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Oeuvres Libres
Paul Verlaine
Segovie: Pablo de Herlagnez, 1868 [c. 1930].Clandestine 20th century anthology of Verlaine’s Amies, Femmes, Hombres (except the last 4 quatrains of Balanide I), and Sonnet du trou du cul [Sonnet to an Asshole] by Verlaine and Arthur Rimbaud. With erotic chapter initials and accompanied by 6 erotic etchings by an anonymous artist. Edition of 400 copies, though often found without the suite of plates, here the plates are on thick Holland laid paper and not vellum as described in PIA 1440, DUTEL 2092.
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Ars Amandi. L’Art D’Aimer
Ovide; Pierre Lievre; Andre Lambert
Paris: Le Livre du Bibliophile, G. & R. Briffaut, 1923.The Art of Love by Ovid, a new translation into French by Pierre Lievre and with illustrations by Andre Lambert. One of 404 numbered copies on Arches vellum (from a total edition of 500), this copy for Maurice de Smet de Naeyer, bound in half leather signed Weckesser.
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CONTACT 1, 2, 3 (3 Volumes)
Jeff Goldberg
Philadelphia: Red Room Books, 1972.First three issues of the literary journal CONTACT edited by Jeff Goldberg, all published in the space of 5 days in December 1972. These initial issues containing Goldberg’s A Week in Philadelphia, and other writings by Goldberg, Victor Bockris, Andrew Wylie, Marty Watt, and Ken Bluford. CONTACT ran for only 7 issues, however after issue 3 there was a change in editorial direction with the remaining issues largely focusing on an individual writer and running with contributions from a wider pool rather than the focused combined output of these Philadelphians, from their young and heady days trying to make their lives as poets.
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Oeuvres Completes de Charles Baudelaire
Charles Baudelaire
Paris: Louis Conard, 1923-1953.Complete set of the Complete Works of Charles Baudelaire in French published by Louis Conard between 1923 and 1953, edited and with notes by Jacques Crepet. Les Fluers du Mal with portrait frontispiece.
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Le Spleen de Paris
Charles Baudelaire; L. Lafnet
: Les Bibliophiles Franco-Suisses, 1940 [1941].One of 106 numbered copies reserved for members of the final illustrated book by Luc Lafnet, with 90 etchings each with tissue guard.
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Les Fleurs du Mal
Charles Baudelaire; Armand Rassenfosse; Henri Noulhac
Paris: Les Cent Bibliophiles, 1899.One of 115 numbered copies of the first, and widely considered the best, illustrated edition of The Flowers of Evil, being the chef d’oeuvre of Belgian artist Armand Rassenfosse, with nearly every page of the text illustrated with Symbolist colour etchings and nude women. This copy from the collection of actor and bibliophile Barry Humphries, with his bookplate; bound in a fine binding signed Noulhac 1918, with multi-rule borders and silk doublures framed with inlaid leather strips and flowers at the corners. Illustrated with a portrait frontispiece, throughout with hundreds of colour illustrations and tailpieces, as well as 6 plates and a page of text with tailpiece outside of the text. Bound at the rear is a Juin 1897 Specimen being the leaf of XX La Geante with an alternative tailpiece illustration and the chapter plate for Les Fleurs du Mal, an etched menu cover for a Les Cent Bibliophiles Dinner for Fleurs du Mal, 6 Mai 1901 by Rassenfosse, as well as 17 additional etchings by Evert van Muyden and other artists.
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The Language of Oysters
Robert Adamson; Juno Gemes
Sydney: Craftsman House, 1997.Photo and poetry book on the lives of the oyster farmers on the Hawkesbury River, New South Wales. This copy inscribed by the photographer, Juno Gemes.
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Narcolepsy
Max Pam; Bob Charles
Sydney: T&G Publishing, 2012.“Narcolepsy radically delivers a process that shakes-up the form of the book to produce the art as book and the book as art. The book is a fully realised graphic vehicle. The ways in which the book operates as a series of closures and openings, also parallels the content of the book and amplifies it as an evocative, mysterious object. Narcolepsy is loaded with the poetics of sex and death realised through an exciting fusion of drawing, painting, text and photography. Narcolepsy is a disturbingly ambiguous novella in pictures and words by Max Pam (photographer) and Bob Charles (writer).” (publisher’s blurb)
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Fata Morgana; or, The Bristol Sculptor’s Idol, A Poem.
H. Jephson
Hobart: T. L. Hood, 1881.Early Tasmanian poetry. The story, in narrative verse, of a genius contending with poverty. Henry Jephson (1810-1896) emigrated from England to Hobart in 1857 becoming associated with the Methodist Free Church and joining the Tasmania Operative Lodge of Masons for which Jephson composed Masonic Songs. The preface of this work is written by Rev. R. D. Poulett-Harris, who became the first Grand Master of the Grand Lodge of Tasmania in 1890.
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The Dark Side
Cherie Imlah
Goolmangar: Jiggi Publishing, 1990. -
La Ballade de la Geole de Reading
Oscar Wilde; G. Cornelius
Paris: Javal et Bourdeaux, 1927.French edition of Wilde’s The Ballad of Reading Gaol illustrated with 15 coloured copper engravings by Jean-Georges Cornelius. One of 225 numbered copies.
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The Bells and other Poems
Edgar Allan Poe; Edmund Dulac
London: Hodder & Stoughton, 1912.The deluxe edition of the poems of Edgar Allan Poe featuring The Bells, The Raven, and others. Illustrated with 28 tipped in colour plates and additional vignettes by Edmund Dulac and published in a numbered edition of 750 copies signed by Dulac.
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New York Nowhere: Meditations and Celebrations, Neurology Ward, The New York Hospital
Geoffrey Dutton; John Olsen
Melbourne: The Lytlewode Press, 1998.One of 30 deluxe copies from the total edition of 175 numbered copies signed by John Olsen and Robert Littlewood containing ten original signed etchings by John Olsen. The deluxe issue bound in brown kangaroo leather by Friedhelm Pohlmann also contains a tipped in sheet of original manuscript by the poet, ten original photographs of the artist and the poet signed by the publisher, five pieces of typescript correspondence hand signed by the publisher, 2 additional unsigned Olsen etchings, and an envelope containing a CD of Dutton reciting his poem. The recording of the CD made only weeks before Dutton’s death. New York Nowhere was Dutton’s last literary work, reflecting on the poet’s stroke and recovery in a New York hospital. Also included is the original prospectus and The Australian Magazine Dec 12-13, 1998 with the cover story on this work.
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[ILLUMINATED] Poems by Carolyn Tebbetts
Carolyn Tebbetts; Elizabeth Mott Chesbrough?
: Elizabeth Mott Chesbrough?, 1910.Poems by Carolyn Tebbets and one by John Banister Tabb, in manuscript with ornate watercolour borders. An inscription on a front flyleaf notes: “Virginia Tebbetts June 19, 1910. With love of Elizabeth Mott Chesbrough” designating the likely artist as Elizabeth, though this is uncertain. An additional watercolour with a poem in french is laid in. Housed in decorative handmade cloth wrappers with an original drawing of a pelican standing under a tree by the waterside.
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Das Jahr der Seele
Stefan George; Ernest Briggs
Brisbane: Ernest Briggs, No date.Autograph transcription of German symbolist poet Stefan George’s 1897 work Das Jahr der Seele [The Year of the Soul] by Australian poet, broadcaster, and critic Ernest Briggs (1905-1967). The complete work has been copied in the original German, though the poem starting ‘Keins wie dein feines ohr’ has only been titled with a blank space left for the poem, and the final 9 poems from ‘Ob schwerer nebel in den waldern hangt’ to end have not been included, presumably only because Briggs ran out of room in the book. Penned during Briggs time at 4BK Brisbane sometime in the late 1930s or early 1940s.
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Body Sweats: The Uncensored Writings of Elsa Von Freytag-Loringhoven
Elsa von Freytag-Loringhoven; Irene Gammel; Suzanne Zelazo
Cambridge: MIT Press, 2011.The Uncensored Writings of Elsa Von Freytag-Loringhoven edited by Irene Gammel and Suzanne Zelazo. The first major published poetry collection of German-born artist and poet, active in New York from 1913 to 1923.
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Tristan and Isolt: A Study of the Sources of the Romance (2 Volumes)
Gertrude Schoepperle Loomis
New York: Burt Franklin, 1963. -
The Doom of Man
Thomas Rose
Sydney: Harold Murray, 1916.Blank verse poem by New South Wales politician and lawyer Thomas Rose (1847-1926).
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Queen of the North: A Jubilee Ode
[George] Essex Evans; Alek Sass [Alexander Phillip Sass]
Brisbane: H. J. Diddams & Co., 1909.Queensland poetry by George Essex Evans illustrated by Alexander Phillip Sass in a mythological medieval style with numerous nude female figures. Queen of the North: A Jubilee Ode has previously been misattributed as a posthumous publication, Evans having died in November of 1909, however this has been proven incorrect, and is actually the final published work.
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Queen of the North: A Jubilee Ode
[George] Essex Evans; Alek Sass [Alexander Phillip Sass]
Brisbane: H. J. Diddams & Co., 1909.Queensland poetry by George Essex Evans illustrated by Alexander Phillip Sass in a mythological medieval style with numerous nude female figures. Queen of the North: A Jubilee Ode has previously been misattributed as a posthumous publication, Evans having died in November of 1909, however this has been proven incorrect, and is actually the final published work. This copy in the superior leather binding with a photographic portrait of Evans which is not present in the standard edition.