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The Farce of Sodom
AU$2,000.00 Read MoreAdd to cartDonald Friend
Melbourne: Gryphon Books, 1980.By the Right Honourable Earl of Rochester. Written for the Royal Company of Whoremasters, and printed a-new upon the three hundredth anniversary of the untimely demise of our noble author in the thirty-third year of his life. With sets and costumes suitable for theatrical performances designed by Donald Friend. Limited to 250 signed and numbered copies, this being one of 10 deluxe editions in ornate full leather (described as Artist’s copies).
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La Passion du Christ
AU$1,200.00 Read MoreAdd to cartGeorges Rouault; D’Andre Suares
Tokyo: Editions Iwanami Shoten, 1975.The Japanese production of Rouault’s The Passion of Christ with 54 colour plates tipped on large sheets of handmade paper housed in a custom cloth folder with Andre Suares poems in the original French and 151 page book in Japanese with the Rouault’s wood engravings in the text. Limited to 900 numbered copies, of which this is 354.
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Pleasure of the Gaze: Image and Appearance in Recent Australian Art
AU$40.00 Read MoreAdd to cartBruce Adams
Perth: The Art Gallery of Western Australia, 1985.Exhibition catalogue. Full list of artists: Julie Brown-Rrap, Peter Callas, Richard Dunn, Merilyn Fairskye, Marinka Kordis, Maria Kozic, Lindy Lee, John Lethbridge, Akio Makigawa, Sue Paull, Stieg Persson, Robert Randall, Frank Bendinelli, Carol Rudyard, Peter Tyndall, Vicki Varvaressos, and John R. Walker. Essays by Adrian Martin, Eaghan Morris, and Peter Callas. Curated by Bruce Adams.
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Fritzhansen Furniture Catalogue No. 6802
AU$150.00 Read MoreAdd to cartFritz Hansen
Allerod: Fritz Hansens EFT. A/S, No date. -
Angels / Misfits: The Perfection of Imperfection
AU$40.00 Read MoreAdd to cartGary Cook
Minneapolis: Clown on Fire Media, 2011.Photography project of over 150 tattooed indie women, clothed, partially clothed, and nude.
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The Dance of Moon and Sun: Ithell Colquhoun, British Women and Surrealism
AU$100.00 Read MoreAdd to cartJudith Noble; Tilly Craig; Victoria Ferentinou
Lopen: Fulgur Press, 2023.“Straddling the worlds of Surrealism, occultism and modernist literature, Ithell Colquhoun was widely respected in her lifetime, but her transgressive, esoteric and poetic paintings and writings were long neglected until recent years. This volume is the first critical examination of her diverse legacy, compiling papers from a 2018 conference on Colquhoun and her contemporaries Leonora Carrington, Leonor Fini and Stella Snead. Colquhoun occupies a unique place within the lineage of occult Surrealist painters such as Leonora Carrington and Remedios Varo, as her presence in the 2022 Venice Biennale exhibition Milk of Dreams demonstrated.Contributors explore themes of authorship and agency, Colquhouns drawing practice, her Celtic motifs, British Surrealism and alchemy.” (publisher’s blurb)
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Synthesis
AU$1,200.00 Read MoreAdd to cartKohei Nawa
Tokyo: AKAAKA Art Publishing, 2011.The extensive catalogue accompanying the 2011 solo exhibition at the Museum of Contemporary Art Tokyo, the first to present a comprehensive view of all of Nawa’s work to date. Includes an original work by Kohei Nawa mounted in an enclosure on the lower board.
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America: The Other Side: West Coast Art im Umkreis der 60er Jahre
AU$50.00 Read MoreAdd to cartClemens Sels Museum
Nuess: Clemens Sels Museum, 1993.An exhibition of 1960s American art and counterculture. Contains essays in German and English (not bilingual). Includes discussion and images of the Beat Generation, counterculture in California, psychedelic poster art, Ken Kesey and the Merry Pranksters, and more.
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Cosmic Love Wonder Lust: The Imperial Slacks Project
AU$110.00 Read MoreAdd to cartNicholas Tsoutas
Sydney: Campbelltown Arts, 2018.Accompanying book to exhibition by artist run collective Imperial Slacks held across the Campbelltown Arts Centre and Sydney College of the Arts Galleries in 2015. Imperial Slacks challenged the traditional model of artist run spaces, using their collective to test alternative attitudes towards curating.
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Binding Culture into Thread: Textile Arts of Biboki, West Timor
AU$50.00 Read MoreAdd to cartFiona Leibrick
Darwin: Museums & Art Galleries of the Northern Territory / The Centre for Southeast Asia Studies, Northern Territory University, 1994. -
Mein Kampf
AU$75.00 Read MoreAdd to cartDavid Levinthal
Santa Fe: Twin Palms Publishers, 1996.First edition of Levinthal’s photographic recreations of scenes from Hitler’s reign, using figurines, toy soldiers, and dramatic lighting to construct his tableaux. Includes commentary by Roger Rosenblatt and James E. Young with an afterword by Garry Trudeau.
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Yokoo Tadanori: Grand Theatre of Live Painting: Something’s Happening at the Museum Today
AU$150.00 Read MoreAdd to cartYokoo Tadanori
[Kobe]: Yokoo Tadanori Museum of Contemporary Art, 2019.Published to accompany the 2019 exhibition dedicated to works that Tadanori created in front of live audiences. Tadanori thrives on the focus, and the energy, that painting in public provides and this catalogue includes photos of audiences observing the artist.
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Ay-O’s Rainbow Prints: Catalogue Raisonne, 1954-1979
AU$200.00 Read MoreAdd to cartAy-O
Tokyo: Sohbun-Sha, 1979.Ay-O’s signature rainbow prints, made famous at the 1966 Venice Biennale, are showcased in this catalogue along with some of his other significant works. During the 1960s and 1970s Ay-O (1931-) was at the forefront of the Fluxus movement, an international community of artists, including Yoko Ono, who emphasized the importance of art making over the finished product. Numbered first edition of 200 copies, of which this is number 47.
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Gender and Power in the Japanese Visual Field
AU$80.00 Read MoreAdd to cartJoshua S. Mostow; Norman Bryson: Maribeth Graybill
Honolulu: University of Hawai’i Press, 2003. -
Manga Design
AU$30.00 Read MoreAdd to cartMasano Amano
Koln: Taschen, 2004.DVD includes interviews, a Tokyo Manga-shop tour, and 900 Manga covers.
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Cage: A New Series of Assemblages and Collages
AU$100.00 Read MoreAdd to cartBetye Saar
New York: Michael Rosenfeld Gallery, [2010].Exhibition catalogue November 6 – January 15, 2011.
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Contempo: This American Tempo
AU$400.00 Read MoreAdd to cartJohn Vassos; Ruth Vassos
New York: E. P. Dutton & Company, 1929.John Vassos, American artist and industrial designer, was a pioneer of the art deco style, creating shapes and designs for radio, television, computer, and broadcasting equipment for nearly four decades. Contempo is credited with launching his career as a modern artist and showcases his geometrical, cubist, and constructivist style, accompanying his wife Ruth Vassos’ textual critique of post-war American society. This copy inscribed by John Vassos to Louis Lazarus.
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Exploitation Poster Art
AU$40.00 Read MoreAdd to cartTony Nourmand; Graham Marsh
London: Aurum Press, 2005.“Sex, drugs, delinquency, Black power, alternative culture and, of course, rock and roll: these are just some of the themes which have attracted the attention of cinema’s bottom-feeders over the past eighty years.” (from blurb)
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Color on Color (Volume 2)
AU$250.00 Read MoreAdd to cartHiroshi Hara
[Tokyo]: [Takeo Paper Co.], No date.Exploring the possibilities of opaque ink. A sample book created by paper firm Takeo Paper featuring works by famous graphic designers and photographers printed in various inks. Features work by Kishin Shinoyama, Keisuke Nagatomo, Seitaro Kuroda, Satoshi Kondo, Ayumu Ohashi, Tamotsu Ejima, Yoshihiro Tatsuki, Tadahito Nadamoto, Eiko Ishioka, Keiichi Tanaami, and Makoto Nakamura. Curated by Hiroshi Hara.
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Destroy All Monsters Magazine
AU$280.00 Read MoreAdd to cartDestroy All Monsters; Cary Loren
New York: Primary Information, 2011.“Facsimile edition of Destroy All Monsters Magazine including remnants of the lost seventh issue, which was never released. Destroy All Monsters Magazine features work by Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Destroy All Monsters Magazine was edited by Cary Loren and contained artwork, photographs, and flyers from band mates Mike Kelley, Cary Loren, Niagara, and Jim Shaw. Printed using any papers and techniques available to the band, the issues combine the cut and paste tactics of punk zines with a psychedelic affinity for color. Destroy All Monsters Magazine functions as a kind of manifesto, providing insight into the band through densely layered pages with movie imagery, kitsch, cartoons, delicate drawings, and counter-culture collages. While Destroy All Monsters has been the subject of recent exhibitions and partial reprints, this is the first time that all issues have been reprinted.” (publisher’s blurb)