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The Economic Consequences of the Peace
AU$2,000.00 Read MoreAdd to cartJohn Maynard Keynes
London: Macmillan and Co., 1919.First edition, first printing of the highly influential economics work published in the wake of WWI, establishing Keynes’ as one of the world’s leading economists.
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Armed with Madness
AU$3,250.00 Read MoreAdd to cartMary Butts; Jean Cocteau
London: Wishart & Company, 1928.Experimental novel based on the myth of the Holy Grail. A one time student of Aleister Crowley, Butts is credited as a co-author of the 1912 Magick (Book 4). In 1921 she spent time at Crowley’s Abbey of Thelema, not enjoying her stay, and departing with a drug habit. Armed with Madness explores the relationships (including homoeroticism and bisexuality) and ritualism among a group of young bohemians living at a country home. Considered a masterpiece of Modernist prose. One of 100 numbered copies of the Deluxe Edition on handmade paper with illustrations by Jean Cocteau.
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Les Civilises
AU$800.00 Read MoreAdd to cartClaude Farrere; Henri Le Riche
Paris: Librairie de la Collection des Dix, 1926.French colonizers indulge in fornication, opium, and general debauchery in late 19th century Saigon (then French Cochincina, modern day Ho Chi Minh City, Vietnam). One of 200 numbered copies of Arches vellum (of a total edition of 300), bound with the original wrappers.
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Le Diable Amoureux
AU$400.00 Read MoreAdd to cartJacques Cazotte; Paul-Emile Becat
Paris: La Tradition, 1936.The Devil in Love. Occult romance first published in 1772. This the first edition with erotic illustrations by Becat. One of 450 numbered copies on Arches vellum (of a total edition of 500).
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Le Diable au Corps
AU$2,000.00 Read MoreAdd to cartRaymond Radiguet; Paul-Emile Becat
Paris: Editions Georges Gullot, 1957.The Devil in the Flesh. The story of a young married woman’s affair with a teenage boy while her husband is away fighting in WWI. First published in 1923, this is the first edition with erotic illustrations by Becat, and with an introduction by Jean Cocteau. The superlative issue, one of 16 numbered copies on Japanese paper with an original signed drawing in pencil and white gouache, with the composition then hand coloured and signed by Becat, the 16 illustrations by Becat hand coloured by Jean and Paulette Monnier, followed by a suite containing the illustrations in black in two states, on Japanese paper and Rives vellum.
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La Fille aux Yeux d’Or
AU$2,000.00 Read MoreAdd to cartHonore de Balzac; Almery Lobel-Riche
Paris: Le Livre du Bibliophile, G. & R. Briffaut, 1923.The Girl with the Golden Eyes. An aristocratic libertine becomes obsessed with a beautiful woman and sets about seducing her. Alas, his conquest uncovers a hidden lesbian relationship and he finds himself entangled in web of erotic obsession and fatal jealousy. First published in 1835, this is the first edition with illustrations by Almery Lobel-Riche. One of 40 numbered copies on Japanese paper with the etchings in 3 states and an original drawing by Lobel-Riche (from a total edition of 500). This copy in a fine signed binding by H. Jacquet.
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Ars Amandi. L’Art D’Aimer
AU$1,000.00 Read MoreAdd to cartOvide; Pierre Lievre; Andre Lambert
Paris: Le Livre du Bibliophile, G. & R. Briffaut, 1923.The Art of Love by Ovid, a new translation into French by Pierre Lievre and with illustrations by Andre Lambert. One of 404 numbered copies on Arches vellum (from a total edition of 500), this copy for Maurice de Smet de Naeyer, bound in half leather signed Weckesser.
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Les Sept Femmes de La Barbe-Bleue et Autres Contes Merveilleux
AU$3,000.00 Read MoreAdd to cartAnatole France; G. A. Mossa
Paris: Librairie Des Amaterus, A. Ferroud. – F. Ferroud, 1921.Bluebeard’s Seven Wives and Other Wonderful Tales. France’s reinterpretation of the French folktale of Bluebeard. First published in 1909, this is the first edition with illustrations by Gustav-Adolf Mossa. One of 70 numbered copies on Japanese paper with the etchings in 3 states (from a total edition of 1,200). This copy from the collection of Australian actor and bibliophile Barry Humphries, with his bookplate, in a fine signed binding by Flammarion bookbinder Jean Vaillant.
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The Dog in Australasia
AU$1,000.00 Read MoreAdd to cartWalter Beilby
Melbourne: George Robertson and Company, 1897.The first Australian dog breeder’s manual. FERGUSON 6885.
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Condoman Says: Don’t Be Shame Be Game. Use Condoms!
AU$300.00 Read MoreAdd to cartDepartment of Health, Housing and Community Services, Aboriginal Health Workers of Australia (Queensland)
Queensland: Department of Health, Housing and Community Services, Aboriginal Health Workers of Australia, No date.Early/mid 1990s issue of the iconic Aboriginal HIV/AIDS awareness campaign poster (the earliest issues captioned USE FRENCHIES! instead of condoms). Originally conceived in 1987 by Aunty Gracelyn Smallwood and a small team of Aboriginal health workers in Townsville, Queensland, Condoman became one of the most successful Australian sexual health campaigns.
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Oeuvres Libres
AU$650.00 Read MoreAdd to cartPaul Verlaine
Segovie: Pablo de Herlagnez, 1868 [c. 1930].Clandestine 20th century anthology of Verlaine’s Amies, Femmes, Hombres (except the last 4 quatrains of Balanide I), and Sonnet du trou du cul [Sonnet to an Asshole] by Verlaine and Arthur Rimbaud. With erotic chapter initials and accompanied by 6 erotic etchings by an anonymous artist. Edition of 400 copies, though often found without the suite of plates, here the plates are on thick Holland laid paper and not vellum as described in PIA 1440, DUTEL 2092.
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Codex Seraphinianus (2 Volumes)
AU$4,000.00 Read MoreAdd to cartLuigi Serafini
Milano: Franco Maria Ricci, 1981.The first edition of the ever mysterious Codex Seraphinianus by Italian artist Luigi Serafini (1949-). Possibly an illustrated encyclopaedia of an alternate universe, Serafini has alluded that it is perhaps all just the thoughts of a cat passed through his hand. The Codex is written in an imaginary language and illustrated phantasmagorically throughout. This being the true first edition published in 2 volumes by Italian art publisher Franco Maria Ricci. This copy numbered 2295 and signed by Serafini to the colophon of volume 2, with the original trilingual letter from the editor laid in, together with a FMR catalogue, several photocopied Italian newspaper clippings related to the Codex, as well as the deluxe edition of the only published volume of literary criticism in English on the Codex Seraphinianus, Confronting Serafini by Jordan Hunter (2017), all housed in the original shipping cartons. Confronting Serafini is a 36 page book hand-bound with treated pages from the 2013 Rizzoli edition of the Codex, signed and numbered in a limited edition of 10, of which this is number 10.
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Miserable Miracle (La Mescaline)
AU$1,000.00 Read MoreAdd to cartHenri Michaux
Monaco: Editions du Rocher, 1956.The accounts, observations, and literary manifestations of Henri Michaux (1899-1984), Belgian born French poet and artist, while on mescaline. Associated with the Tachiste movement in the 1940s and 1950s, Michaux was one of the original 20th century artists to take drugs and make art. This copy has been finely bound in full leather by Queensland bookbinder Karen McGuire, with a design based on one of Michaux’s drawings. One of the standard edition of 1,500 numbered copies, of which this is 1,256.
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Light Through Darkness
AU$1,000.00 Read MoreAdd to cartHenri Michaux
New York: The Orion Press, 1963.The accounts, observations, and literary manifestations of Henri Michaux (1899-1984), Belgian born French poet and artist, on mescaline, psilocybin, and marijuana. Originally published in French in 1961, then translated into English by Haakon Chevalier and first published in America in 1963. Associated with the Tachiste movement in the 1940s and 1950s, Michaux was one of the original 20th century artists to take drugs and make art. This copy in a fine signed full leather binding by Queensland bookbinder Karen McGuire based on the original jacket design.
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Wine and Wine Countries; A Record and Manual for Wine Merchants and Wine Consumers
AU$600.00 Read MoreAdd to cartCharles Tovey
London: Hamilton, Adams, & Co., 1862.On wine and related beverages around the world, including a section on the burgeoning Australian winemaking trade. This copy with the bookplate of Australian winemaker Max Lake.
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Handbook of Australian Fungi
AU$1,500.00 Read MoreAdd to cartM. C. Cooke
London: Williams and Norgate for the Departments of Agriculture in Melbourne, Brisbane, Sydney, Adelaide, Hobarton, 1892.The first monograph on Australian fungi by English botanist and mycologist Mordecai Cubitt Cooke (1825-1914). Containing descriptions of 2079 species of macrofungi, microfungi, and slime moulds (or myxomycetes), of which 377 figures are illustrated across 36 plates. The samples which the handbook are based on were supplied by Ferdinand von Muller, Flora Martin, F. M. Bailey, Sven Berggren, and others, and shipped to Cooke in England. This distance limited the accuracy of the work, nevertheless, as the first volume devoted to the subject its historical import cannot be understated and remains a key work in any Australian mushroom collection.
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New York Nowhere: Meditations and Celebrations, Neurology Ward, The New York Hospital
AU$6,000.00 Read MoreAdd to cartGeoffrey Dutton; John Olsen
Melbourne: The Lytlewode Press, 1998.One of 30 deluxe copies from the total edition of 175 numbered copies signed by John Olsen and Robert Littlewood containing ten original signed etchings by John Olsen. The deluxe issue bound in brown kangaroo leather by Friedhelm Pohlmann also contains a tipped in sheet of original manuscript by the poet, ten original photographs of the artist and the poet signed by the publisher, five pieces of typescript correspondence hand signed by the publisher, 2 additional unsigned Olsen etchings, and an envelope containing a CD of Dutton reciting his poem. The recording of the CD made only weeks before Dutton’s death. New York Nowhere was Dutton’s last literary work, reflecting on the poet’s stroke and recovery in a New York hospital. Also included is the original prospectus and The Australian Magazine Dec 12-13, 1998 with the cover story on this work.
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The Bells and other Poems
AU$3,000.00 Read MoreAdd to cartEdgar Allan Poe; Edmund Dulac
London: Hodder & Stoughton, 1912.The deluxe edition of the poems of Edgar Allan Poe featuring The Bells, The Raven, and others. Illustrated with 28 tipped in colour plates and additional vignettes by Edmund Dulac and published in a numbered edition of 750 copies signed by Dulac.
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Les Freres Zemganno
AU$3,000.00 Read MoreAdd to cartEdmond de Goncourt; Auguste Brouet
Paris: Edite par F. Gregoire, 1921.Goncourt’s Naturalist exploration of the evolution of French literature through the acrobatic artistry of two circus brothers, also echoing and exploring his own love and loss of his inseparable brother (and literary partner) who passed some years prior. Originally published in 1879, here for the first time with numerous illustrations by Auguste Brouet. The illustrations include 15 full page etchings, a half-page etching on the half-title, and a vignette on the title, all signed in the plate, together with a further 51 illustrations in the text. This copy extra illustrated with 4 original signed drawings by Brouet mounted at the beginning, and finely bound in a signed full leather binding by Ganape, RD, dated 1925, and with the bookplates of Yvan Lamberty and B. Le Dosseur.
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Suck: First European Sexpaper
AU$2,000.00 Read MoreAdd to cartWilliam Levy; Heathcote Williams; Germaine Greer; Susan Jansen; Lynne Tillman; Jim Haynes; Willem de Ridder
London and Amsterdam: Joy Publications, 1969-74.A complete set of Suck, touted as the first European sex newspaper tasked with creating “a new pornography which would demystify male and female bodies”. Launched in London in 1969 before moving to Amsterdam to avoid England’s anti-obscenity laws. Heathcote Williams in his Suck manifesto declares “SUCK is Group Sex, Police Sex, Animal Sex, Teeny Sex, One Armed Bandit Sex, Geriatric Sex and Cosmic Sex”, highlighting the nothing is off-limits approach of the editorial board. Though Suck was no mere porno rag, as Australian feminist writer and Suck co-founder Germaine Greer told the academic journal Women’s Studies International Forum, Suck was “a new kind of erotic art, away from the tits ‘n’ ass and the peep-show syndrome.” Greer’s involvement helped push a wave of radical feminist pornography, though she fell out with her co-editors and resigned after they published a photograph of her naked with her legs over her head, not because of the nudity, but the context of its publishing, which is outlined in Greer’s resignation letter printed in the final issue. Greer’s involvement was not the only tip to a radical cause with noted contributors including William S. Burroughs, Valerie Solanas, Michael McClure, W. H. Auden, Guillaume Apollinaire, Maurice Girodias, and many others. Primary editors were William Levy, Heatcote Williams, Germaine Greer, Susan Jansen, Lynne Tillman, and Jim Haynes, with art direction by Willem de Ridder.