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Bob Mizer. AMG: 1000 Model Directory
Dian Hanson; Bob Mizer
Koln: Taschen, 2016.“From a quarter million male nudes, editor Dian Hanson selects the best physique photography from Bob Mizer, founder of Physique Pictorial, Americas first indisputably gay magazine. Printed from the original 4 x 5 negatives for utmost clarity, this two-volume, seriously strapping lineup includes movie and TV stars Nick Adams, Glenn Corbett, and Ed Fury. An hour-long DVD is also included, containing 18 films made by Bob Mizer between 1954 and 1968, in black and white and color, all edited specifically for this book. They range from simple posing routines by bodybuilding stars Keith Stephan and AMG favorites Forrester Millard, John Davidson, and Steve Buono, to sword and sandal star Ed Furys first physique film, to gladiator extravaganzas, wrestling adventures, crime dramas, anda Bob specialtyhumorous morality tales, starring Jim Paris, John Tristram, Monte Hanson, and other models featured in the book. Mizers take on Dr. Frankensteins monster, in posing straps, is a standout.” (publisher’s blurb)
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Complete Set of David McDiarmid’s ACON AIDS Awareness Safe Sex / Injecting Posters
David McDiarmid
: ACON (AIDS Council of New South Wales), 1992.A complete set of the original AIDS Council of New South Wales safe sex and safe injecting posters featuring artwork commissioned from David McDiarmid (1952-1995). “For people of a certain disposition and a certain age, David McDiarmid’s ACON posters were part of our exploration of sexuality and identity amidst the HIV/AIDS crisis during the 1990s. The large multicoloured muscular naked male bodies with symbols, acronyms and names scrawled across each limb: positives and negatives of grief/lust/fear/care provided a new language for a community to own its public health concerns, and a troubling and appealing depiction of much of our felt ambivalence surrounding sexuality. They, along with his massive and elaborate Mardi Gras floats, were the backdrops to the AIDS vigils of the 1990s; an intense time of shuddering grief and defiant sexual pride.” (Margaret Mayhew, Artllink Issue 34:3) Full list of posters: 1. Some of us get out of it, some of us don’t. All of us fuck with condoms – every time!; 2. HIV, discrimination and grief threaten our community, Build our strength, stay together and support each other; 3. Some of us have HIV, some of us don’t. All of us fuck with condoms – every time!; 4. Some of us inject, some of us don’t. Always use clean needles – every time!; 5. Some of us are in love, some of us are in lust. All of us fuck with condoms – every time!
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(not only) Blue (Complete Set, 67 Volumes)
Marcello Grand
Sydney: Studio Magazines, 1995-2007.A complete set of Australian gay men’s magazine, (not only) Blue, from issue 00 to 66 (67 total). Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, publishers of the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden, and countless others.
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(not only) Blue Mode (Complete Set, 5 Volumes)
Marcello Grand
Sydney: Studio Magazines, 2001-2003.A complete set of the fashion biannual published by Australian gay men’s magazine, (not only) Blue). Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, publishers of the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. Blue Mode was devoted to male fashion.
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Bad
Ben Robertson
Sydney: Blue Books / Studio Magazines, 2004.A special issue of Blue focussing on leather and SM. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Beachboys
Ben Robertson
Sydney: Blue Books / Studio Magazines, 2004.A special issue of Blue focussing the male figure at the beach. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Dreamboys 4: A Special Issue of Blue
Marcello Grand
Sydney: Studio Magazines, 2003.The fourth instalment of the Blue magazine special issues focusing on masculine beauty through the lenses of 50 photographers who are interpreting the theme of athletic prowess and bodily strength. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Dreamboys: A Special Issue of Blue
Marcello Grand
Sydney: Studio Magazines, 2000.The first instalment of the Blue magazine special issues focusing on masculine beauty through the lenses of photographers who are interpreting the theme of athletic prowess and bodily strength. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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2Blue: A Special Issue of Blue
Marcello Grand
Sydney: Studio Magazines, 2004.2Blue explores the many facets of male coupling, from sex and friendship to romance and play. Be they partners, lovers or friends, the pairs in 2Blue reflect the breadth of relationships between men around the world. In this volume, 58 photographers interpret the bonding theme with artistic rigour and sensitivity. A lingering kiss, a rough embrace, a moment of anticipation – all are captured with an eye for passion and emotional honesty. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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The Bear Cult
Chris Nelson
London: Editions Aubrey Walter, 1994.Nude black and white homoerotic photography.
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Uncovered: Rare Vintage Male Nudes
Reed Massengill
New York: Universe Publishing, 2009.Collection of pre-Stonewall photography by Antonio Arabia, John S. Barrington, Earle Forbes, Robert Galster, Frederick Kovert, Plato, George Platt Lynes, Al Urban, Vulcan, and Don Whitman.
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Manhunt!
Terry Richards
Berkeley: Print Mint, 1973.Sex and relationship themed comics by Terry Richards, Michele BRand, Lora Fountain, Nancy Griffith, Gary Hallgren, Gary King, Aline Kominsky-Crumb, Bobby London, Shary Flenniken, Gail Madonia, Lee Marrs, Willy Murphy, Ted Richards, Sharon Rudahl, and Shelby Sampson. Edited by Terry Richards.
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Dyke Shorts
Mary Wings
Oakland: Wings, 1978.The second one-shot comic by lesbian cartoonist and writer, Mary Wings (1949-2024). Credited with being some of the first comics dealing with homosexual themes in a non-erotic context, Dyke Shorts are a collection of comic tales dealing personal lesbian experiences such as self-discovery, coming out, artificial insemination, and more.
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Magpie Reveries: The Iconographic Mandalas of James Koehnline
James Koehnline
New York: Autonomedia, 1992.The cut-up collage art of James Koehnline. Preface by Hakim Bey.
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My Wife
Petter Hegre
Zurich: Edition Stemmle, 2001.Photo series by Norwegian photographer Petter Hegre of his Ukranian wife Luba Shumeyko. Includes an interview in English with Thomas Bodmer
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Behold !!! The Protong
Stanislav Szukalski
San Francisco: Last Gasp, 2000.Introduction by Robert Williams. Edited by Glenn Bray and Lena Zwalve.
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Belfast Punk: Warzone Centre, 1997 – 2003 (Deluxe Edition)
Ricky Adam
Bologna: Damiani Editore, 2017.The deluxe edition, limited to 15 copies, with an original signed and numbered photograph by Ricky Adam. “The Warzone Collective began in 1984 in Belfast, Northern Ireland, when a few local punks decided to consolidate their efforts and find their own venue, practice, and social space. In 1986, the Collective opened Giros, its first premises in Belfast, which contained a vegetarian cafe, practice space, and screen printing facilities. It soon became a focal point for anarchists and punks. In 1991 the Collective moved Giros to a larger and more ambitious venue, the spot where all of the photographs in this book were taken. Over the years, thousands of people passed through Giros’ doors. A strong D.I.Y. ethic defined the way gigs and events were organized. It didn’t have an alcohol license, and it was an all ages venue. The Warzone Centre, or The Centre as it was called by some, became the countercultural hub for the greater Belfast area and beyond. Bands from all over the world played there, and it was famous for being one of the best in Europe for D.I.Y. punk. The photographs in this book were taken between 1997 and 2003. Toward the end of 2003, the Centre closed, leaving a huge gap in radical Belfast culture. It reopened in 2011, in a different venue on the opposite side of town and is still going strong today.” (publisher’s blurb)
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Boystown: La Zona de Tolerancia
Bill Wittliff
New York: Aperture Foundation, 2000.Photo essay of the brothels along the border of Texas and Mexico collected and edited by Bill Wittliff. With essays by Keith Carter, Dave Hickey, and Cristina Pacheco.
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Photographs
Bill Henson
Sydney: Picador / Pan Books, 1988.With an introduction by David Malouf.
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Dictionnaire Universel Francois et Latin, Vulgairement Appele Dictionnaire de Trevoux (8 Volumes)
[Dictionnaire de Trevoux]
Paris: Compagnie des Libraires Associes, 1771.The final and most comprehensive edition of the Dictionnaire de Trevoux, so nicknamed because of its original publication in the town of Trevoux. The original 1704 edition, assumed to be directed by the Jesuits, was largely derived from the 1701 edition of Antoine Furetiere’s 1690 Dictionnaire universel. From the much expanded second edition it became widely used and was a major inspiration for Ephraim Chamber’s 1728 Cyclopaedia and the 1751-72 Encyclopedie, ou dictionnaire raisonne des sciences, des arts et des metiers.