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International Mr. Leather: 25 Years of Champions
AU$2,500.00 Read MoreAdd to cartJoseph W. Bean
Las Vegas and Chicago: Nazca Plains and The Leather Archives & Museum, 2004.A detailed year-by-year history of the International Mr. Leather Competition. Australia represented from the second ever championship, Patrick Brooks, being the winner of IML 1980. Controversially, Brooks and his sponsor mistakenly thought being the winner gave them the right to host IML 1981 in Australia, though this was put down and the event continued in Chicago to this day. Despite the legal hoo-ha, with thanks to the gay paper, The Sydney Star, Mr. Australia Leather continued and sent a representative the following year, however Brooks never showed to take his place as a judge.Australia continued to send representatives to the competition many times over the years, notably with two second places, being Brent Lacey of Mr. Laird Leather Image, Melbourne in 1993, and Andrew Lennon, Mr. Mephisto of Mephisto Leather 1998. This copy double inscribed by co-founder of the championship, Chuck Renslow, both inside the book and to the cardboard shipping carton. Numbered edition of an unknown quantity, of which this copy is number 66.
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International Mr. Leather 1990 Poster
AU$600.00 Read MoreAdd to cartEtienne
Chicago: International Mr. Leather, 1989.Poster for the International Mr. Leather 1990 competition with artwork by Etienne [Dom Orejudos] (1933-1991). Etienne was the head judge of the 1990 competition. This copy inscribed by the 1990 winner, Mark Ryan, Mr. Boston of Riders MC, to Roger RJ Chaffin, Gary Chichester, and the team at Back Door Promotions. Chaffin and Chichester formed Back Door in 1985, putting on gay events and organising AIDS charities.
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Justine ou les Malheurs de la Vertu
AU$550.00 Read MoreAdd to cartMarquis de Sade
Paris: Le Soleil Noir, 1950.First Edition with the preface by Georges Bataille. The first issue of 940 numbered copies with the pink frontispiece by Hans Bellmer. This copy unopened in the original wrappers.
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Parisian Frolics
AU$600.00 Read MoreAdd to cart[Adolphe Belot?]
London: For private circulation only, 1896.Rare clandestine erotic fiction in English published circa 1920-1924. Four stories translated from the French by the author The Way of a Man with a Maid. “The first story in this collection is an English translation of ‘La Maison a Laisirs ou La passion de Gilberte’ (1889) … The final three stories are translated from ‘Les Heures Erotiques Modernes’ c. 1894. … The stories were possibly the work of Adolphe Belot, a popular French novelist of the 1880s. I believe the MS of this translation, .. were probably left unpublished by Carrington (who had published the same author’s Way of a Man with a Maid, and were sold with the rest of his stock at the Hotel Drouot in 1923. Since most of the stock was bought by Groves and Michaux, his partners and successors, they were probably responsible for getting them printed by Duflou, though it is equally possible that Hirsch, who also bought some Carrington material in 1923, got hold of these and arranged for their printing.” MENDES 210.
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Mr. Howard Goes Yachting
AU$1,000.00 Read MoreAdd to cartCharles Sackville
London and Paris: [Charles Carrington], 1908.And subjects to his voluptuous caprices with young ladies captured and imprisoned on board. Rare clandestine Carrington erotic flagellation tale in English, limitation page stating 300 copies and no more of this work, though here unnumbered (as Mendes copy also). With six sanguine photogravures possibly by Leon Roze depicting various spanking, caning, and whipping. MENDES 183.
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Les Delices Libertines
AU$1,200.00 Read MoreAdd to cartJacqueline de Lansay [Johannes Gros]
Moncontour: Au Bonheur des Dames, No date.French clandestine erotica printed by Maurice Duflou circa 1935 with 14 erotic plates depicting numerous lesbian and group scenes. The first issue of 400 numbered copies, of which this is number 84. DUTEL 1358, PIA 311.
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Seduction: Jeunes Amours au Chateau, a la Pension
AU$400.00 Read MoreAdd to cartPierrot
: En Vente Partout et Nulle Part, 1910.The first clandestine printing with the limitation of 300 copies on the verso of the half-title by the Briffaut brothers following the original edition circa 1908 titled Une Seduction and expanded with four additional texts of poetry and plays after the first. This copy unnumbered on Alfa as often and with the bookplate of the Membre de la Guide du Livre. DUTEL 787. PERCEAU 274-2, PIA 1366.
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L’Anti-Justine ou Les Delices de l’Amour
AU$1,500.00 Read MoreAdd to cartRestif de la Bretonne
Ile Saint-Louis: Monsieur Nicolas, No date.The Anti-Justine, or the Delights of Love. New edition, entirely revised and corrected, established for the first time on the original text of 1798. Preceded by a Bibliographic Notice by Helpey, bibliophile from Poitou [Louis Perceau] The second clandestine printing by Maurice Duflou with 12 aquatints reproduced in heliogravure signed Le Loup. Numbered edition of 350 copies on Alfax, of which this is number 345. DUTEL 1024. PIA 71.
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L’Ecrin du Rubis ou Les Delices des Dessous
AU$2,000.00 Read MoreAdd to cartLiane de Lauris
Paris: Au Cabinet du Livre [Jean Fort], 1932.Rare French lesbian erotica. The first edition with 16 illustrations and colour illustrated wrappers by P. Silex, and with the limitation statement of 6 numbered copies, numbered by the printer, of which this copy is numbered IV.
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Not So Funny
AU$600.00 Read MoreAdd to cartCharlene White
Buffalo: After Hours Book Inc., 1966.After Hours pulp AH 145. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a subtle goof by Stanton on Steve Ditko’s Spiderwoman. The pseudonym of Charlene White sometimes credited to prolific low-budget filmmaker and pulp novelist Ed Wood, however this is disputed. Unrecorded in OCLC.
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Lonely Hearts
AU$250.00 Read MoreAdd to cartBud Conway
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction by American pulp writer Paul Little under his Bob Conway pseudonym. After Hours AH 134. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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Name Your Pleasure
AU$150.00 Read MoreAdd to cartAnthony Dean
Buffalo: After Hours Book Inc., 1966.A group of college girls move out to San Francisco and get jobs as topless waitresses. After Hours AH 152. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a self-portrait of a grabby Stanton. Unrecorded in OCLC.
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Madame Butch
AU$400.00 Read MoreAdd to cartEdward Marshall
Buffalo: After Hours Book Inc., 1966.Lesbian domination pulp. “Whether you had a Lolita-complex, a fetish urge for black leather, a desire for kissing silky soft panties, or if you liked to peep on others, or even if you were on the gay side and liked to make love to members of your own sex — you could have it (at a price) when you visited Madame Butch.” After Hours AH 131. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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Vixens Delight
AU$300.00 Read MoreAdd to cartIvan Tarpoff
Buffalo: After Hours Book Inc., 1965.Femdom pulp. After Hours AH 110. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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Gay Cargo
AU$200.00 Read MoreAdd to cartRaymond Harte
Buffalo: Market Arcade, 1967.After Hours pulp AH 164. Cover art by Bill Alexander. Continuing the series of colour covers by Stanton for the After Hours series published by Stanley Malkin in the 1960. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.
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Pleasure Bound
AU$200.00 Read MoreAdd to cartRon Horton
Buffalo: After Hours Book Inc., 1965.Lesbian orgies on the high seas. After Hours AH 115. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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The Invaders
AU$200.00 Read MoreAdd to cartAnthony Dean
Buffalo: After Hours Book Inc., 1966.After Hours AH 138. Cover art by Gene Bilbrew AKA Eneg. An occasional Bilbrew contribution to the After Hours series published by Stanley Malkin in the 1960s. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.
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Joy Ride
AU$200.00 Read MoreAdd to cartJon Parker
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 129. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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Prowler
AU$300.00 Read MoreAdd to cartBarry Grover
Buffalo: After Hours Book Inc., 1965.Lesbian pulp fiction. After Hours AH 114. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
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Stand In
AU$300.00 Read MoreAdd to cartPaul Prentiss
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 144. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.