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Balinese Architecture: Towards an Encyclopaedia
Made Wijaya
[Sanur]: Fotokopi, 1988.This book grew out of a report by students of the University of Sydney during a holiday design programme in Bali to which Wijaya was the tutor. “Most of the photographers were taken over the six months April – October, 1984. The selection is comprehensive in that it covers the full spectrum of Balinese Architecture — mountain to coastal, north to south, palatial to makeshift..” (from preface) Made Wijaya (born in Sydney as Michael White, 1953-2016) was a landscape architect who left Sydney for Bali as a break from architectural studies at University of Sydney and stayed, immersing himself in the Balinese culture, consorting with royalty, and in 1975 was renamed Made Wijaya by a priest in a Hindu temple ceremony. The New Compiled Edition, combining volumes 1 and 2. Photocopied pages (as issued) with 14 original colour photographs pasted in (copies are known to have differing numbers of added photographs). One of 50 numbered and signed copies, this copy further inscribed by Wijaya to the title page, and with numerous manuscript corrections as well as additional information tabs further describing many of the illustrations.
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Notes on Some Queensland Languages
Nils M. Holmer
Canberra: Pacific Linguistics, Research School of Pacific Studies, The Australian National University, 1988.Fieldwork notes on indigenous languages of Queensland, New Guinea, and Torres Strait: Mer, Saibai, Gugu-Bujun and related languages, Kantyu and Koko-Yalandji, Gangulida, Bundjil and Wandji, Garwa, Punthamara.
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Australia’s Greatest Rock Art
Grahame L. Walsh
Bathurst: E. J. Brill / Robert Brown and Associates, 1988.Published in association with Queensland Parks and Wildlife this book is the most comprehensive documentation of Australian rock art. The deluxe issue of 100 signed and numbered copies in leather with slipcase, this copy further inscribed by Walsh and with the prospectus laid in.
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Glasnost 7 Seks
Jonny Axelsson; Audun Engh; Thomas Hylland Eriksen; Anne Granberg; Trond Havard Holmen; Christine Lochting; Ole A. Seifert; Egil Haraldsson Stenseth
Oslo: Futurum Forlag, 1988.Single issue of Norwegian anarchist publication Glasnost, the Sex issue.
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The Gilbert Collection of Gold and Silver
Timothy B. Schroder
Los Angeles and London: Los Angeles County Museum of Art and Thames and Hudson, 1988. -
An Introduction to Western Australian Colonial Furniture
Leslie Lauder; Mark Howard
East Fremantle: Lauder & Howard, 1988.Numbered edition of 2,500 copies, of which this copy is numbered and signed by both authors.
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School Photography
John Dunn
Sydney: Piper Press, 1988.1980s Australian secondary school text on photography with a foreword by Max Dupain and 190 photographs by Australian secondary students.
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Gregory’s Street Directory, Gold Coast
Gregory’s Publishing Company
Brisbane: Gregory’s Publishing Company, 1988.Collector’s First Edition.
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Tokyo Transmission ’88
Yurakucho Seibu
Tokyo: Yurakucho Seibu, 1988.An exhibition of artists from around the world living in Japan.
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Gay, Straight, and In-Between: The Sexology of Erotic Orientation
John Money
New York and Oxford: Oxford University Press, 1988. -
High and Outside
Linnea A. Due
San Francisco: Spinsters/Aunt Lute, 1988. -
October Obsession
Meredith More
Tallahassee: Naiad Press, 1988. -
Sugar & Spice (6 Volumes)
Janet Quin-Harkin
New York: Bantam Books, 1988.The first 6 novels in the young adult romance series Sugar & Spice
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Against The Season
Jane Rule
London: Pandora Press, 1988. -
Cherished Love
Evelyn Kennedy
Tallahassee: The Naiad Press, 1988. -
Ankoku Buto: The Premodern and Postmodern Influence on the Dance of Utter Darkness
Susan Blakeley Klein
Ithaca: East Asia Program, Cornell University, 1988.“A brief introduction to the history, philosophy, and techniques of the Japanese avant-garde dance movement, Ankoku Buto. Evoking images of grotesque beauty, revelling in the seamy underside of human behavior, Buto dance groups such as Sankai Juku and Dai Rakuda-kan have performed to wide critical and popular acclaim, making Buto one of the most influential new forces in the dance world today. The monograph traces the development of Buto from its birth in the bleak post-war landscape of 1950s Japan, and then addresses the question of Buto as a post-modern phenomenon, before going on to examine the influence of traditional Japanese performance on Buto techniques. The last chapter analyzes a specific dance (Niwa – The Garden) by Muteki-sha, to show how these techniques are used concretely. Includes translations of four essays on Buto by contemporary Japanese dance critics.” (publisher’s blurb)
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The Djuna Set
June Wayne
Fresno: Fresno Art Museum, 1988. -
Petr Miturich, 1887-1956: izbrannye risunki k 100-letiiu so dnia rozhdeniia khudozhnika
Petr Miturich
Moscow: Sovetskj Chudoznik, 1988.Selected drawings on the 100th anniversary of the artist’s birth.
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Ice Breaker Poems
Jan Kemp
: Jan Kemp, 1988.VG in VG-.