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Devil’s Chamber
Duncan Lamour
Buffalo: Tortura Press, 1972.Femdom BDSM pulp. TP-121. Cover illustration and 9 full page black and with illustrations in the text by Gene Bilbrew AKA Eneg. “The revolution had come, and failed, and gone. Afterwards came the repression, exactly as it had been predicted and feared for so many years. Tens of thousands of rebels and leftists, yippies, hippies, radicals, marxists, and simple liberals were rounded up and incarcerated in camps that were nothing more or less than concentration camps.” Unrecorded in OCLC.
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Hell’s Dungeon
Steward Chalford
Buffalo: Tortura Press, 1972.Femdom BDSM pulp. TP-131. Cover illustration and 9 full page black and with illustrations in the text by Gene Bilbrew AKA Eneg. “The boy leaned far forward, thrusting out his crimson ass awaiting the sting of the lash. The old man in the pink panties took his time, toying with his victim.” Unrecorded in OCLC.
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Crocodile Tears
Douglas Huebler
Buffalo: Albright-Knox Art Gallery and CEPA Gallery, 1985.Brief fictions re-sounding from the proposal in Variable Piece #70: 1971 to photographically document the existence of everyone alive. Photographs of American conceptual artist Douglas Heubler’s Variable Piece #70, and found forgeries of works by Van Gogh, Matisse, and Degas, illustrating a disjointed screenplay. A reflection on the dark side of the art market.