze pulp. Empire Book EB 1004. “These are the young lovelies of New York’s Girl Ghetto, speaking in their own words, telling with astonishing frankness what they think about men, love and ex… This is what’s happening now!”

Dodine de Canard
Los Angeles: Tempo Publishing, 1964.

SM femdom lesbian gay occult pulp, it’s got it all. Boudoir Classics 0005. “Lace, leather boots, lesbians, homosexuals and love-starved wives and husbands … all mixed into a devil’s orgy that rocked one of California’s most exclusive country club communities!”

Bitch Books
New York: Star Distributors, 1989.

Femdom pulp. Bitch Books BT-115.

Alan Laing
New York: Star Distributors, 1972.

Occult SM sex pulp. Paddle Book PB 131. “Their pain hurt like the hell from where it came. Take two rich followers of a special cult of the devil and put them where they can practice their cruel arts in the privacy of a massive estate, surrounded by a conclave of loyal followers who would do anything for their master.”

Rolf Kirby
New York: B. B. Sales Co., 1967.

Novelization by Rolf Kirby with photography by Bill New. Adapted from the Manuel Conde film. Sex pulp. Olympic Foto-Reader F104. “The bizarre experiences of male slaves in a world ruled by women.”

Ed Wood, Jr.
Los Angeles: Pendulum Publishers, 1968.

Though stated as adapted from a film of the same name, no such film was ever released and was part of a style of 20th century sex pulps dressed up as film novelizations likely based on pornographic photo shoots. One of the sleaziest and most violent productions of prolific filmmaker and pulp novelist Ed Wood, Jr. Pendulum Pictorial PP 002. “A guerrilla band of near-wild men and one sadistic lesbian capture two young girls.”

Michael Snow [Ed Wood, Jr.]
Los Angeles: Pendulum Publishers, 1968.

Though stated as adapted from a film of the same name, no such film was ever released and was part of a style of 20th century sex pulps dressed up as film novelizations likely based on pornographic photo shoots. One of the sleaziest and most violent productions of prolific filmmaker and pulp novelist Ed Wood, Jr. published under his Michael Snow pseudonym, with the added sadism of nazisploitation. Pendulum Pictorial PP 005. “A vivid and shocking story of the Nazi method of boosting soldier morale … young girls recruited and trained to satisfy all of the sexual needs of men trained in mass sadism.”

Ira Staver
: Tai Pan, No date.

Beatnik sleaze pulp. Tai Pan 280. “The beatnik boys and girls taught him the rules of beatnik sex – and he learned that the Beachtown Bunch were a dangerous lot!”

Alec Hinton
New York: Signet, 1968.

Pseudo-sexological sleaze pulp. Signet T3394. “The night the kids went wild and woke the next morning with their whole lives changed. Sweet Orgy tells what happens to a group of privileged teen-ages who indulge in a sexual free-for-all. Seen through the eyes of a London psychiatrist, the parents, and the boys and girls themselves, it is a jolting story-one of promiscuity, abortion, and the tragic penalties of unlimited sexual freedom.” Unrecorded in OCLC.

Ben Wilson
San Diego: Greenleaf Classics, 1969.

Nymphomaniac pulp. A Greenleaf Classic GC373. “Martin Noble set out to find the playgirl daughter of a wealthy client … and found himself in the middle of a mobsters’ war. The weapons were guns, bombs… and girls.”

Woodrow Olivetti
North Hollywood: Barclay House, 1969.

Non-fiction pseudo-sexological lesbian pulp with many chapters devoted to tribadism. A Barclay House Psycho-Sex Study 7018. Illustrated throughout with photographs of lesbian sex scenes. “Women of imagination and independence have, whether through need or purely out of greed, found many sexually satisfying substitutes that beg the timeless question, Are Men Really Necessary?” With an extensive illustrated catalogue of Regent House paperbacks at the rear. Unrecorded in OCLC.

Gabe Garnett
San Diego: Surrey House, 1974.

Football jock themed gay pulp. HIS69-120. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Jodie Bishop
San Diego: Surrey House, No date.

Poolboy themed gay pulp. HIS69-599. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Tony Moore
San Diego: Surrey House, No date.

Gambling themed gay pulp. HIS69-635. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

David Rank
San Diego: Surrey House, No date.

Biker themed gay pulp. HIS69-576. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Paul Gronowski
San Diego: Surrey House, No date.

Biker themed gay pulp. HIS69-480. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Michael Scott
San Diego: Surrey House, No date.

Sports themed gay pulp. HIS69-480. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Raymond Maston
North Hollywood: American Art Enterprises, 1987.

One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Raymond Maston
North Hollywood: Arena Publications, 1983.

Power Force Series PF-103. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

David Sampson
North Hollywood: Arena Publications, 1983.

Power Force Series PF-104. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Bob Cochran
North Hollywood: American Art Enterprises, 1988.

One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, 1988.

Trucker themed gay pulp. [Tom of] Finland Books FIN-147. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, 1986.

Jock themed gay pulp. New Male NM-130. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, No date.

Private eye themed gay pulp. Young Stallions YS-127. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, 1988.

SM incest themed gay pulp. Gay Incest GI-126. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, 1987.

Gay Incest GI-112. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, 1990.

Gay Incest GI-156. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, 1987.

Gay Incest GI-122. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, 1990.

Teacher themed gay pulp. Hard Throbs HT-129. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Warren Stevens
San Diego: Greenleaf Classics, 1981.

Adonis Classic AC259. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Anonymous
New York: Star Distributors, 1984.

Illustrated gay pulp. Rough Trade RT-550. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Vann Hilty
: Paramount Publishers, 1971.

Jock themed gay pulp illustrated with colour photographs. PP 112. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Paul Gronowski
Miami: Blueboy Library, 1978.

Doctor themed gay pulp thriller. Blueboy Library CA108. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

George Wilson
Miami: Numbers, 1978.

Numbers Paperback Library 10005. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Paul Bronowski
Miami: Blueboy Library, 1978.

Gay pulp with photographic illustrations, black and white nude male portraits. Numbers Illustrated Library NIL113. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Murray Montague
Miami: Blueboy Library, 1978.

Gay pulp with photographic illustrations, black and white nude male portraits. Numbers Illustrated Library NIL109. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Brad Rowen
North Hollywood: Arena Publications, 1978.

Previously published as Balls of Fire. Power Force Series PF-158. One of the many gay erotic pulp novels produced in the mid to late 20th century. These short sexually explicit stories, many of which were formulaic and published in easily recognisable series with graphically illustrated covers and titillating titles each targeting a specific sexual niche, demonstrate the breadth of sexual fantasy, occupation, desire, and deviance of the emerging homosexual culture.

Peter Willow
Buffalo: Market Arcade, 1968.

Femdom pulp fiction. A Wee Hours Special WH 571.

Charles Smith
Copenhagen: Nordisk Bladcentral, 1969.

Private investigator themed Danish sleaze pulp fiction. Svea Book SEA 125.

Stella Chance
New York: Star Distributors, 1969.

SM themed pulp fiction. BW-130.

Veronica King
Hong Kong and Sydney: Stag Publishing Co., 1978.

Australian edition of North American sleaze pulp fiction first published in 1969. Stag SP 124.

Herbert O. Pruett
New York: Softcover Library, 1966.

Wifeswapping themed pulp fiction. Softcover Library S75149.

Francois Truffaut; Jean Gruault
New York: Washington Square Press / Pocket Books, 1973.

Photo-illustrated screenplay in English of the 1970 French film L’Enfant Sauvage, released in English as The Wild Boy. Translated from the French by Linda Lewin and Christine Lemery. Featuring over 80 photos from the film.

Helga Moray
Sydney and Melbourne: Scripts, 1969.

Australian pulp edition of Helga Moray’s lusting housewife themed novel.

Jim Kent
Sydney and Melbourne: Scripts, 1973.

Housewife themed Australian sleaze pulp.

Ricki Francis
Sydney and Melbourne: Scripts, 1971.

Male prostitute Australian sleaze pulp.

Ricki Francis
Sydney and Melbourne: Scripts, 1975.

Australian sleaze pulp.

Stuart Hall
Sydney and Melbourne: Scripts, 1970.

Australian sleaze pulp.

James Miller
Sydney and Melbourne: Scripts, 1975.

Australian issue of this American sleaze pulp.

Joan Ellis
Sydney and Melbourne: Scripts, 1973.

Australian issue of this American sleaze pulp.

Carter Brown
Sydney: Horwitz, 1982.

Tie-in edition with the 1982 stage musical of the 1961 novel.

Carter Brown; Richard O’Brien; Richard Hartley; Brian Thomson
Sydney: The Sydney Theatre Company, 1982.

Programme for the 1982 stage musical at Kinselas Theatre of the 1961 Carter Brown novel.

Carter Brown
Hong Kong and Sydney: Horwitz, 1979.

Australian crime fiction. Part of the Danny Boyd series, a private eye in New York.

Carter Brown
New York: Tower Publications, 1980.

US edition of Australian crime fiction first published by Horwitz. Part of the Lt. Al Wheeler series, a homicide investigator in Los Angeles.

James Holledge
London, Melbourne and Sydney: Horwitz, 1963.

Sensationalised Australian crime pulp.

James Holledge
London, Melbourne and Sydney: Horwitz, 1963.

Sensationalised Australian dangerous women pulp.

Anonymous
London: Star, 1983.

1980s pulp edition of the 1887 clandestine erotic tale.

Orrie Hit
London: Softcover Library, 1973.

English sleaze pulp.

Charles X. Wolffe
London: Softcover Library, 1971.

English sleaze pulp.

John Nemec
New York: Tuxedo Books, 1962.

“Writhing, glistening, half-naked dancing girls become bait to snare a list maddened killer!!”

Bertram Darks
United States: Knight Volumes, 1964.

Hollywood themed sleaze pulp. KV 102.

Bob Alvers
Las Vegas: Pioneer Publishing Corp., 1967.

Wifeswapping themed pulp. Royal Line Novels RL 172.

Carl DeMarco
New York: Macfadden-Bartell, 1970.

Lolita themed pulp first published in 1966.