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Raped in the Grass
Read MoreEd Wood, Jr.
Los Angeles: Pendulum Publishers, 1968.Though stated as adapted from a film of the same name, no such film was ever released and was part of a style of 20th century sex pulps dressed up as film novelizations likely based on pornographic photo shoots. One of the sleaziest and most violent productions of prolific filmmaker and pulp novelist Ed Wood, Jr. Pendulum Pictorial PP 002. “A guerrilla band of near-wild men and one sadistic lesbian capture two young girls.”
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Nymphs Anonymous
Read MoreRolf Kirby
New York: B. B. Sales Co., 1967.Novelization by Rolf Kirby with photography by Bill New. Adapted from the Manuel Conde film. Sex pulp. Olympic Foto-Reader F104. “The bizarre experiences of male slaves in a world ruled by women.”
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The Acid Eaters
Read MoreRolf Kirby
New York: B. B. Sales Co., 1968.Novelization by Rolf Kirby with photography by Bill New from the original screenplay by Carlos Monsoya [Carl Monson]. Drug pulp. Olympic Foto-Reader F108. “A revealing expose of what it’s like to spend a wild weekend with drug-happy, sex-mad motorcyclists … sharing all their weird hangups!”
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Acid Temple Ball
Read MoreMary Sativa
New York: The Olympia Press, 1971.Second printing of this psychedelic erotica classic. “Mary Sativa tells the rather simple, but very beautiful story of a young art student’s life and loves in New York City and San Francisco. Her experiences are passionate, searching and tender, as she moves from east to west coat looking to learn a little more about the bemusing experience of living.” (while taking lots of drugs and having lots of sex). OPS-56.
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Acid Temple Ball
Read MoreMary Sativa
New York: The Traveller’s Companion Series, The Olympia Press, 1969.First edition, first printing, of this psychedelic erotica classic. “Mary Sativa tells the rather simple, but very beautiful story of a young art student’s life and loves in New York City and San Francisco. Her experiences are passionate, searching and tender, as she moves from east to west coat looking to learn a little more about the bemusing experience of living.” (while taking lots of drugs and having lots of sex). The Traveller’s Companion Series TC-450.
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I Love Black Power
Read MoreGuenter Klow
Wilmington: Eros Publishing Co., 1972.Sexological race pulp by the prolific Paul Hugo Little under his Guenter Klow pseudonym with cover illustration by Bill Ward. Eros Goldstripe Global Press GK-38. A highpoint of 20th century sex pulp publishing. “For many, the spectre of “miscegneation” has long been an ugly word in the American vocabulary. Another favorite American myth is the legend of the Negro as an animal and an orgiastic sexual creature. In this documentary volume, Guenter Klow helps abolish the misconceptions and prejudices concerning “male Negro priapic superiority.” Tape-recorded interviews with nine interracial couples reveal their innermost thoughts and emotions and clearly demonstrates that love transcends hate and prejudice and bigotry. And so does passion, whether it be white or black”
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The Devil Cult
Read MoreAlan Laing
New York: Star Distributors, 1972.Occult SM sex pulp. Paddle Book PB 131. “Their pain hurt like the hell from where it came. Take two rich followers of a special cult of the devil and put them where they can practice their cruel arts in the privacy of a massive estate, surrounded by a conclave of loyal followers who would do anything for their master.”
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She-Devil
Read MoreBitch Books
New York: Star Distributors, 1989.Femdom pulp. Bitch Books BT-115.
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Lust in Leather
Read MoreDodine de Canard
Los Angeles: Tempo Publishing, 1964.SM femdom lesbian gay occult pulp, it’s got it all. Boudoir Classics 0005. “Lace, leather boots, lesbians, homosexuals and love-starved wives and husbands … all mixed into a devil’s orgy that rocked one of California’s most exclusive country club communities!”
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Girl Ghetto
Read MoreKenneth Morgan
Woodside, New York: ZIL Inc., 1968.Sleaze pulp. Empire Book EB 1004. “These are the young lovelies of New York’s Girl Ghetto, speaking in their own words, telling with astonishing frankness what they think about men, love and ex… This is what’s happening now!”
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Walk the Gay Night
Read MoreCarl Mitchell
Van Nuys: Triumph News Co., 1967.Gay / bi pulp. TNC 312. “The lusty ex-marine was equally turned on by men and women – with devastating results”. Pulp publishing house of Ray Goldin.
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Deviate Lust Lady
Read MoreOlin Demar
[Las Vegas]: Spartan Line, 1965.Lesbian pulp. Spartan Line SL 105. “She lusted after another man’s wife…” Spartan Line was an imprint of Pioneer Publishing.
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Ultimate Transform
Read MoreRaymond E. Banks
Wilmington: Orchard Publishing Co., 1978.Sci-fi smut pulp. Castle Books CB 209. Also published as Lust in Space under the pseudonym Ralph Burch and The Moon Rapers as Ramond Banks. Cover art by Paul Stinson.
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Second Sight
Read MoreLindsay Welsh
New York: Masquerade Books / Rosebud, 1996.Lesbian superhero fiction.
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So Sweet, So Soft, So Queer
Read MoreVictor Jay
North Hollywood: Private Edition Books, 1965.Gay pulp fiction by Victor J. Banis AKA Don Holliday under his Victor Jay pseudonym. PE-344. “He burned with a lusty passion as he soared into the ecstasy of love — but this time his partner was a man.”
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Demon Mona
Read MoreJake Edwards
Cleveland: Chevron Publications, 1967.Sleaze pulp fiction. Chevron 109. Cover art by Gene Bilbrew AKA Eneg. The story of a chandelier and its journey to being the centrepiece of a private sex theatre. 1 copy recorded in OCLC.
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Lady Boss
Read MoreShawna deNelle
Buffalo: Book Magazine Distributors, 1967.Lesbian pulp fiction. After Hours AH 157. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
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Queen of Evil
Read MoreMyron Kosloff
Buffalo: After Hours Book Inc., 1964.Voodoo occult lesbian pulp fiction by Paul Hugo Little under his Myron Kosloff pseudonym. After Hours AH 105. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. 1 copy recorded in OCLC.
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Gay Reunion
Read MoreBud Conway
Buffalo: After Hours Book Inc., 1965.Lesbian pulp fiction. After Hours AH 119. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. 1 copy recorded in OCLC.
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Stand In
Read MorePaul Prentiss
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 144. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.