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Great Treasure of the Six Yogas of Naropa
Geshe Acharya Thubten Loden
Melbourne: Tushita Publications, 2005.Yoga / Tantric Buddhism.
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Test Cricket in Australia, 1877-2002
Charles Davis
Melbourne: Charles Davis, 2002.One of 344 signed and numbered copies.
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Luminous Celebrating 50 Years of the Australian Ballet
The Australian Ballet
Melbourne: The Australian Ballet, 2011. -
Great Southern Telescope
Victoria
Melbourne: John Ferres, Government Printer, 1864-5.Extracts from the Correspondence regarding the Great Southern Telescope.
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Devastation to Transformation
Fiona Dawn Hill; Monique Lisbon
Melbourne: Kaleidoscope Creations, 2015.Primarily illustrations of art therapy paintings around the trauma of death, rape, and cancer.
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Death of an Alchemist
Michael Prior
Melbourne: Prior Art, 2019.A short compendium of photo-alchemical works chronicling the photographer’s passage toward the void. The final published work by experimental photographer Michael Prior documenting the effects of advanced myeloma on his body through alternative photographic processes. The works are arranged into three themes: Shades of the Alchemist; Garden Images. The Premonitory Return to Nature; The Hospital Room and its Uncanny Inhabitants. Each image has an accompanying commentary relating to the individual image as well as the broader themes, technical and philosophical, which underlie their creation. An accompanying exhibition was held at Fox Darkroom & Gallery, 16 February – 3 March 2019. Prior passed away in May of that year. Preface by Ellie Young. Editing by Dr Dianne Clifton and Richard Freadman. Elegantly bound by Nikola Doslov of Renaissance Bindery. Unrecorded in OCLC or Trove. This copy inscribed by Prior.
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Paradeisos
Christopher Koller
Melbourne: M.33, 2011.“Produced over a period of 12 years, Christopher Koller’s plastic camera photographs of gardens and otherwise mediated greenery forge a very different atmosphere to what one would expect from such subject matter. Warped, stretched and almost affronting in their blurred optical qualities, the images that fill Paradeisos are vivid and almost visceral in their odd beauty.” (publisher’s blurb)
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Blush: Janina Green: Photographs, 1988-2010
Janina Green; Sofia Ahlberg
Melbourne: M.33, 2011.“Blush brings together strands of Janina Green’s practice from 1988 to the present. The obsessions and themes underpinning her work meander together in a dreamlike stream of consciousness to form a whole which is simultaneously delicate, intimate, sensual and faintly disconcerting. Green’s lyrical hand coloured portraits of young adults and images from the natural world sit beside her constructed photographs of domestic dysfunction and constructed narrative images dealing with childhood, motherhood, female friendship and fantasy. Running throughout are small punctuations of tiny moments of fragile beauty.” (publisher’s blurb)
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A Field Guide to Fungi of South-Eastern Australia
Ross McDonald; John Westerman
Melbourne: Thomas Nelson, 1979. -
Why Isn’t She Dead!
Peggy Berman; Kevin Childs
Melbourne: Gold Star Publications, 1972.The story of Peggy Berman, who worked as receptionist at an illegal abortion clinic, and was chief witness into an inquiry of police corruption.
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Mr. X: Police Informer
Brian Latch; Bill Hitchings
Melbourne: Dingo, 1975.Autobiography of police informer, Brian Donald Latch. An eye into the Melbourne underworld of the 1960s and 1970s.
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Fruits of the Australian Tropical Rainforest
Wendy Cooper; William T. Cooper
Melbourne: Nokomis Editions, 2004. -
Australian Graffiti Revisited
Rennie Ellis; Ian Turner
Melbourne: Sun Books, 1980.Australian street and toilet wall graffiti. Second printing of the expanded second edition.
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A Book About Australian Women
Carol Jerrems; Virginia Fraser
Melbourne: Outback Press, 1974.Classic Australian photobook. “A book about Australian women was published on the eve of International Women’s Year and following the establishment of the Office for Women’s Affairs by the Whitlam government in 1973. The book, described as a ‘collective portrait’, featured interviews by writer and artist Virginia Fraser, along with 131 photographs by Carol Jerrems of women from various walks of life. Some, such as Wendy Saddington, were already well known; others, such as Anne Summers, subsequently became prominent in their fields.” (National Portrait Gallery website)
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Reasons of the Heart
Bron Nicholls
Melbourne: Penguin, 1993.Australian pederasty novel by Bron Nicholls, her first published novel for an adult audience.
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The Story of an Athlete (A Picture of the Past)
H. C. A. Harrison
Melbourne: Alexander McCubbin, No date.Autobiography of one of the pioneers of Australian rules football, AFL.
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Doctor Wooreddy’s Prescription for Enduring the End of the World
Colin Johnson
Melbourne: Hyland House, 1983.Tasmania Aboriginal fiction.
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Bee-Keeping in Victoria
Department Of Agriculture, Victoria, Australia
Melbourne: J. J. Gourley, Government Printer, 1949. -
Geology of the Commonwealth
T. W. Edgeworth David
Melbourne: Albert J. Mullett, Government Printer, 1914.Reprinted from the Federal Handbook on Australia, Issued in Connexion with the Visit of the British Association for the Advancement of Science to Australia, 1914.
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Queer: Stories from the NGV Collection
Ted Gott; Angela Hesson; Myles Russell-Cook; Pip Wallis; Meg Slater
Melbourne: Council of Trustees of the National Gallery of Victoria, 2022.“Queer: Stories from the NGV Collection is more than an exhibition catalogue. This 628-page publication expands on the themes explored in the NGV’s Queer exhibition to document the queer past, present and future of the NGV collection. More than 60 essays from authors with comprehensive knowledge of the historical and contemporary subjects encompassed by the NGV’s Queer project are presented alongside stunning reproductions of more than 200 works from the NGV collection, either by queer artists or engaging with queer issues. The essays in Queer: Stories from the NGV Collection explore the history of LGBTQ+ activism; the creation of queer spaces and communities; queerness as an artistic strategy; the expression of love, desire and sensuality; queer aesthetics; and the concepts of camp and the fantastic.” (publisher’s blurb) This extensive monograph catalogue sold out in the year of publication and has not been reprinted.