Prices in AUD. Shipping worldwide. Flat rate $8 postage per order within Australia. International by weight calculated at checkout. Read full terms.
-
The Playboy Advisor
Read MorePlayboy
London: Four Square, 1966.Illustrations by Seymour Chwast.
-
Whose Wife Tonight?
Read MoreHerbert O. Pruett
New York: Softcover Library, 1966.Wifeswapping themed pulp fiction. Softcover Library S75149.
-
Stand In
Read MorePaul Prentiss
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 144. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
-
Joy Ride
Read MoreJon Parker
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 129. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
-
The Invaders
Read MoreAnthony Dean
Buffalo: After Hours Book Inc., 1966.After Hours AH 138. Cover art by Gene Bilbrew AKA Eneg. An occasional Bilbrew contribution to the After Hours series published by Stanley Malkin in the 1960s. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.
-
Madame Butch
Read MoreEdward Marshall
Buffalo: After Hours Book Inc., 1966.Lesbian domination pulp. “Whether you had a Lolita-complex, a fetish urge for black leather, a desire for kissing silky soft panties, or if you liked to peep on others, or even if you were on the gay side and liked to make love to members of your own sex — you could have it (at a price) when you visited Madame Butch.” After Hours AH 131. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
-
Name Your Pleasure
Read MoreAnthony Dean
Buffalo: After Hours Book Inc., 1966.A group of college girls move out to San Francisco and get jobs as topless waitresses. After Hours AH 152. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a self-portrait of a grabby Stanton. Unrecorded in OCLC.
-
Lonely Hearts
Read MoreBud Conway
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction by American pulp writer Paul Little under his Bob Conway pseudonym. After Hours AH 134. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
-
Not So Funny
Read MoreCharlene White
Buffalo: After Hours Book Inc., 1966.After Hours pulp AH 145. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a subtle goof by Stanton on Steve Ditko’s Spiderwoman. The pseudonym of Charlene White sometimes credited to prolific low-budget filmmaker and pulp novelist Ed Wood, however this is disputed. Unrecorded in OCLC.
-
Shot to Hell
AU$40.00 Read MoreAdd to cartKeith Bill
Westwood: Fleming H. Revell, 1966.Street reportage of drug pushers, drug addicts, and Christian saviours.
-
America’s Newest Sex Cult: Wealthy Adolescents With Money and Passions to Burn
Read MoreE. R. Linton
Los Angeles: Medco Books, 1966.Narratives, statistics, and analysis of sex, drugs, and privilege among rich American teenagers.
-
On The Watch Tower: Selected Editorial Notes from the Theosophist, 1953 – 1966
AU$50.00 Read MoreAdd to cartN. Sri Ram
Adyar: The Theosophical Publishing House, 1966. -
The Merry Muses and Other Burnsian Frolics
AU$20.00 Read MoreAdd to cartRobert Burns
London: Luxor Press, 1966.An entirely new compendium of Scottish Songs and Fragments from the Secret Collections of Robert Burns. Edited, witha foreword and explanatory notes by Eric Lemuel Randall.
-
Physique Pictorial Volume 16 Number 1, December 1966
AU$40.00 Read MoreAdd to cartBob Mizer
Los Angeles: Athletic Model Guild, 1966.Single 1960s issue of the most popular of beefcake magazines, Physique Pictorial, produced by Bob Mizer’s AMG. Early issues feature scantily clad athletic men in fitness poses together with homoerotic artwork by Tom of Finland, Harry Bush, George Quaintance, and others. If you can stayed focused the text provides insight into gay culture and rights at the time, as well as details on the models and artwork. Into the late 1960s and 1970s as the laws around censorship change, the beefcake physique magazine became more naked and blatantly homoerotic.
-
Physique Pictorial Volume 15 Number 4, September 1966
AU$40.00 Read MoreAdd to cartBob Mizer
Los Angeles: Athletic Model Guild, 1966.Single 1960s issue of the most popular of beefcake magazines, Physique Pictorial, produced by Bob Mizer’s AMG. Early issues feature scantily clad athletic men in fitness poses together with homoerotic artwork by Tom of Finland, Harry Bush, George Quaintance, and others. If you can stayed focused the text provides insight into gay culture and rights at the time, as well as details on the models and artwork. Into the late 1960s and 1970s as the laws around censorship change, the beefcake physique magazine became more naked and blatantly homoerotic. Vol. 15 No. 4 incorrectly printed as Number 3 on the cover, but with correct numbering on interior.
-
Physique Pictorial Volume 15 Number 3, June 1966
AU$40.00 Read MoreAdd to cartBob Mizer
Los Angeles: Athletic Model Guild, 1966.Single 1960s issue of the most popular of beefcake magazines, Physique Pictorial, produced by Bob Mizer’s AMG. Early issues feature scantily clad athletic men in fitness poses together with homoerotic artwork by Tom of Finland, Harry Bush, George Quaintance, and others. If you can stayed focused the text provides insight into gay culture and rights at the time, as well as details on the models and artwork. Into the late 1960s and 1970s as the laws around censorship change, the beefcake physique magazine became more naked and blatantly homoerotic.
-
Physique Pictorial Volume 15 Number 2, January 1966
AU$40.00 Read MoreAdd to cartBob Mizer
Los Angeles: Athletic Model Guild, 1966.Single 1960s issue of the most popular of beefcake magazines, Physique Pictorial, produced by Bob Mizer’s AMG. Early issues feature scantily clad athletic men in fitness poses together with homoerotic artwork by Tom of Finland, Harry Bush, George Quaintance, and others. If you can stayed focused the text provides insight into gay culture and rights at the time, as well as details on the models and artwork. Into the late 1960s and 1970s as the laws around censorship change, the beefcake physique magazine became more naked and blatantly homoerotic.
-
![The Male Figure Volume Thirty-Five [35]](https://www.thebookmerchantjenkins.com/wp-content/uploads/0031931-300x300.jpg)
The Male Figure Volume Thirty-Five [35]
AU$40.00 Read MoreAdd to cartBruce of Los Angeles
Los Angeles: Bruce of Los Angeles, 1966.The penultimate issue of physique photography of LA bodybuilders by Bruce Bellas (1909-1974), more commonly known as Bruce of Los Angeles. The final two issues in a slightly larger format. In this issue: John Bennett, Billy Parks, Ralph Kleiner, Frank Nisi, Big John Clark, Tom Vanselow, Jerry Rogers by Mel Roberts, Chuck Baker by Milo, Dale Hepburn, John Quincy Adams by Milo, Bill Melby, Bob Jackson, Dean Densman, Dennis Densman, LeRoy Williams & Elmer Matt.
-
Boxing Quiz Book 1
AU$10.00 Read MoreAdd to cartRay Mitchell
Sydney: Horwitz Publications, 1966.Questions & Answers from Television’s Boxing Corner. This copy inscribed by Ray Mitchell.