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Past In Reverse: Contemporary Art of East Asia
AU$20.00 Read MoreAdd to cartBetti-Sue Hertz
San Diego: San Diego Museum of Art, 2004. -
Monuments to Nature
AU$100.00 Read MoreAdd to cartPatricia Leighton
Hamburg: Jahr-Holding, 2002.Catalogue of work by environmental artist Patricia Leighton. This copy inscribed by Leighton.
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Korean 12 Muse
AU$50.00 Read MoreAdd to cartSeung Hyo Jang
Seoul: Sejong Center, 2004.Catalogue for an exhibition of humanoid robot sculpture. Rare, not recorded in OCLC at November, 2020.
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Kilimanjaro 12: Thinking of Collective
AU$80.00 Read MoreAdd to cartHauser & Wirth; Roman Signer; Damo Suzuki
London: Kilimanjaro, 2011.“Kilimanjaro is a vibrant printed space dedicated to visual culture and editorial experimentation, and aims to generate an environment in which ideas reason with visual pleasure. Contributors stem from different art disciplines including film, fashion, photography and contemporary culture. Issue 12 features Hauser & Wirth, Roman Signer and Damo Suzuki.” (publisher’s blurb)
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Printed Web #1
AU$40.00 Read MoreAdd to cartPaul Soullelis
New York: Library of the Printed Web, 2014.“Featuring new web-to-print work by Joachim Schmid, Penelope Umbrico, Mishka Henner, Clement Valla, David Horvitz, Chris Alexander, Christian Bök, Benjamin Shaykin, & and Paul Soulellis. Texts by Hito Steyerl and Kenneth Goldsmith.” (publisher’s blurb)
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Heath Course Pak
AU$60.00 Read MoreAdd to cartTan Lin
Denver: Counterpath, 2012.“Like its predecessor, HEATH (plagiarism/outsource), Heath Course Pak exists somewhere between a Project Gutenberg version of Samuel Pepys Diary and a minute-to-minute news feed and blog of Heath Ledger’s death. Sad, appropriated, lyrical and confused, the book contains a brief history of recent performance art, a legal defense of plagiarism, the diary of a poetry workshop at the Asian American Writer’s Workshop, an MP3 protest song, and an examination of SMS and GMS technologies as distribution networks for human sadness. Multi-authored, and with numerous text blocks and photos, the revised edition contains 52 pages of new material, an interview, an annotated text, autographed photos of Jackie Chan and Heath Ledger, e-PostIts, COAs, and coffee/tea stains.” (publisher’s blurb)
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Compost Index
AU$140.00 Read MoreAdd to cartGabriel Kuri
Amsterdam: Roma Publications, 2005.“Book about the work and thoughts of the Mexican artist Gabriel Kuri, published in co-production with CoNaCultA, with support from kurimanzutto, Mexico City and Franco Noero Gallery, Torino. Texts by Dieter Roelstraete, and Maxine Kopsa.” (publisher’s blurb)
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YXICOOO
AU$45.00 Read MoreAdd to cartYuko Kanatani
Tokyo: Disk Union, 2014. -
Kamano Man
AU$10.00 Read MoreAdd to cartRuki Fame
Brisbane: Andrew Baker Art Dealer, 2016.Exhibition catalogue.
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184 Frog Poems: 184 Boss Drovers
AU$40.00 Read MoreAdd to cartRobert MacPherson
Brisbane: Institute of Modern Art, 2001. -
Imaginary Accord
AU$30.00 Read MoreAdd to cartAileen Burns; Madeleine King; Johan Lundh
Brisbane: Institute of Modern Art, 2017.“Is an art institution only an imagined entity–a temporary constellation of agreements, negotiations, and arrangements–or is it something more fixed? This publication both documents and reinvigorates the fortieth anniversary activities of the Institute of Modern Art (IMA): the exhibition Imaginary Accord; the nine-part lecture series and two-day symposium, What Can Art Institutions Do?; and the online archive, 40years.ima.org.au, that charts the IMA and its immediate historical context. This series of creative and critical projects explored the historical mission of one of Australia’s oldest public galleries, while imagining what the founding principles of a contemporary art institution could mean today and for the future.” (publisher’s blurb)
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Stuart Ringholt: Kraft
AU$25.00 Read MoreAdd to cartCharlotte Day; Robert Leonard
Melbourne: Monash University Museum of Art, 2014.“As part of his diverse artistic practice, Stuart Ringholt leads audiences on naturist gallery tours, anger workshops, and participatory performances that invoke embarrassment, fear, laughter, and love. He also makes videos, absurdist sculptures, painted mirrors, and collages.”
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Simon Starling: In Speculum
AU$20.00 Read MoreAdd to cartMax Delany
Melbourne: Monash University Museum of Art, 2013.“English artist Simon Starlingwho won the prestigious Turner Prize in 2005is celebrated for his erudite projects. His works explore the legacies of modernism and globalisation by addressing peculiar histories surrounding specific objects and sites of art, design, and science. While they mine real histories, there is always something unexpected, excessive, witty, perverse, serendipitous, convoluted, or crafty about them.”
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The Other North
AU$30.00 Read MoreAdd to cartJesse Jones
Berlin: Sternberg Press, 2017. -
Frontier Imaginaries Edition No 1: Frontier
AU$20.00 Read MoreAdd to cartVivian Ziheri
Amsterdam: Frontier Imaginaries, 2016.“Frontier Imaginaries Ed No1 offers a chance to reflect upon how, why, and with what tools locally-focused projects can be meaningfully connected across vastly separate geographies. Are publications valuable means of transmitting the specific work of an exhibition across time and territories? Do more recent communications technologies offer other tools that may be more useful? From the art-making perspective, what can be learned and/or contributed to the approaches of current social movements that strive to effect local change within systems of globalised power-relations?”