Joe Roberts
New York: Anthology Editions, 2018.

“Artist Joe Roberts has spent more than a decade honing a deeply unique and unapologetically hallucinogenic style of art. Through paintings, drawings and mixed-media works, Roberts navigates a world of cosmic imagery, pop cultural detritus, and shifting geometric forms, bringing to life both the creeping unease and the uncanny humor of the psychedelic experience. Collecting over 100 new and recent works along with an introduction by Hamilton Morris (Hamilton’s Pharmacopeia), We Ate the Acid is the latest product of Roberts’ visionary journeys and a testament to his expansive, singular imagination.” (publisher’s blurb)

Tal R
[Zurich]: Nieves and innen, 2021.

“Garbage Man — could refer to Tal R himself as manic collector of what other people would perhaps refer to as refuse. Collecting and arranging of images is an integral component of his artistic practice and arises in its own manifestation from an inner necessity. The Yiddish word “Kolbojnik” (Waste, Remains) also runs through the work of the artist within the titling of many of his works. His collection, which can be found within the individual collages, consists of an eclectic mix of “primitive tribal art”, art history masterpieces, pornos, comics, private photos, childhood pictures, sketches and picture book illustrations, and was collected by Tal R over a period of 25 years. The works evoke in their pseudo-encyclopaedic phenomenon associations, Aby Warburg’s Mnemosyne Atlas, or, to refer to another artist, the Atlas by Gerhard Richter. Similar to him, the arranged pieces within the collages from Garbage Man served and serve the artist also as templates for paintings and sculptures.” (publisher’s blurb)