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Les Delices Libertines
AU$1,200.00 Read MoreAdd to cartJacqueline de Lansay [Johannes Gros]
Moncontour: Au Bonheur des Dames, No date.French clandestine erotica printed by Maurice Duflou circa 1935 with 14 erotic plates depicting numerous lesbian and group scenes. The first issue of 400 numbered copies, of which this is number 84. DUTEL 1358, PIA 311.
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Seduction: Jeunes Amours au Chateau, a la Pension
AU$400.00 Read MoreAdd to cartPierrot
: En Vente Partout et Nulle Part, 1910.The first clandestine printing with the limitation of 300 copies on the verso of the half-title by the Briffaut brothers following the original edition circa 1908 titled Une Seduction and expanded with four additional texts of poetry and plays after the first. This copy unnumbered on Alfa as often and with the bookplate of the Membre de la Guide du Livre. DUTEL 787. PERCEAU 274-2, PIA 1366.
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L’Anti-Justine ou Les Delices de l’Amour
AU$1,500.00 Read MoreAdd to cartRestif de la Bretonne
Ile Saint-Louis: Monsieur Nicolas, No date.The Anti-Justine, or the Delights of Love. New edition, entirely revised and corrected, established for the first time on the original text of 1798. Preceded by a Bibliographic Notice by Helpey, bibliophile from Poitou [Louis Perceau] The second clandestine printing by Maurice Duflou with 12 aquatints reproduced in heliogravure signed Le Loup. Numbered edition of 350 copies on Alfax, of which this is number 345. DUTEL 1024. PIA 71.
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L’Ecrin du Rubis ou Les Delices des Dessous
AU$2,000.00 Read MoreAdd to cartLiane de Lauris
Paris: Au Cabinet du Livre [Jean Fort], 1932.Rare French lesbian erotica. The first edition with 16 illustrations and colour illustrated wrappers by P. Silex, and with the limitation statement of 6 numbered copies, numbered by the printer, of which this copy is numbered IV.
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Not So Funny
AU$600.00 Read MoreAdd to cartCharlene White
Buffalo: After Hours Book Inc., 1966.After Hours pulp AH 145. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a subtle goof by Stanton on Steve Ditko’s Spiderwoman. The pseudonym of Charlene White sometimes credited to prolific low-budget filmmaker and pulp novelist Ed Wood, however this is disputed. Unrecorded in OCLC.
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Lonely Hearts
AU$250.00 Read MoreAdd to cartBud Conway
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction by American pulp writer Paul Little under his Bob Conway pseudonym. After Hours AH 134. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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Name Your Pleasure
AU$150.00 Read MoreAdd to cartAnthony Dean
Buffalo: After Hours Book Inc., 1966.A group of college girls move out to San Francisco and get jobs as topless waitresses. After Hours AH 152. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. This cover featuring a self-portrait of a grabby Stanton. Unrecorded in OCLC.
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Madame Butch
AU$400.00 Read MoreAdd to cartEdward Marshall
Buffalo: After Hours Book Inc., 1966.Lesbian domination pulp. “Whether you had a Lolita-complex, a fetish urge for black leather, a desire for kissing silky soft panties, or if you liked to peep on others, or even if you were on the gay side and liked to make love to members of your own sex — you could have it (at a price) when you visited Madame Butch.” After Hours AH 131. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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Vixens Delight
AU$300.00 Read MoreAdd to cartIvan Tarpoff
Buffalo: After Hours Book Inc., 1965.Femdom pulp. After Hours AH 110. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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Gay Cargo
AU$200.00 Read MoreAdd to cartRaymond Harte
Buffalo: Market Arcade, 1967.After Hours pulp AH 164. Cover art by Bill Alexander. Continuing the series of colour covers by Stanton for the After Hours series published by Stanley Malkin in the 1960. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.
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Pleasure Bound
AU$200.00 Read MoreAdd to cartRon Horton
Buffalo: After Hours Book Inc., 1965.Lesbian orgies on the high seas. After Hours AH 115. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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The Invaders
AU$200.00 Read MoreAdd to cartAnthony Dean
Buffalo: After Hours Book Inc., 1966.After Hours AH 138. Cover art by Gene Bilbrew AKA Eneg. An occasional Bilbrew contribution to the After Hours series published by Stanley Malkin in the 1960s. The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile.
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Joy Ride
AU$200.00 Read MoreAdd to cartJon Parker
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 129. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work.
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Prowler
AU$300.00 Read MoreAdd to cartBarry Grover
Buffalo: After Hours Book Inc., 1965.Lesbian pulp fiction. After Hours AH 114. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
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Stand In
AU$300.00 Read MoreAdd to cartPaul Prentiss
Buffalo: After Hours Book Inc., 1966.Lesbian pulp fiction. After Hours AH 144. Cover art by Eric Stanton with a further illustrated advertisement leaf for Adventure Serials by Stanton at rear. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
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Gay Reunion
AU$400.00 Read MoreAdd to cartBud Conway
Buffalo: After Hours Book Inc., 1965.Lesbian pulp fiction. After Hours AH 119. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. 1 copy recorded in OCLC.
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Queen of Evil
AU$500.00 Read MoreAdd to cartMyron Kosloff
Buffalo: After Hours Book Inc., 1964.Voodoo occult lesbian pulp fiction by Paul Hugo Little under his Myron Kosloff pseudonym. After Hours AH 105. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. 1 copy recorded in OCLC.
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Lady Boss
AU$600.00 Read MoreAdd to cartShawna deNelle
Buffalo: Book Magazine Distributors, 1967.Lesbian pulp fiction. After Hours AH 157. Cover art by Eric Stanton. One in the series of colour covers by Stanton for the First Niter and then After Hours series published by Stanley Malkin in the 1960s when Malkin set Stanton up in a small apartment on the proviso of turning out four covers a month (which Stanton could do in a week). The covers often featured lesbian themes or were female-centric, reversing gender roles and casting women as the physical aggressors and men as compliant and fragile. Many of the covers are considered some of Stanton’s best colour work. Unrecorded in OCLC.
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I Love Black Power
AU$500.00 Read MoreAdd to cartGuenter Klow
Wilmington: Eros Publishing Co., 1972.Sexological race pulp by the prolific Paul Hugo Little under his Guenter Klow pseudonym with cover illustration by Bill Ward. Eros Goldstripe Global Press GK-38. A highpoint of 20th century sex pulp publishing. “For many, the spectre of “miscegneation” has long been an ugly word in the American vocabulary. Another favorite American myth is the legend of the Negro as an animal and an orgiastic sexual creature. In this documentary volume, Guenter Klow helps abolish the misconceptions and prejudices concerning “male Negro priapic superiority.” Tape-recorded interviews with nine interracial couples reveal their innermost thoughts and emotions and clearly demonstrates that love transcends hate and prejudice and bigotry. And so does passion, whether it be white or black”
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Acid Temple Ball
AU$500.00 Read MoreAdd to cartMary Sativa
New York: The Traveller’s Companion Series, The Olympia Press, 1969.First edition, first printing, of this psychedelic erotica classic. “Mary Sativa tells the rather simple, but very beautiful story of a young art student’s life and loves in New York City and San Francisco. Her experiences are passionate, searching and tender, as she moves from east to west coat looking to learn a little more about the bemusing experience of living.” (while taking lots of drugs and having lots of sex). The Traveller’s Companion Series TC-450.