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Brett Whiteley: Art & Life
AU$40.00 Read MoreAdd to cartBrett Whiteley; Barry Pearce
Sydney: Art Gallery of New South Wales, 1995. -
Lewis Morley
AU$20.00 Read MoreAdd to cartJudy Annear; Lewis Morley
Sydney: The Art Gallery of New South Wales, 2006.Exhibition catalogue. With an essay by Barry Humphries.
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Savages & Sinners
AU$150.00 Read MoreAdd to cartJohn Maitland
Sydney: The Macquarie Head Press, 1933.“This work is described by Miller as presenting ‘social and economic phases of life in mandated territories of the Northern Pacific and the sex-attitudes of whites and blacks’. The dedication and the author’s note suggest that it is a fictionalised re-telling of a diary kept by a Captain Tyarki. Whether this captain is an actual figure or a fictional persona is unclear.” (Auslit) This copy signed by the author to the title page.
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Celestalia: A Fantasy, A.D. 1975
AU$150.00 Read MoreAdd to cartA. L. Pullar
Sydney: The Canberra Press, 1933.Australian dystopian “Yellow Peril” sci-fi in which volcanic disasters destroy Japan causing the Japanese to flee to China, displacing the Chinese to Australia, displacing white Australia to Tasmania.
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A Survey of, and Report Upon, the Hotel Industry of New South Wales
AU$80.00 Read MoreAdd to cartAsher Joel Advertising
Sydney: The Langlea Printery, 1958.Submitted to the United Licensed Victuallers Association.
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The Australian Surfrider
AU$50.00 Read MoreAdd to cartJack Pollard
Sydney: Murray, No date.Fundamentals of surfing and surf life in Australia by various surfing icons compiled by Jack Pollard. Foreword by Duke Kahanamoku.
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Memoirs Legal and Otherwise
AU$40.00 Read MoreAdd to cartAlfred Simpson; Hilda Simpson
Sydney: Surrey Beatty & Sons, 1996. -
The Sydney Star Vol. 2, No 23
AU$60.00 Read MoreAdd to cartMary Morgan
Sydney: The Sydney Star, 1981.Single issue of the fortnightly Australian gay newspaper, The Sydney Star.
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The Sydney Star Vol. 2, No 22
AU$40.00 Read MoreAdd to cartMary Morgan
Sydney: The Sydney Star, 1981.Single issue of the fortnightly Australian gay newspaper, The Sydney Star.
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Kings Cross Whisper Number 112
AU$40.00 Read MoreAdd to cartKings Cross Whisper
Sydney: Kings Cross Whisper, 1971.Single issue of the Australian soft-sexpaper Kings Cross Whisper. First published in Kings Cross, Sydney in 1964, the Whisper was a joke newspaper filled with light stories, gag features, dirty jokes, and nude women. Includes 4 pages of personals ads and an issue of The Wonderful World of Barry McKenzie by Barry Humphries.
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The Art of Clifford Possum Tjapaltjarri
AU$400.00 Read MoreAdd to cartVivien Johnson
Sydney: Craftsman House and Gordon and Breach Arts International, 1996.The second printing, signed by Clifford Possum to the title page.
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Tim Storrier: The Art of the Outsider
AU$40.00 Read MoreAdd to cartCatharine Lumby
Sydney: Craftsman House, 2000. -
How Australia Took German New Guinea: An Illustrated Record
AU$300.00 Read MoreAdd to cartF. S. Burnell
Sydney: W. C. Penfold & Co, No date.An Illustrated Record of The Australian Naval & Military Expeditionary Force. The first issue published in 1915 immediately after the taking of German New Guinea. Includes a two-page account, five-page list of all personnel, and 52 photographic illustrations.
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Saltwater People of the Broken Bays: Sydney’s Northern Beaches
AU$90.00 Read MoreAdd to cartJohn Ogden
Sydney: Cyclops Press, 2011.A focused look at the shorelines of northern Sydney, New South Wales, and the people who inhabit them, from ancient times through to modern surfing.
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Saltwater People of the Broken Bays / Fatal Shore: Sydney’s Northern / Southern Beaches (2 Volumes)
AU$160.00 Read MoreAdd to cartJohn Ogden
Sydney: Cyclops Press, 2012.The slipcased issue of both volumes, together encompassing a focused look at the shorelines of Sydney, New South Wales, and the people who inhabit them, from ancient times through to modern surfing.
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The Language of Oysters
AU$250.00 Read MoreAdd to cartRobert Adamson; Juno Gemes
Sydney: Craftsman House, 1997.Photo and poetry book on the lives of the oyster farmers on the Hawkesbury River, New South Wales. This copy inscribed by the photographer, Juno Gemes.
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Portraits from a Land Without People
AU$550.00 Read MoreAdd to cartJohn Ogden
Sydney: Cyclops Press, 2008.A Pictorial Anthology of Indigenous Australia, 1847-2008. This copy signed and numbered by Jimmy Little and signed by John Ogden.
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At Water’s Edge
AU$50.00 Read MoreAdd to cartPaul Blackmore
Sydney: T&G Publishing, 2012.“At Water’s Edge, the long-awaited publication from photographer Paul Blackmore, explores the relationship between humanity and its most vital natural resource. This extraordinary body of work – spanning 11 years and 14 countries – provides a global look at how water flows through the spiritual and physical daily lives of people around the world. The photographs poignantly illustrate the unfolding drama of the global water crisis and how it is affecting those caught up in it: a billion people without access to clean water, another four billion without an adequate supply. Against this dire backdrop, the work also celebrates the quiet, yet essential connection with nature that water offers us.” (publisher’s blurb)
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Narcolepsy
AU$50.00 Read MoreAdd to cartMax Pam; Bob Charles
Sydney: T&G Publishing, 2012.“Narcolepsy radically delivers a process that shakes-up the form of the book to produce the art as book and the book as art. The book is a fully realised graphic vehicle. The ways in which the book operates as a series of closures and openings, also parallels the content of the book and amplifies it as an evocative, mysterious object. Narcolepsy is loaded with the poetics of sex and death realised through an exciting fusion of drawing, painting, text and photography. Narcolepsy is a disturbingly ambiguous novella in pictures and words by Max Pam (photographer) and Bob Charles (writer).” (publisher’s blurb)
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Rage Against The Light
AU$60.00 Read MoreAdd to cartMarkus Andersen
Sydney: T&G Publishing, 2015.“Markus Andersen’s photographs feature the city of Sydney as an abstracted backdrop for a fragile human presence, one dwarfed by overwhelming architectural development and consumerism. In these moody black-and-white images, people scurry about and are literally exposed by light. Struck by shafts of illumination between buildings, they are like insects coming out for food.” (publisher’s blurb)