Made Wijaya
[Sanur]: Fotokopi, 1984.

This book grew out of a report by students of the University of Sydney during a holiday design programme in Bali to which Wijaya was the tutor. “Most of the photographs were taken over the six months April – October, 1984. The selection is comprehensive in that it covers the full spectrum of Balinese Architecture — mountain to coastal, north to south, palatial to makeshift.” (from preface) Made Wijaya (born in Sydney as Michael White, 1953-2016) was a landscape architect who left Sydney for Bali as a break from architectural studies at University of Sydney and stayed, immersing himself in the Balinese culture, consorting with royalty, and in 1975 was renamed Made Wijaya by a priest in a Hindu temple ceremony. Photocopied pages (as issued), this copy with 3 original colour photographs pasted in (copies are known to have differing numbers of added photographs). One of 50 numbered and signed copies, this copy further inscribed by Wijaya to the title page.

Made Wijaya
[Sanur]: Fotokopi, 1985.

This book grew out of a report by students of the University of Sydney during a holiday design programme in Bali to which Wijaya was the tutor. “Most of the photographs were taken over the six months April – October, 1984. The selection is comprehensive in that it covers the full spectrum of Balinese Architecture — mountain to coastal, north to south, palatial to makeshift..” (from preface) Made Wijaya (born in Sydney as Michael White, 1953-2016) was a landscape architect who left Sydney for Bali as a break from architectural studies at University of Sydney and stayed, immersing himself in the Balinese culture, consorting with royalty, and in 1975 was renamed Made Wijaya by a priest in a Hindu temple ceremony. Photocopied pages (as issued) with 14 original colour photographs pasted in (copies are known to have differing numbers of added photographs). One of 50 numbered and signed copies, this copy further inscribed by Wijaya to the title page.

Made Wijaya
[Sanur]: Fotokopi, 1988.

This book grew out of a report by students of the University of Sydney during a holiday design programme in Bali to which Wijaya was the tutor. “Most of the photographers were taken over the six months April – October, 1984. The selection is comprehensive in that it covers the full spectrum of Balinese Architecture — mountain to coastal, north to south, palatial to makeshift..” (from preface) Made Wijaya (born in Sydney as Michael White, 1953-2016) was a landscape architect who left Sydney for Bali as a break from architectural studies at University of Sydney and stayed, immersing himself in the Balinese culture, consorting with royalty, and in 1975 was renamed Made Wijaya by a priest in a Hindu temple ceremony. The New Compiled Edition, combining volumes 1 and 2. Photocopied pages (as issued) with 14 original colour photographs pasted in (copies are known to have differing numbers of added photographs). One of 50 numbered and signed copies, this copy further inscribed by Wijaya to the title page, and with numerous manuscript corrections as well as additional information tabs further describing many of the illustrations

Made Wijaya
[Sanur]: Fotokopi, [1986].

“Sculpture is the essence of Balinese Temple & Courtyard decoration: as guardian, shrine angel, diety effigy, bas relief or carved gate. The Balinese have been carving up walls, gates and shrines for at least 1000 years and in that time have digested quirks, twirls, borders, styles, movements and colouring techniques from various foreign cultures: Chinese, Javanese, Portuguese, Dutch, 20th Century Urban. The incredibly dynamic nature of Balinese Art is best expressed in carving and sculpture.” (from foreword) Made Wijaya (born in Sydney as Michael White, 1953-2016) was a landscape architect who left Sydney for Bali as a break from architectural studies at University of Sydney and stayed, immersing himself in the Balinese culture, consorting with royalty, and in 1975 was renamed Made Wijaya by a priest in a Hindu temple ceremony. This work continues his Fotokopi series of architecture/artists books focusing on sculpture, from the mythological to the erotic. This copy with 4 original colour photographs pasted in (copies are known to have differing numbers of added photographs). Issued in a numbered and signed edition of 500 copies, this one of an unknown number of Special Gift Edition copies further inscribed by Wijaya to the title page.

Made Wijaya
[Sanur]: Fotokopi, 1981.

An Expatriate’s Diary. Made Wijaya (born in Sydney as Michael White, 1953-2016) was a landscape architect who left Sydney for Bali as a break from architectural studies at University of Sydney and stayed, immersing himself in the Balinese culture, consorting with royalty, and in 1975 was renamed Made Wijaya by a priest in a Hindu temple ceremony. This work was his first in his Fotokopi series of architecture/artists books, being a collection of articles recording his observations of life, culture, and architecture in his new home as he attends innumerable religious ceremonies. A detailed record from an expatriate perspective of culture and religion in Bali in the late 1970s. This copy with 3 original colour photographs pasted in (copies are known to have differing numbers of added photographs). Originally published in an edition of only 4 copies, this is the second edition with additional content published in an edition of 100 numbered and signed copies, this copy further inscribed by Wijaya to the contents page. A trade edition was published in 1995.

Made Wijaya
[Sanur]: Fotokopi, 1980.

An Expatriate’s Diary. Made Wijaya (born in Sydney as Michael White, 1953-2016) was a landscape architect who left Sydney for Bali as a break from architectural studies at University of Sydney and stayed, immersing himself in the Balinese culture, consorting with royalty, and in 1975 was renamed Made Wijaya by a priest in a Hindu temple ceremony. This work was his first in his Fotokopi series of architecture/artists books, being a collection of articles recording his observations of life, culture, and architecture in his new home as he attends innumerable religious ceremonies. A detailed record from an expatriate perspective of culture and religion in Bali in the late 1970s. This is the First Edition published in an edition of only 4 numbered and signed copies, with a lengthy inscription from the author on the publication information page together with a gratified passport portrait photograph of the author.