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Wayward
AU$10.00 Read MoreAdd to cartLincoln Austin
Brisbane: Andrew Baker Art Dealer, 2011. -
Sometimes I Like To Pretend I’m A Robot
AU$10.00 Read MoreAdd to cartLincoln Austin
Brisbane: Andrew Baker Art Dealer, 2017.Catalogue for a 2017 exhibition of sculptures, prints, and thread work.
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Riders in the Chariot
AU$10.00 Read MoreAdd to cartLeonard Brown
Brisbane: Andrew Baker Art Dealer, 2021. -
Bolt
AU$10.00 Read MoreAdd to cartDonna Marcus
Brisbane: Andrew Baker Art Dealer, 2017. -
Picturing a Nation: The Art & Life of A. H. Fullwood
AU$50.00 Read MoreAdd to cartGary Werskey; A. H. Fullwood
Sydney: NewSouth Publishing, 2021.“The untold story of a major Australian artist. Regarded in his day as an important Australian impressionist painter, A.H. Fullwood (1863-1930) was also the most widely viewed British-Australian artist of the Heidelberg era. Fullwood’s illustrations for the popular Picturesque Atlas of Australasia and the Bulletin, as well as leading Australian and English newspapers, helped shape how settler-colonial Australia was seen both here and around the world. Meanwhile his paintings were as celebrated as those of his good friends Tom Roberts and Arthur Streeton. So why is Fullwood so little known today? In this pioneering, richly illustrated biography, Gary Werskey brings Fullwood and his extraordinary career as an illustrator, painter, and war artist back to life, while casting a new light on the most fabled era in the history of Australian art.” (publisher’s blurb)
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Three Four Sixteen Eighty and a Hundred
AU$10.00 Read MoreAdd to cartLeonard Brown
Brisbane: Andrew Baker Art Dealer, 2008.Exhibition catalogue.
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Bodies Without Surface
AU$10.00 Read MoreAdd to cartKatarina Vesterberg
Brisbane: Andrew Baker Art Dealer, 2012.Exhibition catalogue.
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A Temporal View
AU$10.00 Read MoreAdd to cartKatarina Vesterberg
Brisbane: Andrew Baker Art Dealer, 2014.Exhibition catalogue.
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Daemons and Deities
AU$10.00 Read MoreAdd to cartDeborah Walker
Brisbane: Andrew Baker Art Dealer, 2014.Exhibition catalogue.
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The Creative Directory to Australia 1982/83, 1983/84, 1985 (3 Volumes)
AU$250.00 Read MoreAdd to cartCreative Publications
Hong Kong: Creative Publications, 1983.The contact directory for Australian Creatives in the 1980s. Lists names, addresses, and phone numbers for individuals and agencies for any creative job from photographers, film production, and musicians, to model agencies, advertising, P.R., and more. Provided to Australia’s top advertiser’s these books were where to find creatives for industry gigs.
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Brett Whiteley: Catalogue Raisonne, 1955-1992
AU$2,000.00 Read MoreAdd to cartKathie Sutherland
Melbourne: Schwartz City, 2020.Limited to an edition of 1,000 numbered copies “This monumental seven-volume collection chronicles a lifetime of work in exhaustive detail. Compiled by art historian Kathie Sutherland over seven years, the set of cloth-bound books is presented in a deluxe, elegantly finished slipcase and presents more than 4600 artworks, including hundreds of never-before-published works. Weighing 25 kilograms and totalling 3000 pages, Brett Whiteley: Catalogue Raisonne: 1955-1992 is an unprecedented publishing event that confirms Whiteleys enduring significance as a visionary force of Australian art. Volumes 1, 3 and 4 hold paintings and drawings from the 1950s to the 1990s; Volume 2 contains exquisite concertina fold-outs of the mammoth Alchemy and The American Dream; Volume 5 contains Whiteleys prints; and Volume 6 compiles his ceramics and sculpture. A final book, Volume 7, holds essays, a cataloguing text, an exhibition history, an artists biography, a bibliography and an index of persistent themes that lend insightful form to the expanse of Whiteleys rich and varied oeuvre.” (publisher’s blurb)
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Joyride
AU$10.00 Read MoreAdd to cartLincoln Austin
Brisbane: Andrew Baker Art Dealer, 2016.Exhibition catalogue.
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Kamano Man
AU$10.00 Read MoreAdd to cartRuki Fame
Brisbane: Andrew Baker Art Dealer, 2016.Exhibition catalogue.
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Infinite Vision: Paintings by Genevieve de Couvreur
AU$15.00 Read MoreAdd to cartGenevieve de Couvreur
Gold Coast: Keeaira Press, 2003.“Essay and catalogue of the work of Genevieve de Couvreur. The deep reds, oranges and purples are completely immersive, drawing the viewer deep within the work to a contemplative space heightened by the colour’s intensity. Her work wrings every drop of light energy it can from the rainbow.”
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184 Frog Poems: 184 Boss Drovers
AU$40.00 Read MoreAdd to cartRobert MacPherson
Brisbane: Institute of Modern Art, 2001. -
What Is Appropriation? An Anthology of Writings on Australian Art in the 1980s & 1990s
AU$45.00 Read MoreAdd to cartRex Butler
Brisbane: Institute of Modern Art, 2004.“It was probably Ad Reinhardt, though it could have been Sherrie Levine or even Andy Warhol, who remarked that you only know you are doing something original when everybody else is doing it. This book explores this and other paradoxes raised by the practice of appropriation the quotation and use of other artists’ work that became widespread in the 1980s. Why was the practice so uniquely popular in Australia? What did it say about the relationship of Australian art to the art of other countries; about white art to Aboriginal art; and about contemporary art to the art of the past? How and why does appropriation fundamentally challenge habitual ways of looking at pictures and thinking about art? The essays and pictures in this book provide answers to these questions, but always in the knowledge that the enigma of appropriation remains.”
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Shangri-Less
AU$10.00 Read MoreAdd to cartSimon Mee; Rebecca Teo
Melbourne: Melbourne Books, 2014. -
Venus in Tullamarine: Art, Sex, Politics and Norman Lindsay
AU$30.00 Read MoreAdd to cartCameron Hurst; Jeremy George
Melbourne: Index Books, 2023.“This collection of essays examines Lindsay’s legacy and current position in Australian art and cultural history. The authors’ opinions are erudite, varied, and often incendiary; few figures are as divisive as Lindsay.” (from blurb) With contributions from Ian McLean, Adrian Martin, Cameron Hurst, Jeremy George, James Nguyen, and Soo-Min Shim.