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Justine ou les Malheurs de la Vertu
Marquis de Sade
Paris: Le Soleil Noir, 1950.First Edition with the preface by Georges Bataille. One of the first issue of 940 numbered copies with the pink frontispiece by Hans Bellmer.
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Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch
Terry Pratchett; Neil Gaiman
London: Victor Gollancz, 1990.First edition, first printing, in a full leather modern art binding by Queensland bookbinder Karen McGuire.
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Memoires de Jacques Casanova de Seingalt (2 Volumes)
Jacques Casanova; Brunelleschi
Paris: Gibert Jeune, Librairie d’Amateurs, 1955.Illustrated by Umberto Brunelleschi, a number of which are erotic. One of 3,000 numbered copies.
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Madame Bovary: Moeurs de Province
Gustave Flaubert; Brunelleschi
Paris: Gibert Jeune, Librairie d’Amateurs, 1953.Flaubert’s Madame Bovary with illustrations by Umberto Brunelleschi, a number of which are erotic. One of 3,000 numbered copies.
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Manrape
Marta Tikkanen
London: Virago, 1978.Translated from the Swedish ‘Man kan inte valdtas’ by Alison Weir. The first English edition released alongside the 1978 film ‘Men Can’t Be Raped’. “On her fortieth birthday Eva Randers, library assistant, divorced, living alone, is asked to dance by Marty Wester at a local disco. After a few drinks they go back to his flat, where he proceeds to tie her up, pour liquor over her, and rape her. .. She’s stunned, humiliated, frightened, confused. She doesn’t report it to the police. And she can’t and won’t forget it. Stubbornly and obsessionally she makes her plan to alert the world to her experience…” (from jacket flap)
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Les Sept Femmes de La Barbe-Bleue et Autres Contes Merveilleux
Anatole France; G. A. Mossa
Paris: Librairie Des Amaterus, A. Ferroud. – F. Ferroud, 1921.Bluebeard’s Seven Wives and Other Wonderful Tales. France’s reinterpretation of the French folktale of Bluebeard. First published in 1909, this is the first edition with illustrations by Gustav-Adolf Mossa. One of 70 numbered copies on Japanese paper with the etchings in 3 states (from a total edition of 1,200). This copy from the collection of Australian actor and bibliophile Barry Humphries, with his bookplate, in a fine signed binding by Flammarion bookbinder Jean Vaillant.
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La Fille aux Yeux d’Or
Honore de Balzac; Almery Lobel-Riche
Paris: Le Livre du Bibliophile, G. & R. Briffaut, 1923.The Girl with the Golden Eyes. An aristocratic libertine becomes obsessed with a beautiful woman and sets about seducing her. Alas, his conquest uncovers a hidden lesbian relationship and he finds himself entangled in web of erotic obsession and fatal jealousy. First published in 1835, this is the first edition with illustrations by Almery Lobel-Riche. One of 40 numbered copies on Japanese paper with the etchings in 3 states and an original drawing by Lobel-Riche (from a total edition of 500). This copy in a fine signed binding by H. Jacquet.
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Le Diable au Corps
Raymond Radiguet; Paul-Emile Becat
Paris: Editions Georges Gullot, 1957.The Devil in the Flesh. The story of a young married woman’s affair with a teenage boy while her husband is away fighting in WWI. First published in 1923, this is the first edition with erotic illustrations by Becat, and with an introduction by Jean Cocteau. The superlative issue, one of 16 numbered copies on Japanese paper with an original signed drawing in pencil and white gouache, with the composition then hand coloured and signed by Becat, the 16 illustrations by Becat hand coloured by Jean and Paulette Monnier, followed by a suite containing the illustrations in black in two states, on Japanese paper and Rives vellum.
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Le Diable Amoureux
Jacques Cazotte; Paul-Emile Becat
Paris: La Tradition, 1936.The Devil in Love. Occult romance first published in 1772. This the first edition with erotic illustrations by Becat. One of 450 numbered copies on Arches vellum (of a total edition of 500).
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Le Parfum des Iles Borromees
Rene Boylesve; Paul-Emile Becat
Paris: L’Editions D’Art H. Piazza, 1933.French novel of passionate vacationers on the shores of Lake Maggiore. The first edition with 26 illustrations by Becat. Edition of 450 copies, this copy on vellum numbered IV (outside of the justification) with a printed subscriber’s name scratched out.
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La Fille Elisa
Edmond de Goncourt; Paul-Louis Guilbert
Paris: Le Livre du Bibliophile, George Briffaut, 1929.Goncourt’s prostitute-prisoner novel, here published for the first time with original drypoints by Paul-Louis Guilbert, a preface by J. -H. Rosny Aine, and an afterword by Jean Ajalbert. Edition of 425 numbered copies, this copy on Arches vellum, unnumbered but inscribed by the publisher, likely to the Belgian publisher Albert Parmentier of Les Editions du Nord.
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Les Ames du Purgatoire
Prosper Merimee; Lucien Guezennec
Paris: Pierre Larrive, 1947.The Souls of Purgatory, short story retelling of the myth of Don Juan, the first edition with 10 engravings by Lucien Guezennec and woodcut ornaments by Dan Sigros. One of a numbered edition of 500 copies on Lafuma (of a total edition of 611).
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La Mort de Philae
Pierre Loti; Geo Colucci
Paris: Editions Rene Kieffer, 1924.The Death of Philae (English title: Egypt), a tale set around the submerging of the island of Philae with the construction of the Aswan Low Dam on the river Nile. The first edition with illustrations by Geo Colucci. One of 460 numbered copies on vellum (of a total edition of 500), in a fine half leather binding signed Ch. De Samblax with the original wrappers bound in.
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Les Civilises
Claude Farrere; Henri Le Riche
Paris: Librairie de la Collection des Dix, 1926.French colonizers indulge in fornication, opium, and general debauchery in late 19th century Saigon (then French Cochincina, modern day Ho Chi Minh City, Vietnam). One of 200 numbered copies of Arches vellum (of a total edition of 300), bound with the original wrappers.
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Les Ames du Purgatoire
Prosper Merimee; Hermann Paul
Paris: Rene Kieffer, 1929.The Souls of Purgatory, short story retelling of the myth of Don Juan, the first edition with fifteen watercolours by Hermann Paul. One of a numbered edition of 450 copies on wove paper (of a total edition of 480), this copy bound by French bookbinder Rene Kieffer (1875-1964) in a fine full leather binding with an elaborate star, heart, and chain blind design to both boards, with his ticket to the endpaper, the original wrappers bound in.
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The Mystery of a Hansom Cab
Fergus W. Hume
London: The Hansom Cab Publishing Company, [1888]. -
Armed with Madness
Mary Butts; Jean Cocteau
London: Wishart & Company, 1928.Experimental novel based on the myth of the Holy Grail. A one time student of Aleister Crowley, Butts is credited as a co-author of the 1912 Magick (Book 4). In 1921 she spent time at Crowley’s Abbey of Thelema, not enjoying her stay, and departing with a drug habit. Armed with Madness explores the relationships (including homoeroticism and bisexuality) and ritualism among a group of young bohemians living at a country home. Considered a masterpiece of Modernist prose. One of 100 numbered copies of the Deluxe Edition on handmade paper with illustrations by Jean Cocteau.
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Savages & Sinners
John Maitland
Sydney: The Macquarie Head Press, 1933.“This work is described by Miller as presenting ‘social and economic phases of life in mandated territories of the Northern Pacific and the sex-attitudes of whites and blacks’. The dedication and the author’s note suggest that it is a fictionalised re-telling of a diary kept by a Captain Tyarki. Whether this captain is an actual figure or a fictional persona is unclear.” (Auslit) This copy signed by the author to the title page.
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Dead Man’s Love
Tom Gallon
London, Melbourne and Toronto: Ward, Lock & Co., 1911.Romance mystery adventure of a prison escapee. The first printing with frontispiece illustration by Howard Somerville.
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Narcolepsy
Max Pam; Bob Charles
Sydney: T&G Publishing, 2012.“Narcolepsy radically delivers a process that shakes-up the form of the book to produce the art as book and the book as art. The book is a fully realised graphic vehicle. The ways in which the book operates as a series of closures and openings, also parallels the content of the book and amplifies it as an evocative, mysterious object. Narcolepsy is loaded with the poetics of sex and death realised through an exciting fusion of drawing, painting, text and photography. Narcolepsy is a disturbingly ambiguous novella in pictures and words by Max Pam (photographer) and Bob Charles (writer).” (publisher’s blurb)