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Brooklyn Kings: New York City’s Black Bikers
AU$80 Read MoreAdd to cartMartin Dixon
New York: powerHouse Books, 2000.“As an avid biker for over nine years, photographer Martin Dixon gained unprecedented access to the predominantly African-American motorcycle clubs in Brooklyn, the Bronx, and Manhattan. Comprising a huge subculture of urban road warriors totally unknown to most New Yorkers and bike club enthusiasts, these black “biker gangs” — with names like the Jaguars, the Black Falcons, the Pythons, the Transit Wheelers, the Imperials, the Corpians, the Harlem Riders, the United Roadrunners, and the Uptown Riders — are really high-octane social clubs, whose members ride flashy ninja sport bikes. Through Dixon’s spectacular insider perspective, we enter a world straddling the customs and trappings of traditional biker culture (the heavily embroidered leather jackets, the thick male camaraderie, the bike as manifestation of the ego), and the rituals and pastimes of the urban biker (the springtime bike blessings, the trophy parties, and the clubhouse socials). More importantly, thanks to Dixon, we witness, even participate in, a set of rituals the likes of which no outsider has ever documented: the block parades (complete with monster trucks!), the barbeque parties (replete with a southern club specialty, the “Mississippi Mud Slide”), the bikini bike wash, the Myrtle and Virginia Beach bike runs, the drag races, the raunchy fundraising parties, and, of course, the “biker chicks”, urban flavor.” (publisher’s blurb) With an essay by Greg Tate.
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Street Strollers of New York
AU$150 Read MoreAdd to cartCatherine Bell
Melbourne: Monash Gallery of Art, 2014.“Street strollers of New York is a sequence of photographs that document African-American nannies shuttling white children through the affluent mid-town streets of Manhattan. Catherine Bell’s interest in this subject grew out of her own experience working as a nanny in London; she embarked on this project with the notion to pay tribute to an under-acknowledged workforce. While there is a significant tradition in documentary photography of images of heroic workers, Bell’s images of African-American nannies belong to another tradition altogether – that of the clandestine street photograph. In these pictures, taken with a hidden camera and for the most part without the subject’s knowledge, Bell has cast each nanny in the role of a fugitive.” (exhibition statement, Sutton Gallery)
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The Emperor Jones; Diff’rent; The Straw
AU$1,500 Read MoreAdd to cartEugene G. O’Neill
New York: Boni and Liveright, 1921.First edition, first state binding, in the original pictorial jacket. The Emperor Jones was a watershed in American theatre, one of the first major Broadway productions to feature a Black actor in a leading dramatic role of such prominence, originally performed by Charles S. Gilpin and later by Paul Robeson in a role that helped establish his international stage reputation. A bold expressionist exploration of fear, power, and racial consciousness, the play remains a landmark text in both African-American theatrical history and the development of modern American drama. ATKINSON A 15-I-i.a. Also includes Diff’rent, a two-act study of sexual repression in a New England fishing village, and The Straw, a naturalistic drama drawn from O’Neill’s own experience in a tuberculosis sanatorium.
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Negro: An Anthology
AU$60 Read MoreAdd to cartNancy Cunard
New York and London: Continuum, 1996.Edited and abridged, with an introduction by Hugh Ford.
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Her Black Playmates
AU$100 Read MoreAdd to cartSan Falzar
New York: Star Distributors, 1973.Interracial pulp. A Star Original MP 172.
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The Coon in the Box: A Global Folktale in African-American Tradition
AU$50 Read MoreAdd to cartJohn Minton; David Evans
Helskinki: Suomalainen Tiedeakatemia, 2001.Among the most popular of all African-American folktales is the story folklorists know as The Coon in the Box, itself a derivative of the extremely old and widespread narrative usually identified, after Brothers Grimm, as Doctor Know-All (Doktor Allwissend) (AaTh 1641). Not coincidentally, this item has served as a centerpiece in the debate over the sources of New World black folktales. A detailed analysis of The Coon in the Box, its life history and cultural context thus reveals a great deal not only of the nature of African-American oral narratives in and of themselves, but also of the challenges confronting scholars in investigating the origins, diffusion, and development of these traditions. FF Communications No. 277 published by the Finnish Academy of Science and Letters.
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Big ‘Fraid and Little ‘Fraid: An Afro-American Folktale
AU$30 Read MoreAdd to cartJohn Minton
Helskinki: Suomalainen Tiedeakatemia, 1993.Though devoted specifically to the life history of the anecdote folklorists know as Tale Type 1676A/Motif K1682.1, Big ‘Fraid and Little ‘Fraid, this study more generally assesses the manner in which the circuitous epistemology of the tale indices compiled by, or in emulation of, Antti Aarne and Stith Thompson covertly subverted Richard Dorson’s controversial conclusions concerning the origins of Afro-American oral narratives, as well as the arguments of those who have challenged his position. FF Communications No. 253 published by the Finnish Academy of Science and Letters.
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Why We March
AU$30 Read MoreAdd to cartSoul Brother #44 (Ernest White)
New York: Paperback Library, 1969.“An angry protest from Black America.”