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Bad
AU$80.00 Read MoreAdd to cartBen Robertson
Sydney: Blue Books / Studio Magazines, 2004.A special issue of Blue focussing on leather and SM. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Lads
AU$50.00 Read MoreAdd to cartBen Robertson
Sydney: Blue Books, 2004. -


Line Zero: Photo-Reportage, 1958-2003
AU$200.00 Read MoreAdd to cartJohn Williams
Sydney: University of New South Wales Press, 2004.Retrospective monograph of Australian photographer John Frank Williams (1933-2016). This copy inscribed by Williams.
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1241/2004
AU$50.00 Read MoreAdd to cartYuko Shindo
[Fukuoka]: Shindo Yuko Studio Inc, 2004.Photo book of the 2004 Hakata Gion Yamakasa by local Japanese photographer Shindo Yuko. This copy signed by the photographer.
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Yalanji Warranga Kaban: Yalanji People of the Rainforest Fire Management Book
AU$30.00 Read MoreAdd to cartRosemary Hill; et al.
Cairns: Little Ramsay Press, 2004. -

Deep Blue
AU$200.00 Read MoreAdd to cartBrad Johnston
Sydney: Studio Magazines, 2004.A special issue of Not Only Blue celebrating masculine sexuality featuring photography too explicit for the magazine. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Pasture Degradation and Recovery in Australia’s Rangelands: Learning from History
AU$50.00 Read MoreAdd to cartGreg McKeon; Wayne Hall; Beverley Henry; Grant Stone; Ian Watson
Brisbane: Natural Resource Sciences, Queensland Department of Natural Resources, Mines and Energy, 2004. -

Cameron Jamie
AU$100.00 Read MoreAdd to cartCameron Jamie
Graz: Neue Galerie Graz am Landesmuseum Joanneum, 2004.With essays by Gary Indiana, Mike Kelley, Edwin Pouncey, and Ralph Rugoff. Cameron Jamie (b. 1969) is an American artist and film maker who lives and works in France. His work analyses the structure of mythology in popular and vernacular culture and the extent that it influences fictional worlds and fictional personas. The book was published on the occasion of the exhibition JO, held at the Kunstlerhaus Graz from 10 October – 24 November 2004. Jamie’s film JO premiered in 2004.
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Ko-Kutani
AU$150.00 Read MoreAdd to cartIdemitsu Museum of Arts
Tokyo: Idemitsu Museum of Arts, 2004.A detailed catalogue of Ko-Kutani Japanese porcelain from the Idemitsu Museum of Arts collection. Primarily photographs, most of the text is in Japanese with some captions bearing English translation and an essay in English at the rear.