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Songwords
AU$200 Read MoreAdd to cartFiona Colin; Sarah Curtis
Melbourne: Fiona Colin and Sarah Curtis, No date.Poster documenting a collection of women’s songs, most featuring music by Clitoris or the Women’s Electric Band, two bands active in the mid 1970s Sydney and Melbourne feminist and queer rock music scenes. A note at the bottom right of the poster states that they are collecting women’s songs for a book and that contributions should be sent to Dianne Duncombe and Virginia Fraser (it doesn’t seem that such a book ever eventuated). Full list of titles and credits recorded on the poster: Mean and Nasty (words by Susan Hollis, music by Susan Hollis and Riff Raff), Introspection, Double Standard, Coupling (words and music by Robyn Archer), Pushing Shit Uphill – Uranium Songs (words by Vicki Bell, music by Vicki Bell and the Women’s Electric Band), Song for Lesbians (words by Leonie Crennan, music by Clitoris), Mother Who’s That Man (words by Penny Short, music by Clitoris), Catholic Song (words by Teresa Jack, music by Clitoris), Feelin’ Fine (words by Margaret Hender, music by Margaret Hender and the Women’s Electric Band), Male Illusion Fast Intrusion (words by Dianne Duncombe, music by Dianne Duncombe and the Women’s Electric Band).
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Comme avec une Femme
AU$300 Read MoreAdd to cartEdouard Boubat
Paris: Hors Collection, 1994.71 photogravures by the French photographer of women and their lives. An association copy, inscribed to Boubat’s longtime friend and colleague Peter Turnley.
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A Dissertation on Milk
AU$1,000 Read MoreAdd to cartSamuel Ferris
London: John Abraham, [1785].In which an attempt is made to ascertain its natural use; to investigate experimentally its general nature and properties; and to explain its effects in the cure of various diseases: Likewise to point out the varieties in the food of the animal, from which it is taken; and the circumstances in the mode of life and conduct of those women, who afford it, which more especially tend to change its appearance, and to impair its salutary qualities: and particularly to enforce the cautions and restrictions, which are necessary to be observed by those, whose duty or business it is to suckle an infant race. One of the more substantial English-language eighteenth-century monographs devoted wholly to milk, combining experimental chemistry with medical, moral, and social thought on infant feeding, motherhood, female bodies, and the transmission of health and character. Ferris undertakes comparative chemical experiments on six milks (ass, human, mare, cow, goat, and ewe) and uses the results to advance a sustained argument for maternal breastfeeding against both wet-nursing and the nursery customs of the day. He maintains that a mother’s own milk is the best possible nutriment and casts a woman’s refusal to nurse her child as ‘one of the worst species of inhumanity’. He approvingly cites the late Dr William Hunter (1718-1783), who believed cancers of the breast occurred disproportionately among women who declined to breastfeed, and condemns the common practice of withholding the breast during the first days after birth. Where maternal nursing proves impossible, Ferris subjects the wet nurse to detailed scrutiny. Her diet, habits, mode of life, and even emotional state are made objects of prescription, the infant being thought to absorb the consequences of her conduct through her milk. The nursing body is thus framed throughout as an object of medical and social management, ordered in the interests of the ‘infant race’. Presentation copy, inscribed by Ferris to The Revd. Mr Tonyn, likely the Revd Charles William Tonyn (1732-1805), Rector of Radnage, Buckinghamshire, a parish situated near Great Missenden, where Ferris settled in 1785.
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Fallopian Tube Fallopianna & Madness (2 Volumes)
AU$400 Read MoreAdd to cartGaby [Gabrielle Antolovich]
Sydney: Fallopian Tube Press, 1974.The first two (and likely only) publications of the Sydney lesbian feminist press Fallopian Tube, featuring feminist and lesbian poetry and texts. Gabrielle Antolovich was a prominent figure in Sydney’s gay liberation and feminist movements, an early member of the Campaign Against Moral Persecution (CAMP) who, with her then-partner Sue Wills, appeared on the ABC’s landmark Chequerboard documentary in 1972 as one of the first openly lesbian couples on Australian television. Antolovich resigned from CAMP’s executive in 1974, citing sexism within the organisation, the same year these publications appeared, amid a broader shift among lesbian activists toward autonomous feminist publishing. Fallopianna is one of 100 numbered first printing copies produced in April 1974. Madness is one of 200 numbered first printing copies produced in December of the same year. Contains an erotic text by pioneering Australian feminist artist Vivienne Binns, noted as ‘the piece that no other publication would print’, along with contributions by Kerryn Higgs, Kate Jennings, and others.
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Women in Mughal India (1526-1748 A.D.)
AU$150 Read MoreAdd to cartRekha Misra
Delhi: Munshiram Manoharlal, 1967.Scholarly historical study of the role and status of women in the Mughal Empire, based on the author’s doctoral thesis at the University of Allahabad. This copy from the collection of the controversial Tattersalls heir, Prof. V.J.A. Flynn.
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Women and Psychedelics: Uncovering Invisible Voices
AU$40 Read MoreAdd to cartErika Dyck; Clancy Cavnar; Patrick Farrell; Ibrahim Gabriell; Beatriz C. Labate; Glauber Loures de Assis
Santa Fe and London: Synergetic Press, 2024.“This collection of short essays examines the place of women in the history of psychedelics. While some of the subjects are pioneers in their own right, the authors in this collection go beyond merely adding women to the past in psychedelic history, exploring some of the significant ways that women have contributed to psychedelic knowledge. Blending historical and anthropological approaches with a series of captivating interviews, this collection taps into women’s networks around the world throughout the 20th century. It reveals some of the sophisticated and creative ways women have influenced our understanding of psychedelics and how they will continue to protect these stories as we face our psychedelic future. Our collection intentionally moves beyond an American set of stories, teasing out networks in Latin America. This collection brings together authors from the Chacruna Institute and Chacruna Latinamerica to engage readers in conversations that move across time and place throughout the Americas. It is the first of its kind to balance non-English contributions through translation of stories exploring different cultural contexts outside the United States, where women have contributed to this enduring history.” (publisher’s blurb)
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All Her Labours: One, Working it Out
AU$40 Read MoreAdd to cartWomen And Labour Publications Collective
Sydney: Hale & Iremonger, 1984.Feminist perspectives on women’s paid and unpaid work in Australia.
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Bodyjamming
AU$50 Read MoreAdd to cartJenna Mead
Sydney: Vintage, 1997.Sexual harassment, feminism, and public life. Contributions by Alice Blake, Rosi Braidotti, Kaz Cooke, Ann Curthoys, Mark Davis, Judy Horacek, Foong Ling Kong, Amanda Lohrey, Jenna Mead, Jenny Morgan, Meaghan Morris, Elspeth Probyn, Matthew Ricketson, Natasha Stott Despoja, and XX (Ormond College Complainant). Edited by Jenna Mead.
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Evocations of the Child: Fertility Figures of the Southern African Region
AU$40 Read MoreAdd to cartElizabeth Dell
Cape Town: Human & Rousseau, 1998. -

The Mutual Help Group: A Therapeutic Program for Women Who Have Been Abused
AU$40 Read MoreAdd to cartMargaret Condonis; Karen Paroissien; Barbara Aldrich
Sydney: Redfern Legal Centre Publishing, 1990. -

In and Out of Enchantment: Blood Symbolism and Gender in Portuguese Fairytales
AU$60 Read MoreAdd to cartIsabel Cardigos
Helskinki: Suomalainen Tiedeakatemia, 1996.The core of fairytales is the realm of enchantment. This study argues that the bloodshed associated with menstruation, defloration and childbirth–natural episodes in the lifecycle of women–is central to a syntax of enchantment and disenchantment that is common to all fairytales. It is a reflection on the gendered voices that have generated and contributed to the structure and symbolism of fairytales; and it takes shape along with the discussion of Portuguese versions of wide-spread tale types like AT303 (The Two Brothers), AT313 (The Girl as Helper in the Hero’s Flight and AT516 (Faithful John), as well as through an intriguing ecotype of Snake Helper tales (AT533*), ‘The Little Snake’. FF Communications No. 260 published by the Finnish Academy of Science and Letters.
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The Tales of the Ploughwoman
AU$40 Read MoreAdd to cartMarisa Rey-Henningsen
Helskinki: Suomalainen Tiedeakatemia, 1996.Appendix to FFC 254. FF Communications No. 259 published by the Finnish Academy of Science and Letters.
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The World of the Ploughwoman: Folklore and Reality in Matriarchal Northwest Spain
AU$60 Read MoreAdd to cartMarisa Rey-Henningsen
Helskinki: Suomalainen Tiedeakatemia, 1993.This study is a contribution to the discussion of folklore as a mirror of society. Spanish Galicia offers a special opportunity for examining wellknown folktales in a different context because of the cultural and economic dominance of women and the matriarchal life style which characterized the region until recently. That matriarchy was deeprooted in Galicia and did not result from male migration in modern times, is demonstrated in the historical chapters of the book, while the anthropological chapters (on family systems, work patterns, matriarchal ideology, sexual behaviour, religion and magic) tend to show that all aspects of Galician culture have been “canonized” in folklore; folklore therefore must have gone through radical changes in order to conform with the local ideology. While the women in Galician folktales almost always appear in active and aggressive hero roles, this has nothing to do with “wishful thinking” or “poetic fiction”, for according to the matriarchal concept it is just the natural order of things. Surely the correlation demonstrated here between the social structure, gender roles, and ideology may also be observed in male-dominated societies, once we learn to disengage from the patriarchal concept of the “natural order of things”. FF Communications No. 254 published by the Finnish Academy of Science and Letters.
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Let’s Hear It for the Long-Legged Women
AU$150 Read MoreAdd to cartPaul du Feu
Sydney: Angus & Robertson, 1974.Erotic memoir by the husband of feminist writer Germaine Greer. He later married poet Maya Angelou.
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Manrape
AU$100 Read MoreAdd to cartMarta Tikkanen
London: Virago, 1978.Translated from the Swedish ‘Man kan inte valdtas’ by Alison Weir. The first English edition released alongside the 1978 film ‘Men Can’t Be Raped’. “On her fortieth birthday Eva Randers, library assistant, divorced, living alone, is asked to dance by Marty Wester at a local disco. After a few drinks they go back to his flat, where he proceeds to tie her up, pour liquor over her, and rape her. .. She’s stunned, humiliated, frightened, confused. She doesn’t report it to the police. And she can’t and won’t forget it. Stubbornly and obsessionally she makes her plan to alert the world to her experience…” (from jacket flap)
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Striptease Culture: Sex, Media and the Democratisation of Desire
AU$30 Read MoreAdd to cartBrian McNair
London and New York: Routledge, 2002. -

After Sex
AU$35 Read MoreAdd to cartEdna Bonhomme; Alice Spawls
London: Silver Press, 2023.“The last decade has seen a rise in activism and arguments over women’s reproductive freedom reminiscent of the 1960s and 1970s. This title provides personal and political perspectives from the mid-twentieth century to the present day, setting feminist classics alongside contemporary accounts and highlighting the experiences of women of colour and working-class women. Contributors include Nell Dunn, Anne Enright, bell hooks, Ursula K. Le Guin, Audre Lorde and Sally Rooney. These essays, short stories and poems trace past understandings of reproductive freedom and consider what it might look like in future, making urgent connections between womens equality and access to contraception, healthcare and childcare. The writers pay special attention to people — both fictional and real — who have sought control over their sexual lives, and the joy, comedy, difficulties and disappointments that entails. But above all, After Sex testifies to the power of great writing to show us why that freedom is worth pursuing — without shame and without apology.” (publisher’s blurb)
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French Masculinities: History, Culture and Politics
AU$100 Read MoreAdd to cartChristopher E. Forth; Bertrand Taithe
Basingstoke and New York: Palgrave Macmillan, 2007.This copy inscribed by Christopher Forth
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![Hyakunin Joro Shinasadame [One Hundred Women Classified According to Their Rank]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0033662-300x300.jpg)
Hyakunin Joro Shinasadame [One Hundred Women Classified According to Their Rank]
AU$600 Read MoreAdd to cartNishikawa Sukenobu
Kyoto: Unsodo, No date.One of the masterpieces of Ukiyoe art. Depicts women from various social classes of the Edo period, from court and samurai ladies to geisha and sex workers, and the many town and country women in between. Originally published in 2 volumes in 1723 and here reprinted together in 1 volume circa late 19th/early 20th century.
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Issue: Social Strategies by Women Artists
AU$400 Read MoreAdd to cartLucy R. Lippard
London: Institute of Contemporary Arts, 1980.Catalogue for an influential feminist art exhibition, including the works of Jenny Holzer, Suzanne Lacy, Leslie Labowitz, Nicole Croiset, Nil Yalter, Sue Richardson, Monica Ross, Kate Walker, Margaret Harrison, Candace Hill-Montgomery, Alexis Hunter, Maria Karras, Mary Kelly, Margia Kramer, Loraine Leeson, Beverly Naidus, Adrian Piper, Martha Rosler, Miriam Sharon, Bonnie Sherk (the Farm), Nancy Spero, May Stevens, Mierle Laderman Ukeles, and Marie Yates.