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The Varieties of Ecstasy Experience: An Exploration of Person, Mind and Body in Sydney’s Club Culture
AU$110.00 Read MoreAdd to cartSean Leneghan
Saarbrucken: LAPLambert Academic Publishing, 2010.Ethnographic study of ecstasy users in the raving and club scenes of Sydney, Australia.
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The Australind Journals of Marshall Waller Clifton, 1840-1861
AU$110.00 Read MoreAdd to cartPhyllis Barnes; J. M. R. Cameron; H. A. Willis; Marshall Waller Clifton
Perth: Hesperian Press, 2010.“Marshall Waller Clifton, Fellow of the Royal Society, Royal Geographical Society, and former Secretary of the Royal Navy’s Victualling Board, was Chief Commissioner for the small agricultural colony of Australind. This settlement, on Leschenault Inlet on Australia’s south-western coast, was formed in 1840 by a group of systematic coloniser supporters of Edward Gibbon Wakefield. To keep them informed of his activities, Clifton maintained a detailed daily account that he commenced on 1 December 1840, the day he left England. Unlike its sister colonies in South Australia and New Zealand, the Wakefield-inspired venture in Western Australia did not succeed. Australind failed within three years. Clifton, although freed from having to report to London-based shareholders, maintained his practice of daily journal writing and did so until six days before his death in 1861. The result is a vivid and detailed portrait of life in a small and remote agricultural settlement on the edge of the British Empire. Clifton is an intelligent and insightful, if somewhat haughty, observer of people, events and places. His observations and reflections will appeal to a wide audience because he was heavily involved in colonial life through the activities of his large family and as local magistrate, Legislative Councillor and leading land-holder and horticulturalist. His garden at Australind was much admired, he was a pioneer of Western Australia’s wine industry, one of the first to export local produce through the port of Bunbury, and a major employer of convict labour. Clifton’s Australind Journals are published here for the first time, annotated and comprehensively indexed to make them more accessible and useful for modern readers.” (publisher’s blurb)
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Romance
AU$400.00 Read MoreAdd to cartYao Jui-Chung
Taipei: Garden City Publishing, 2010.Monograph published to accompany the solo exhibition of Taiwanese artist Yao Jui-Chung. One of 500 signed and numbered copies.
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Indian Paintings in the Sarabhai Foundation
AU$50.00 Read MoreAdd to cartB. N. Goswamy
Ahmedabad: Sarabhai Foundation, 2010.Catalogue of paintings in the collection, each with an extended text description.
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Open Shutters Iraq
AU$50.00 Read MoreAdd to cartEugenie Dolberg
London: Trolley, 2010.“This book is a collection of individual photographs and photographic essays made by women from Baghdad, Basra, Falluja, Kirkuk and Mosul in 2006/7. These women were not photographers or writers, but were brought together by their need to tell their stories.” (from preface)
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Silence: The Western Australian Wheatbelt (Limited Edition)
AU$2,000.00 Read MoreAdd to cartBrad Rimmer
Sydney: T&G Publishing, 2010.Limited Edition box set, being 1 of 50 copies with 2 chromogenic photographic prints on Fuji Crystal Archive Flex, signed and numbered by the photographer together with a signed and numbered certificate, and a signed and numbered copy of the book, housed together in a custom pictorial box.
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Brilliant Illumination of the Lamp of the Five Stages
AU$100.00 Read MoreAdd to cartRobert A. F. Thurman
New York: The American Institute of Buddhist Studies, Columbia University Center for Buddhist Studies, 2010.(Rim Ing rab tu gsal ba ‘i sgron me) Practical Instruction in the King of Tantras, The Glorious Khapa Losang Drakpa. Introduction and Translation by Robert A. F. Thurman. Edited by Thomas F. Yarnall. Treasury of the Buddhist Sciences series. Tengyur Translation Initiative. Jey Yabsey Sungbum Collection.
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Kanaval: Vodou, Politics and Revolution on the Streets of Haiti
AU$100.00 Read MoreAdd to cartLeah Gordon
London: Soul Jazz Publishing, 2010.Photography and oral histories by Leah Gordon. Words by Madison Smartt Bell, Don Cosentino, Richard Fleming, Kathy Smith and Myron Beasley.
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Alchemy Journal (Volume 11, Number 1) Alchemies of Asia
AU$55.00 Read MoreAdd to cartPaul Hardacre
Brisbane and Chiang Mai: Salamander and Sons for the International Alchemy Guild, 2010.An eclectic presentation of textual and art pieces coalescing around the ancient art of transformation.
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The Parodist
AU$60.00 Read MoreAdd to cartShuichi Tsunoda
Tokyo: Seigensha, 2010.Photographs in the style of famous international photographers, or as celebrities, modelled and captured by Japanese commercial photographer Shuichi Tsunoda. Parodies Irving Penn, Helmut Newton, Richard Avedon, Guy Bourdin, Serge Lutens, Pierre et Gilles, Peter Lindbergh, David Lachapelle Ellen Von Unwerth, Herbs Ritts, Nick Knight, Paolo Roversi, Richard Burbridge, Steven Klein, Juergen Teller, Mario Testino, Tim Walker, Mert Alas & Marcus Piggott, Inez van Lamsweerde & Vinoodh Matadin, Michael Jackson, Madonna, Beyonce, and Lady Gaga.
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A Devil Pokes The Actor: Frankly Acting 2
AU$30.00 Read MoreAdd to cartJohn Nobbs; Peter Berkahn
Brisbane: Frank Theatre Press, 2010.“This is the second book about actor training by John Nobbs. The first, Frankly Acting, outlined the early development of the Frank Suzuki Performance Aesthetics (FSPA), as a western variant and translation of the classic Suzuki Actor Training Method (SATM). This devil’s logbook is a series of 25 provocations that poke further and deeper into the alchemical triggers and mechanisms that inform the one true actor training system originally devised by Tadashi Suzuki. Interspersed throughout the 25 provocations are revelations by some of the many actors that have used the FSPA to develop their acting spirit. Tadashi Suzuki, the inventor of the SATM, has stated that he believes that the training is not just for the actor’s craft, but that it should be a creative tool for making theatre performances . The FSPA follows on the traces of that purpose, and this book outlines its importance as the creative onestop shop of Ozfrank Theatre Matrix. It includes examples, with colour photographs, that illustrate how Ozfrank director Jacqui Carroll uses the FSPA to impel her productions.” (publisher’s blurb)