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Dream Helmet Number 1
Bill Wolak; Steven Frim; John Digby; Ira Cohen; Sue Matiko
Fort Lee: The Somniloquist’s Press, 1978.Surreal art/poetry journal, originally intended as bi-annual, this is the only number known to be published. Text contributions by Paul Eluard, Charles Henri Ford, Paul Grillo, George-There Dickenson, Jerry Estrin, Ahmad Shamlu, Siavosh Kasra’i, Forugh Farrokhzad, Kiumars Monshizadeh, Cecil Helman, Debbie Narin, John Digby, Marc Lecard, Valery Oisteanu, Ira Cohen, Opal Nations, B. C. Leale, Jimmy Penzi, Petra Vogt, Jimmy Gladiator, Salome, Jehan Van Langhenhaven, Patrice Uhl, Tristan Mandragore, Marilyn Kallet, Jeremy Reed, Ann Gleeson, Nanos Valaoritis, Gellu Naum, Will Bennett, Lorenzo de Kleinhans, Gwynn O’Gara, Bill Wolak, Salah Faik, Roderick L. Iverson, Janie Pommy-Vega, Pavel Reznicek, Ted Joans, and Joyce Mansour. College illustrations by John Digby, Philip Kuznicki, Steven Frim, John Evans, Valery Oisteanu, Ira Cohen, Bill Wolf, Ching Ho Cheng, Haifa Zangana, and Stefan Jamiolkowski.
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Behold!!! The Protong
Stanislav Szukalski; Glenn Bray; Lena Zwalve
San Francisco: Last Gasp, 2019.“Extracts from the 39 volumes of my science “Zermatism,” based on new interpretations of petroglyphic communications, in which will be revealed the most precedent-shattering and up-turning of all notions on our origins. Including samplings from Anthropolitical Motivations, The Deluged Gods, and Listen to These Stones.” (publisher’s blurb) Introduction by Robert Williams, obituary by Ray Zone. Edited by Glenn Bray and Lena Zwalve.
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Past In Reverse: Contemporary Art of East Asia
Betti-Sue Hertz
San Diego: San Diego Museum of Art, 2004. -
OBJECTS from Tender Buttons
Sandra Gibbons
[Portland]: FLASH+Card & c_L Production, 2011.A box set of 12 cards with envelopes by American illustrator Sandra Gibbons. The set comes from a series of “fifty-nine comics-adaption drawings that illustrate or respond to the OBJECTS section of Tender Buttons by Gertrude Stein. The original drawings are collected in the American Literature Collection at the Beinecke Rare Book and Manuscript Library at Yale University.” (artist’s blurb)
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Jean-Michel Basquiat XXL
Jean-Michel Basquiat; Hans Werner Holzwarth
Koln: Taschen, 2018.“Get up close to the bold brushwork and scribbled words of Jean-Michel Basquiat, whose vivid paintings remain as fresh and urgent today as in 1980s New York. This XXL-sized monograph gathers Basquiats major works in pristine reproduction alongside texts by his contemporary Carlo McCormick as well as by curator and art historian Eleanor Nairne. They introduce us to an artist whose legend is as strong as ever.” (publisher’s blurb)
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Illustrations of the Japanese Species of Bamboo
Isuke Tsuboi
Gifu and Tokyo: Kawada Teijiro and Hatsubaijo Maruzen Kabushiki Kaisha, 1916.The Tsuboi Bamboo Atlas comprises 109 loose colour lithographs of Japanese bamboo varieties with an English title page and index together with an 80 page book in Japanese. Presents examples of root systems, stems, with and without flowers and leaves, cross-sections, abnormalities, and fungus, at various scales, with Japanese and Latin titles, and English captions.
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The Djuna Set
June Wayne
Fresno: Fresno Art Museum, 1988. -
The Best of Intentions: The AVOW Anthology
Keith Rosson
Elkford: Fork In The Road Press, 2003.Collected issue of the punk zine AVOW.
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long water: fibre stories
Freja Carmichael
Brisbane: Institute of Modern Art, 2020.“long water: fibre stories illuminates spiritual, ancestral, and physical connections to water through fibre practices of artists from Yuwaalaraay (North West NSW), Quandamooka (Moreton Bay, South East QLD), Kuku Yalanji (Far North QLD), Zenadh Kes (Torres Strait Islands, QLD), Yurruwi (Milingimbi Island, NT), and surrounding homelands. Together this group–Aboriginal and Torres Strait Islander women, spanning different generations and ancestries–share an inseparable relationship to water, be it the vast sea, inland waterways, or expansive river systems. Collectively, long water celebrates the stories of regeneration and continuation of important cultural traditions, and the strong women and vital water places that sustain them. The country, and wide range of environments, practices, and knowledge represented speak to both deep time and contemporary experiences–bringing into focus the importance of water to our cultural health and our capacity for resilience.” (publisher’s blurb)
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Monuments to Nature
Patricia Leighton
Hamburg: Jahr-Holding, 2002.Catalogue of work by environmental artist Patricia Leighton. This copy inscribed by Leighton.
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Gustav Klimt: The Complete Paintings XXL
Tobias G. Natter; Gustav Klimt
Koln: Taschen, 2018.“During his lifetime, Gustav Klimt was a controversial star whose works made passions run high. He stood for Modernism but he also embodied tradition. His pictures polarized and divided the art-loving world. The press and general public alike were split over the question: For or against Klimt? This monograph explores Klimt’s oeuvre with particular emphasis upon such contemporary voices. With a complete catalogue of his paintings, including new photographs of the Stoclet Frieze commissioned exclusively for this book, it examines the reactions to Klimts work throughout his career. Subjects range from Klimt’s portrayal of women to his adoption of landscape painting. The theory that Klimt was a man of few words who rarely put pen to paper is also dispelled with the inclusion of 179 letters, cards, writings, and other documents from the artist.” (publisher’s blurb)
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Glory Days: Brisbane’s Art World to 1970
Judith Hamilton
Brisbane: Boolarong Press, 2020.“This book recounts the glory days when Brisbane was seen as the art capital of Australia. Great artists such as renowned, award winning artist, Margaret Olley and two time Archibald winner, William Robinson, were developing and exposing their skills. Brisbane had many prestigious art galleries, art organisations and groups. These times inspired great art teachers such as Wendy Allen and Mervyn Moriarty who made such a big impact on the education of students in primary and secondary schools and tertiary colleges in the city and country areas of Queensland.” (publisher’s blurb)
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Seven Illustrated Books, 1952-1959
Andy Warhol
Koln: Taschen, 2017.“Andy Warhols 1950s hand-drawn books, created during his pre-fame years, are much-coveted jewels in the Pop art masters crown. This portfolio contains meticulous reprints of all seven books, reproduced as closely as possible to the original and presented in an accordion case. Complete with an XL-sized guidebook contextualizing Warhols life alongside his unique creations, this edition offers an unparalleled glimpse of Warhols budding genius.” (publisher’s blurb)
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Korean 12 Muse
Seung Hyo Jang
Seoul: Sejong Center, 2004.Catalogue for an exhibition of humanoid robot sculpture. Rare, not recorded in OCLC at November, 2020.
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Three Four Sixteen Eighty and a Hundred
Leonard Brown
Brisbane: Andrew Baker Art Dealer, 2008.Exhibition catalogue.
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Kilimanjaro 12: Thinking of Collective
Hauser & Wirth; Roman Signer; Damo Suzuki
London: Kilimanjaro, 2011.“Kilimanjaro is a vibrant printed space dedicated to visual culture and editorial experimentation, and aims to generate an environment in which ideas reason with visual pleasure. Contributors stem from different art disciplines including film, fashion, photography and contemporary culture. Issue 12 features Hauser & Wirth, Roman Signer and Damo Suzuki.” (publisher’s blurb)
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Printed Web #1
Paul Soullelis
New York: Library of the Printed Web, 2014.“Featuring new web-to-print work by Joachim Schmid, Penelope Umbrico, Mishka Henner, Clement Valla, David Horvitz, Chris Alexander, Christian Bök, Benjamin Shaykin, & and Paul Soulellis. Texts by Hito Steyerl and Kenneth Goldsmith.” (publisher’s blurb)
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Media Works
Iain Baxter
Toronto: Art Metropole, 1992.“The Baxters’ relationship to media and issues of media exploded in 1965 as one of the conceivers of “The Medium Is The Message”, a multi-media extravaganza involving artists of all disciples as well as Marshall McLuhan. In 1966 they began a flood of projects in non-art media such as business cards, letterhead, buttons, and the founding of the N.E THING CO. LTD. It reflects Canadian identity in terms of bureaucracy and everyday life. All images are in black and white.” (publisher’s blurb)
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Know Thy Instrument / A Lecture (AI Split Editions #1)
Bruce McClure; Hollis Frampton
Milan: Atelier Impopulaire, 2014.“Atelier Impopulaire Split #1 consists of an original text by Bruce McClure, an architect and performer based in New York. It is titled Know Thy Instrument, and based on a lecture given by Hollis Frampton on 30 October 1968, then published as A Lecture. Both with his text and projection performance, McClure aims at reflecting upon the body/technology dynamics, the relation with the whole projection apparatus, and the implications deriving from the removal of some of its parts. This all results in a modification of its mechanical structure, thus provoking a systemic abstraction of the obscurity/light duality in the guise of sound patterns.” (publisher’s blurb)
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Heath Course Pak
Tan Lin
Denver: Counterpath, 2012.“Like its predecessor, HEATH (plagiarism/outsource), Heath Course Pak exists somewhere between a Project Gutenberg version of Samuel Pepys Diary and a minute-to-minute news feed and blog of Heath Ledger’s death. Sad, appropriated, lyrical and confused, the book contains a brief history of recent performance art, a legal defense of plagiarism, the diary of a poetry workshop at the Asian American Writer’s Workshop, an MP3 protest song, and an examination of SMS and GMS technologies as distribution networks for human sadness. Multi-authored, and with numerous text blocks and photos, the revised edition contains 52 pages of new material, an interview, an annotated text, autographed photos of Jackie Chan and Heath Ledger, e-PostIts, COAs, and coffee/tea stains.” (publisher’s blurb)