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The Quarters
Errol Bray
Melbourne: Clouds of Magellan, 2016. -
Pink Collar Blues: Work, Gender and Technology
Belinda Probert; Bruce W. Wilson
Melbourne: Melbourne University Press, 1993. -
Crossroads Volume 3: Asia and Australia in World Affairs
H. R. Cowie
Melbourne: Nelson, 1983. -
Crossroads Volume 1: Nationalism and Internationalism in the Modern World
H. R. Cowie
Melbourne: Nelson, 1986. -
The Mapoon People demand their land back!
International Development Action
Melbourne: International Development Action, 1975.Early aboriginal land rights poster published alongside the story of Mapoon, in northern Queensland, as told by the Mapoon People in 1974/5: their forceable removal to make way for COMALCO and other mining leases, the burning of their houses by the Queensland police, and the fight for land rights.
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The Midday Clock: Selected Poems and Drawings
R. A. Simpson
Melbourne: The Age and Macmillan Publishers Australia, 1999.“Based on the Book of Revelation, it traces a 4-year project by Melbourne based artist Irene Barberis. She studied ancient Apocalypses in famous manuscript collections in London and Paris, and then created her own contemporary versions using abstract and figurative images and new materials and techniques.” (publisher’s blurb)
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Homesickness: Nationalism in Australian Visual Culture
Traudi Allen
Melbourne: Macmillan Art Publishing, 2008. -
Imagination, Books & Community in Medieval Europe
Gregory Kratzmann
Melbourne: Macmillan and the State Library of Victoria, 2009.Papers of a Conference held at the State Library of Victoria, 29-31 May 2008. In conjunction with an exhibition The Medieval Imagination 28 March – 15 June 2008.
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The Art of Grahame King
Sasha Grishin; Grahame King
Melbourne: Macmillan Art Publishing, 2005.“Grahame King’s life as an artist began with his mastery of the new art of colour reproduction as a photolithographic colour etcher in Melbourne in the 1930s. At the same time, study at the National Gallery Art School with George Bell assisted his development as a painter. After war service and travels abroad, King returned to Melbourne with his wife, the sculptor Inge King. The two held a number of joint exhibitions of paintings and sculptures in Australia throughout the 1950s and then, from c.1962 Grahame King turned his attention, increasingly, towards the art of lithography becoming a master in this field of printmaking. He has also devoted himself to promoting the art of lithography and printmaking generally through the Print Council of Australia. He is often called Australia’s patron saint of printmaking. The book examines his seven decades working as an artist in Melbourne and is lavishly illustrated with colour reproductions throughout.” (publisher’s blurb)
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The Darkroom: Photography and the Theatre of Desire
Anne Marsh
Melbourne: Macmillan, 2003.“Anne Marsh’s treatise on the art of photography traces its theoretical underpinning from the early debates between the rationalists and the fantasists, through psychoanalytical interpretations, to the theatre of desire. She investigates the role of photography in ghostly performances, the masking of desire, and high camp aesthetics – through to performance art and the role of the photographer as a gender terrorist – as in the work of Del LaGrace Volcano. The study concludes with notable examples of postmodern photography as they have occurred in the Australian context. This ground-breaking work by a leading Monash University academic will interest all students of photography and followers of recent trends in art and art theory.” (publisher’s blurb)
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Life on a G-String
Kerry Cue
Melbourne: Penguin, 1991.An Uproariously Unreliable Guide to Glamour. Written and Illustrated by Kerry Cue. Inscribed by Kerry Cue.
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Nutrition of Eucalypts
Peter M. Attiwill; Mark A. Adams
Melbourne: CSIRO Publishing, 1996. -
The Making of Women: The History of Mac Robertson Girls’ High School
Pauline F. Parker
Melbourne: Australian Scholarly Publishing, 2006. -
Archer Magazine 17: Home Issue
Amy Middleton; Roz Bellamy
Melbourne: Archer Magazine, 2021.A magazine about sex, gender and identity. The Home issue: Safety and self-care, queer mob, migrancy and belonging, housing and homelessness, chosen family, stripping and sex work, Q&A with Melissa Febos. Features articles on the theme of home, which can be a place, space, concept or feeling. The issue explores the many factors that influence our connection to home, such as relationships, family structures, race, culture, identity, class, poverty and homelessness, and includes a photo-essay about Black queer peoples connection to land and community, and a migrant writer experiencing pressures to assimilate.
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Fugitive Text
Peter Maloney
Melbourne: M.33, 2022.“Fugitive Text draws together photographic diptychs and triptychs made since the mid-1990s in response to the artist’s experience of love, desire and loss through the HIV/AIDS pandemic. It incorporates photographs taken in-camera as well as images drawn from a variety of sources, including vintage photographs found in flea markets and images re-photographed from pornography and popular culture. The photographs views of architectural and public spaces, flowers, nudes, images of sea and sky are paired and, in most cases, overpainted with text anecdotes, fragments drawn from memory, popular verse and queer culture. The images draw on Peter Maloneys experience of the HIV/AIDS pandemic (as an HIV-positive person who lost much of their social group during the 1980s and early 1990s) and on photographys specific relationship to memory, time and place, and testimony. Combined with scraps of text, the images become memory fragments. The memories suggested by these works are those of someone remembering love and loss friends and lovers lost to HIV/AIDS, and also the moments of desire, risk and sensation that in a way mark the queer experience of time and space. The book, with its exposed spine and multiple fold out triptychs, was designed by Elliott Bryce Foulkes and is in itself an object of exceptional beauty. The works are accompanied by texts by the prominent American author and cultural critic Lynne Tillman and writer and curator Shaune Lakin.” (publisher’s blurb)
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Flotation Plant Optimisation: A Metallurgical Guide to Identifying and Solving Problems in Flotation Plants
Christopher J. Greet
Melbourne: The Australasian Institute of Mining and Metallurgy, 2010.AusIMM Spectrum 16.
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We Are Metallurgists, Not Magicians: Landmark Papers by Practicing Metallurgists
D. Pollard; G. Dunlop; J. Herzig
Melbourne: The Australasian Institute of Mining and Metallurgy, 2017.AusIMM Spectrum 23.
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Soft Borders, Hard Edges (Bent Street 5.1: Australian LGBTIQA+ Arts, Writing & Ideas)
Sam Elkin; Yves Rees; Tiffany Jones
Melbourne: Clouds of Magellan Press, 2021.A special edition focusing on the trans and gender diverse community. “Bent Street is an annual publication that gathers essays, fiction, poetry, artwork, reflections, letters, blog posts, interviews, performance writing and rants to bring you ‘The Year in Queer’.” (from blurb)
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Love from a Distance: Intimacy and Technology in the Time of COVID-19 (Bent Street 4.1: Australian LGBTIQA+ Arts, Writing & Ideas)
Jennifer Power; Henry Von Doussa; Timothy W. Jones; Tiffany Jones
Melbourne: Clouds of Magellan Press, 2020.“Bent Street is an annual publication that gathers essays, fiction, poetry, artwork, reflections, letters, blog posts, interviews, performance writing and rants to bring you ‘The Year in Queer’.” (from blurb)
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Killing Me Softly: Voluntary Euthanasia and the Road to the Peaceful Pill
Philip Nitschke; Fiona Stewart
Melbourne: Penguin, 2005.This copy inscribed by both authors.