Max Pam
Sydney: T&G Publishing, 2009.

“Atlas Monographs is a compression of eight travel journals, beginning with Pam’s most recent work (Karakoram 2006) and shifting back through the decades to his first journals begun in 1970. The journals map, through text, photo and marks on paper his engagement with the cultures he has travelled through. Just as importantly, the journals provided the engine room for his development as a photographer, a writer and an artist. Max Pam is one of Australia’s most important contemporary photographers. Working as a professional since the early 1970s he is among a handful of Australians to make a substantial impact on the intensely competitive international photographic scene.” (publisher’s blurb)

Max Pam
Sydney: T&G Publishing, 2009.

“Atlas Monographs is a compression of eight travel journals, beginning with Pam’s most recent work (Karakoram 2006) and shifting back through the decades to his first journals begun in 1970. The journals map, through text, photo and marks on paper his engagement with the cultures he has travelled through. Just as importantly, the journals provided the engine room for his development as a photographer, a writer and an artist. Max Pam is one of Australia’s most important contemporary photographers. Working as a professional since the early 1970s he is among a handful of Australians to make a substantial impact on the intensely competitive international photographic scene.” (publisher’s blurb) This copy signed by Pam.

Lewis Morley
Sydney: T&G Publishing, 2011.

“In a career that has spanned some 50 years, Lewis Morley has worked with equal ease in theatre, fashion, portraiture, magazine photography and documentary reportage. His body of work, particularly his portraits of key figures of 1960s London, is highly recognised, and with his famous photo of Christine Keeler naked upon a chair, Morley produced an image that is probably one of the most memorable, and most copied, of any photographs of any time.” (publisher’s blurb)

Lewis Morley
Sydney: T&G Publishing, 2011.

“In a career that has spanned some 50 years, Lewis Morley has worked with equal ease in theatre, fashion, portraiture, magazine photography and documentary reportage. His body of work, particularly his portraits of key figures of 1960s London, is highly recognised, and with his famous photo of Christine Keeler naked upon a chair, Morley produced an image that is probably one of the most memorable, and most copied, of any photographs of any time.” (publisher’s blurb) This copy signed by Morley to the title page.

Max Pam
Sydney: T&G Publishing, 2009.

Edition 2 of the limited edition, being 1 of 50 copies with 4 chromogenic photographic prints on Fuji Crystal Archive Flex, signed and numbered by the photographer together with a signed and numbered certificate print housed in a custom folder, and a signed and numbered copy of the book, housed together in a custom pictorial box.

Max Pam
Sydney: T&G Publishing, 2009.

Edition 1 of the limited edition, being one of 150 copies with a signed and numbered silver gelatin photograph together with a signed and numbered certificate print housed in a custom folder, and a signed and numbered copy of the book, housed together in a custom pictorial box.

Lewis Morley
Sydney: T&G Publishing, 2011.

Limited Edition of Lewis Morley’s I To Eye with a chromogenic photographic print on Fuji Crystal Archive Flex (40.6cm x 30.5 cm), being a portrait from Morley’s iconic 1963 series with model Christine Keeler, signed and numbered by the photographer in an edition of 150 copies. The print is housed in a custom made folder in turn housed in a custom made box with the book and a large format 8 page booklet/certificate with text by Morley.