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BEV. Blad van Eva: de boom der vergetelheid afgerukt
Leonie Greefkens
Amsterdam: BEV, 1988-1989.A complete set of the 1980s Dutch erotic journal for heterosexual women. Edited by Leonie Greefkens with art design by Willem de Ridder, Paul Kooiker, Henk tur Kulve, and Maud Vink. Numerous contributors of erotic photography, text, and comics. This set has been collected and finely bound in vellum with the original wrappers and housed in a matching slipcase
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Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch
Terry Pratchett; Neil Gaiman
London: Victor Gollancz, 1990.First edition, first printing, in a full leather modern art binding by Queensland bookbinder Karen McGuire.
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Les Sept Femmes de La Barbe-Bleue et Autres Contes Merveilleux
Anatole France; G. A. Mossa
Paris: Librairie Des Amaterus, A. Ferroud. – F. Ferroud, 1921.Bluebeard’s Seven Wives and Other Wonderful Tales. France’s reinterpretation of the French folktale of Bluebeard. First published in 1909, this is the first edition with illustrations by Gustav-Adolf Mossa. One of 70 numbered copies on Japanese paper with the etchings in 3 states (from a total edition of 1,200). This copy from the collection of Australian actor and bibliophile Barry Humphries, with his bookplate, in a fine signed binding by Flammarion bookbinder Jean Vaillant.
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Ars Amandi. L’Art D’Aimer
Ovide; Pierre Lievre; Andre Lambert
Paris: Le Livre du Bibliophile, G. & R. Briffaut, 1923.The Art of Love by Ovid, a new translation into French by Pierre Lievre and with illustrations by Andre Lambert. One of 404 numbered copies on Arches vellum (from a total edition of 500), this copy for Maurice de Smet de Naeyer, bound in half leather signed Weckesser.
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La Fille aux Yeux d’Or
Honore de Balzac; Almery Lobel-Riche
Paris: Le Livre du Bibliophile, G. & R. Briffaut, 1923.The Girl with the Golden Eyes. An aristocratic libertine becomes obsessed with a beautiful woman and sets about seducing her. Alas, his conquest uncovers a hidden lesbian relationship and he finds himself entangled in web of erotic obsession and fatal jealousy. First published in 1835, this is the first edition with illustrations by Almery Lobel-Riche. One of 40 numbered copies on Japanese paper with the etchings in 3 states and an original drawing by Lobel-Riche (from a total edition of 500). This copy in a fine signed binding by H. Jacquet.
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Les Civilises
Claude Farrere; Henri Le Riche
Paris: Librairie de la Collection des Dix, 1926.French colonizers indulge in fornication, opium, and general debauchery in late 19th century Saigon (then French Cochincina, modern day Ho Chi Minh City, Vietnam). One of 200 numbered copies of Arches vellum (of a total edition of 300), bound with the original wrappers.
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Les Ames du Purgatoire
Prosper Merimee; Hermann Paul
Paris: Rene Kieffer, 1929.The Souls of Purgatory, short story retelling of the myth of Don Juan, the first edition with fifteen watercolours by Hermann Paul. One of a numbered edition of 450 copies on wove paper (of a total edition of 480), this copy bound by French bookbinder Rene Kieffer (1875-1964) in a fine full leather binding with an elaborate star, heart, and chain blind design to both boards, with his ticket to the endpaper, the original wrappers bound in.
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Les Amours de Psyche et de Cupidon
J. De La Fontaine
Paris: Defer de Maisonneuve, 1791.The Loves of Psyche and Cupid by Jean De La Fontaine with colour illustrations based on paintings by M. Schall. One of the most striking editions of Fontaine’s adaptation of the story of Cupid and Psyche with coloured stipple engravings by Bonnefoy, Mme Demonchy, and Colibert after Jean-Frederic Schall. This copy with the advertisement leaf (often lacking) announcing the publication of Milton’s Paradise Lost, with an additional portrait engraving frontispiece by Edelinck after H. Rigault, and an original drawing dedication “quatre amis dont la connaissance avait commence par le Parnasse” [four friends whose acquaintance had begun at Parnassus]: La Fontaine, Racine, Moliere, and Boileau, in pen and Indian ink enhanced with gold and colouring on vellum signed L. Benard 1893, bound in a fine signed binding by the Paris bookbinder Salvador David (1859-1929).
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Salome. Drame en un acte.
Oscar Wilde
Paris and Londres: Librairie de L’Art Independant and Elkin Mathew et John Lane, 1893.First edition, one of 600 copies, the title page device by Felicien Rops. MASON 348. This copy rebound in a fine signed art nouveau binding by Hatchards, Piccadilly, without the wrappers, with a plentiful quantity of blank leaves at the rear to allow for the binding design.
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Le Spleen de Paris
Charles Baudelaire; L. Lafnet
: Les Bibliophiles Franco-Suisses, 1940 [1941].One of 106 numbered copies reserved for members of the final illustrated book by Luc Lafnet, with 90 etchings each with tissue guard.
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Les Fleurs du Mal
Charles Baudelaire; Armand Rassenfosse; Henri Noulhac
Paris: Les Cent Bibliophiles, 1899.One of 115 numbered copies of the first, and widely considered the best, illustrated edition of The Flowers of Evil, being the chef d’oeuvre of Belgian artist Armand Rassenfosse, with nearly every page of the text illustrated with Symbolist colour etchings and nude women. This copy from the collection of actor and bibliophile Barry Humphries, with his bookplate; bound in a fine binding signed Noulhac 1918, with multi-rule borders and silk doublures framed with inlaid leather strips and flowers at the corners. Illustrated with a portrait frontispiece, throughout with hundreds of colour illustrations and tailpieces, as well as 6 plates and a page of text with tailpiece outside of the text. Bound at the rear is a Juin 1897 Specimen being the leaf of XX La Geante with an alternative tailpiece illustration and the chapter plate for Les Fleurs du Mal, an etched menu cover for a Les Cent Bibliophiles Dinner for Fleurs du Mal, 6 Mai 1901 by Rassenfosse, as well as 17 additional etchings by Evert van Muyden and other artists.
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Chemical Amusement, Comprising a Series of Curious and Instructive Experiments in Chemistry,
Fredrick Accum
London: Thomas Boys, 1817.Which are Easily Performed, and Unattended by Danger. 103 chemistry experiments with magical application for the conjuring chemist. The rare first edition with the 60 page, A Descriptive Catalogue of the Apparatus & Instruments Employed in Experimental and Operative Chemistry, in Analytical Mineralogy, and in the Pursuits of the Recent Discoveries of Voltaic Electricity, Manufactured and Sold by the author, at the rear, the separate title on the verso of pp. 191. Friedrich Accum (1769-1838) was a German chemist who lived in London from 1793 to 1821. He played a key role in the establishment of gas lighting in London and wrote a number of popular chemistry works, most notably campaigning against the unscrupulous use of chemical additives in food in his 1820 A Treatise on Adulterations of Food and Culinary Poisons. HALL 1, TOOLE STOTT 1. This copy in a Zaehnsdorf half leather binding with the author’s calling card laid in and the bookplates of magicians Roland Winder and Ricky Jay.
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L’Homme qui a perdu son Ombre
Adelbert de Chamisso; Bernard Naudin
Paris: A. M. Peignot, 1913.French translation from the original German of Peter Schlemihls wundersame Geschichte (English: The Man with No Shadow) by the exiled French aristocrat, poet, and botanist, Adelbert von Chamisso (1781-1838). The story follows Peter Schlemihl who sells his shadow to the Devil for infinite money. The first edition with 15 engravings by French artist Bernard Naudin (1876-1946) limited to 100 numbered copies, this being one of 75 copies on Van Gelder paper, in a signed fine binding by Bernasconi with the original wrappers bound in. Peter Schlemihl was Naudin’s first major project after giving up painting to devote himself exclusively to printmaking.
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Expedition Antarctique Belge. Au Pays des Manchots: Recit du Voyage de la Belgica
Georges Lecointe
Bruxelles: Societe Belge de Libraire, 1904.Account of the captain of the RV Belgica, the second in command of the first Belgian Antarctic Expedition of 1897-1899. Considered the first expedition of the Heroic Age of Antarctic Exploration, it was the first expedition to spend the entire winter in the region. Trapped in the ice for a year, they were ill prepared, the polar night driving a number of the crew mad and with scurvy setting in they were forced to subsist on penguin (largely considered inedible). Despite the challenges much scientific data was gathered including around 700 rock samples, for the first time meteorological observations were recorded for a full Antarctic year, and 188 new animal species were discovered. This superlative copy bound in full vellum with leather labels and decorative endpapers, and with a bound in manuscript letter dated 26 July 1904 from Lecointe to Madame Van Halteren requesting her to give the book to her daughter, Miss Van Halteren, signed by Lecointe, also with his monogram stamp and the stamp of the Royal Observatory of Belgium.
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Les Freres Zemganno
Edmond de Goncourt; Auguste Brouet
Paris: Edite par F. Gregoire, 1921.Goncourt’s Naturalist exploration of the evolution of French literature through the acrobatic artistry of two circus brothers, also echoing and exploring his own love and loss of his inseparable brother (and literary partner) who passed some years prior. Originally published in 1879, here for the first time with numerous illustrations by Auguste Brouet. The illustrations include 15 full page etchings, a half-page etching on the half-title, and a vignette on the title, all signed in the plate, together with a further 51 illustrations in the text. This copy extra illustrated with 4 original signed drawings by Brouet mounted at the beginning, and finely bound in a signed full leather binding by Ganape, RD, dated 1925, and with the bookplates of Yvan Lamberty and B. Le Dosseur.
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The Bells and other Poems
Edgar Allan Poe; Edmund Dulac
London: Hodder & Stoughton, 1912.The deluxe edition of the poems of Edgar Allan Poe featuring The Bells, The Raven, and others. Illustrated with 28 tipped in colour plates and additional vignettes by Edmund Dulac and published in a numbered edition of 750 copies signed by Dulac.
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The Epicurean, A Tale
Thomas Moore
Paris: A. and W. Galignani, 1827.The Paris Edition published the same year as the UK first. This copy in the armorial binding of Lord Henry Seymour (1805-1859) signed Rel. Hering.
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Light Through Darkness
Henri Michaux
New York: The Orion Press, 1963.The accounts, observations, and literary manifestations of Henri Michaux (1899-1984), Belgian born French poet and artist, on mescaline, psilocybin, and marijuana. Originally published in French in 1961, then translated into English by Haakon Chevalier and first published in America in 1963. Associated with the Tachiste movement in the 1940s and 1950s, Michaux was one of the original 20th century artists to take drugs and make art. This copy in a fine signed full leather binding by Queensland bookbinder Karen McGuire based on the original jacket design.
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Miserable Miracle (La Mescaline)
Henri Michaux
Monaco: Editions du Rocher, 1956.The accounts, observations, and literary manifestations of Henri Michaux (1899-1984), Belgian born French poet and artist, while on mescaline. Associated with the Tachiste movement in the 1940s and 1950s, Michaux was one of the original 20th century artists to take drugs and make art. This copy has been finely bound in full leather by Queensland bookbinder Karen McGuire, with a design based on one of Michaux’s drawings. One of the standard edition of 1,500 numbered copies, of which this is 1,256.
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Proverbial Philosophy
Martin Farquhar Tupper
London: Hatchard and Co., 1859.The Thirty-Fifth Edition containing the First and Second Series of Martin Farquhar Tupper’s (1810-1889) Proverbial Philosophy, the long winding moral flowers of this and that which say so much while saying nothing. Outselling Wordsworth and Longfellow in its day, and becoming very popular in America, though largely pirated copies, practically unrecognised today.