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Skin / Madonna and Child
AU$10.00 Read MoreAdd to cartWylda Bayron
Brisbane: Andrew Baker Art Dealer, 2008.Exhibition catalogue.
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Safety Instructions
AU$10.00 Read MoreAdd to cartPippin Barr
Brisbane: Andrew Baker Art Dealer, 2014.Exhibition catalogue.
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Behind the Lines
AU$10.00 Read MoreAdd to cartLincoln Austin
Brisbane: Andrew Baker Art Dealer, 2013.Exhibition catalogue.
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Every Now and Then
AU$10.00 Read MoreAdd to cartLincoln Austin
Brisbane: Andrew Baker Art Dealer, 2018. -
Wayward
AU$10.00 Read MoreAdd to cartLincoln Austin
Brisbane: Andrew Baker Art Dealer, 2011. -
Sometimes I Like To Pretend I’m A Robot
AU$10.00 Read MoreAdd to cartLincoln Austin
Brisbane: Andrew Baker Art Dealer, 2017.Catalogue for a 2017 exhibition of sculptures, prints, and thread work.
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Yuk Wiy Min
AU$10.00 Read MoreAdd to cartAurukun Artists
Brisbane: Andrew Baker Art Dealer, 2009. -
Arero Ajive (A New Light)
AU$10.00 Read MoreAdd to cartIlma Savari (Ajikum’e)
Brisbane: Andrew Baker Art Dealer, 2016. -
Startling Art: Revealing the Art of Dennis Larkins
AU$40.00 Read MoreAdd to cartDennis Larkins
San Francisco: La Luz de Jesus Press and Last Gasp Books, 2010.“The art of Dennis Larkins ranges from retro-kitsch paintings of multi-dimensional landscapes to his legendary and iconic series of Grateful Dead concert posters. Larkins’ images were forever burned into the pop psyche by the groundbreaking stage monoliths he created for promoter Bill Graham. At last, here is a definitive collection of Larkins’ works — four decades of his creative growth and expression distilled in to a gorgeous, full-color hardcover. Startling Art is an in-depth look at an artist immersed in the visual vernacular of pop surrealism, uniquely drawn from a life lived in the trenches of pop culture. Foreword by Peter Golding.” (publisher’s blurb)
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Beyond Contemporary Art
AU$40.00 Read MoreAdd to cartEtan Jonathan Ilfeld
[London]: Vivays Publishing, 2012. -
Visions of the Floating World: The Cartoon Art of Japan
AU$40.00 Read MoreAdd to cartMark Cotta Vaz
San Francisco: Cartoon Art Museum, 1992.Scarce catalogue for an exhibition of Japanese comic art at the Cartoon Art Museum, San Francisco. 2 copies in OCLC. Unrecorded in CiNii.
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Transcendent Waves: How Listening Shapes Our Creative Lives
AU$40.00 Read MoreAdd to cartLavender Suarez
New York: Anthology Editions, 2020.“How can thoughtfully and intentionally listening to our world expand and inform our creative practices? What insights can we gain when we delve into the immersive world of sound, which permeates our every moment? In Transcendent Waves, sound healing practitioner, meditation teacher, and artist Lavender Suarez outlines how listening can unlock moments of creative spark, self awareness, and calm in a work that is equal parts how-to guide and contemplative artist’s workbook. Suarez’s illustrated meditations follow in the artistic tradition of Yoko Ono’s Grapefruit and the creations of the Fluxus group, but also offer a modern take on listening in a world that gets louder every day. Covering everything from the noise of everyday life to musical compositions, Transcendent Waves compiles scientific evidence, anecdotes, and thoughtful prompts to spark a sense of wonderment and appreciation for the intricacies of sound and the new perspectives it can bring to our daily creative worlds.” (publisher’s blurb)
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![Genshoku Nihon no Bijutsu 28 [Primary Colours of Japanese Art 28: Modern Architecture, Sculpture, Crafts]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019524-300x300.jpg)
Genshoku Nihon no Bijutsu 28 [Primary Colours of Japanese Art 28: Modern Architecture, Sculpture, Crafts]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1972. -
![Genshoku Nihon no Bijutsu 25 [Primary Colours of Japanese Art 25: Nanban Art and Western-style Painting]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019523-300x300.jpg)
Genshoku Nihon no Bijutsu 25 [Primary Colours of Japanese Art 25: Nanban Art and Western-style Painting]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1970. -
![Genshoku Nihon no Bijutsu 10 [Primary Colours of Japanese Art 10: Zen Temple and Stone Garden]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019521-300x300.jpg)
Genshoku Nihon no Bijutsu 10 [Primary Colours of Japanese Art 10: Zen Temple and Stone Garden]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1967. -
![Genshoku Nihon no Bijutsu 4 [Primary Colours of Japanese Art 4: Shosoin]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019519-300x300.jpg)
Genshoku Nihon no Bijutsu 4 [Primary Colours of Japanese Art 4: Shosoin]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1968. -
![Genshoku Nihon no Bijutsu 1 [Primary Colours of Japanese Art 1: Ancient Japanese Art]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0019517-300x300.jpg)
Genshoku Nihon no Bijutsu 1 [Primary Colours of Japanese Art 1: Ancient Japanese Art]
AU$85.00 Read MoreAdd to cartTerukazu Akiyama
Tokyo: Shogakkan, 1970. -
Biting The Clouds: A Badtjala Perspective on the Aboriginals Protection and Restriction of the Sale of Opium Act, 1897
AU$35.00 Read MoreAdd to cartFiona Foley
Brisbane: University of Queensland Press, 2020.“In this groundbreaking work of Indigenous scholarship, nationally renowned visual artist Fiona Foley addresses the inherent silences, errors and injustices from the perspective of her people, the Badtjala of K’gari (Fraser Island). She shines a critical light on the little-known colonial-era practice of paying Indigenous workers in opium and the ‘solution’ of then displacing them to K’gari. Biting the Clouds – a euphemism for being stoned on opium – combines historical, personal and cultural imagery to reclaim the Badtjala story from the colonisation narrative. Full-colour images of Foley’s artwork add further impact to this important examination of Australian history.” (publisher’s blurb)
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Picture Park
AU$10.00 Read MoreAdd to cartKatharina Grosse
Brisbane: Queensland Art Gallery, 2007. -
…but never by chance… (eroticism)
AU$10.00 Read MoreAdd to cartLinda Marie Walker
Adelaide: Experimental Art Foundation, 1992.Contributing artists: Lesley Stern, Brigette Carcenac de Torne, Merryn Gates, Rosslynd Piggott, Carol Rudyard, Melanie Howard, Brenda Ludeman, Anna Gibbs, Jennifer Hamilton, Sheridan Kennedy, Bronia Iwanczak, Tobsha Learner, Jyanni Steffensen, Helen Grace, and Rosemary Laing.