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American Art (321)
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Art History & Theory (141)
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Asian Art (250)
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Australian Art (1309)
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Contemporary Art (241)
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Contemporary Surreal & Imaginative Figurative Art (137)
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Design (39)
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Digital & Media Art (19)
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Digital Art (1)
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Drawing (5)
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English Art (41)
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European Art (154)
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Guides & Instruction (21)
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Illustration (31)
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Indigenous Art (268)
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Price Catalogues (38)
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Sci-Fi & Fantasy Art (70)
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Street Art (15)
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Tattooing (26)
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Typography (23)
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Visionary & Psychedelic Art (22)
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The Bishop Collection
Robert K. Bishop
Los Angeles: House of Milan Corp., 1979.Monograph of the erotic bondage art of Robert K. Bishop. Published by House of Milan, where Bishop was working as editor-in-chief, this is the largest single volume collection of his work.
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Brett Whiteley: Art & Life
Brett Whiteley; Barry Pearce
Sydney: Art Gallery of New South Wales, 1995. -
Borough Satyr: The Life and Art of Austin Osman Spare
Austin Osman Spare
London: Fulgur, 2005.One of 65 numbered copies in full black cloth for private distribution, signed by Robert Ansell (who authored the introduction). Additional texts by Kenneth Grant, Steffi Grant, Ithell Colquhoun, Hadyn Mackay, Philip Paul, John Smith, Clifford Bax, Hannen Swaffer, Grace Rogers, and Ralph Straus. BOGDAN G3c(ii).
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Bradshaw Art of the Kimberley
Grahame L. Walsh
Brisbane: Takarakka Nowan Kas Publications, 2000.The magnum opus of Australian rock art researcher, Grahame L. Walsh (1944-2007), being his detailed study of the rock paintings of the Kimberley region of North-Western Australia. This copy with the original prospectus, order forms, and related newspaper clippings and ephemeral items laid in.
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Hokusai
Matthi Forrer
Munich: Prestel, 2010. -
Masterpieces of Classical Chinese Painting
Zheng Xinmiao
New York: Abbeville Press, 2011.Chronological survey of Chinese master paintings.
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Devastation to Transformation
Fiona Dawn Hill; Monique Lisbon
Melbourne: Kaleidoscope Creations, 2015.Primarily illustrations of art therapy paintings around the trauma of death, rape, and cancer.
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The Art of Clifford Possum Tjapaltjarri
Vivien Johnson
Sydney: Craftsman House and Gordon and Breach Arts International, 1996.The second printing, signed by Clifford Possum to the title page.
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Clifford Possum Tjapaltjarri
Vivien Johnson
Adelaide: Art Gallery of South Australia, 2003. -
Tim Storrier: The Art of the Outsider
Catharine Lumby
Sydney: Craftsman House, 2000. -
Fiona Hall
Julie Ewington
Sydney: Piper Press, 2005.This copy signed by Fiona Hall.
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Indian Paintings in the Sarabhai Foundation
B. N. Goswamy
Ahmedabad: Sarabhai Foundation, 2010.Catalogue of paintings in the collection, each with an extended text description.
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Bernard Buffet: Gravures, Engravings, Radierungen, 1948-1967
Gerhard F. Reinz
New York: Tudor Publishing Company, No date.Catalogue of works by the prolific French artist. This copy from the collection of photographer Lewis Morley, with the Lewis and Patricia Morley Library exlibris plate.
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Death of an Alchemist
Michael Prior
Melbourne: Prior Art, 2019.A short compendium of photo-alchemical works chronicling the photographer’s passage toward the void. The final published work by experimental photographer Michael Prior documenting the effects of advanced myeloma on his body through alternative photographic processes. The works are arranged into three themes: Shades of the Alchemist; Garden Images. The Premonitory Return to Nature; The Hospital Room and its Uncanny Inhabitants. Each image has an accompanying commentary relating to the individual image as well as the broader themes, technical and philosophical, which underlie their creation. An accompanying exhibition was held at Fox Darkroom & Gallery, 16 February – 3 March 2019. Prior passed away in May of that year. Preface by Ellie Young. Editing by Dr Dianne Clifton and Richard Freadman. Elegantly bound by Nikola Doslov of Renaissance Bindery. Unrecorded in OCLC or Trove. This copy inscribed by Prior.
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Sarah Lucas: 4.2 – 31.3.1996
Sarah Lucas
Rotterdam: Museum Boymans van Beuningen, 1996.Catalogue for an exhibition by English contemporary artist Sarah Lucas. This copy from the collection of photographer Lewis Morley, with the Lewis and Patricia Morley Library exlibris plate.
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Narcolepsy
Max Pam; Bob Charles
Sydney: T&G Publishing, 2012.“Narcolepsy radically delivers a process that shakes-up the form of the book to produce the art as book and the book as art. The book is a fully realised graphic vehicle. The ways in which the book operates as a series of closures and openings, also parallels the content of the book and amplifies it as an evocative, mysterious object. Narcolepsy is loaded with the poetics of sex and death realised through an exciting fusion of drawing, painting, text and photography. Narcolepsy is a disturbingly ambiguous novella in pictures and words by Max Pam (photographer) and Bob Charles (writer).” (publisher’s blurb)
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Art Cinema
Paul Young; Paul Duncan
Koln: Taschen, 2009. -
Between Eagles and Pioneers
Georg Baselitz
London: White Cube, 2011. -
Lives of the Papunya Tula Artists
Vivien Johnson
Alice Springs: IAD Press, 2008. -
Timeless Mucha: The Magic of Line
Tomoko Sato
New York: Mucha Foundation Publishing, 2025.“This volume reappraises the graphic work of Alphonse Mucha and explores its influence on graphic art since the 1960s. Published in conjunction with a touring exhibition in the US & Mexico, this volume surveys the development of Mucha’s style, synonymous with Art Nouveau. It explores how it was rediscovered by later generations of artists, becoming an artistic idiom for the Psychedelic Art of the 1960s and 1970s as well as a wide range of visual culture from the late 20th century to today. Coinciding with the opening of the new Mucha Museum in the baroque Savarin Palace in Prague, ‘Timeless Mucha’ is organised into three thematic sections: Inspirations for the Mucha Style, Le Style Mucha, and Art Nouveau and The Rebirth of the Mucha Style and Its Legacy. The first two sections focus on Mucha’s artistic development, examining the theoretical basis of Muchas style–famously known as “le style Mucha” in fin-de-siecle Paris–and its context. Tracing the artist’s footsteps from his youth in Moravia through the 1890s, when he attained fame as a poster artist, the first section highlights a selection of works of art, crafts and books from his own collection. The third section explores visual links between Mucha’s artistic idiom and the styles developed by later generations of artists. While Mucha’s style continues to influence today’s visual culture, including fashion, animation movies and computer games, this catalogue also focuses on a philosophical aspect of Mucha’s legacy: the art of message-making.”