Ken Kitano
Beijing: Three Shadows Photography Art Centre, 2010.

Exhibition catalogue for Japanese photographer Ken Kitano’s our face project at Three Shadows Photography Art Centre which opened 3 July, 2010. “At first glance these our face works might look like single individuals, but each is a composite image of a group layered into one. The production process is long and involved – and completely analog – burning negatives one by one onto silver halide printing paper at ultra-low exposures, over and over again. The Three Shadows Photography Art Centre on the outskirts of Beijing places great value on large-format silve rhalide photgraphs and is one of the very few facilities in the world equipped to handle production. In April 2009, Centre Directors RongRong and inri graciously informed me of their willingness to help me with the project, so from May 2010 I began a three-month residency to produce this our face series.” (from introduction) This copy signed by Kitano in silver marker and with a small drawing by the photographer.

Wang Chuan
Beijing: Pekin Fine Arts, 2011.

“Published on the occasion of Wang Chuan’s second solo exhibition ‘Refocus: Dragon’ at Pekin Fine Arts, Beijing, April to May 2011. This exhibition is also part of Caochangdi Photospring 2011. Wang takes a contrarian approach to digital photography by enlarging the pixels and making them obvious to the viewer in order to draw attention to overlooked details of Beijing’s landscape. ‘In Refocus: Dragon, Wang demonstrates a simple enough premise: The dragon is still everywhere in Beijing; its portrait shows up in the oddest and most unexpected places.[…] Wang’s works implicitly question how these dragon legends play out on a contemporary stage. Wang shows us, using his impressionistic pixels, a variety of places where he recently “discovered” dragons still alive and kicking, lodged deeply in the psyche of local people around Beijing.’ (from foreword by Meg Maggio) Includes an essay by Gu Zheng and artist statement by Wang Chuan. Artist biography and list of works provided. Chinese text is printed in a separate booklet attached.” (publisher’s blurb). This copy inscribed by the photographer.