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Imaging the World: A Journey from Visual Processing to Fine Art and Back Again
AU$100.00 Read MoreAdd to cartHenry R. Lew
Melbourne: Hybrid Publishers, 2018.Limited edition of 500 copies. This copy is unnumbered.
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Footprints of the Future: Richard Neville’s Handbook for the Third Millennium
AU$40.00 Read MoreAdd to cartRichard Neville
Sydney: Richmond Ventures, 2002.Artist book by Australian author and Oz editor, Richard Neville.
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Luke Roberts: Alphastation / Alphaville
AU$20.00 Read MoreAdd to cartLuke Roberts; Evie Franzidis
Brisbane: Institute of Modern Art, 2012. -
The Red Box: The Phantasma-Allegorical Portraits of Stacy Lande
AU$35.00 Read MoreAdd to cartStacy Lande
San Francisco: Last Gasp, 2000. -
Eric White: It Feeds Itself
AU$35.00 Read MoreAdd to cartEric White
San Francisco: Last Gasp, 2003. -
Copro/Nason Fine Art: A Catalogue Raisonne
AU$50.00 Read MoreAdd to cartJeremy Cushner; Jeff Fox; Arthur Katz
San Francisco: Last Gasp, 2006.A catalogue of fine art prints, with accompanying essays. Foreword by Greg Escalanted and Douglas Nason; Introduction by Robert Williams; Afterword by Jeremy Cushner. Unnumbered edition of 5,000 copies.
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Abraham Obama: A Guerrilla Tour Through Art & Politics
AU$30.00 Read MoreAdd to cartDon Goede; Ron English
San Francisco: Last Gasp, 2009. -
Object of the Story: Reflections on Place
AU$25.00 Read MoreAdd to cartMichael Aird; Mandana Mapar
Gold Coast: Keeaira Press, 2013.“This exhibtion catalogue presents a selection of personal recollections of members of the Aboriginal community of the Ballina region. These stories are reflections on place through a variety of objects and embrace both historic and contemporary perspectives on Aboriginal experience and relationships. Illustrated with phototgrpahs taken by the authors and a selection of historic images.”
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This Is My Heritage
AU$20.00 Read MoreAdd to cartMichael Aird; Mandana Mapar
Brisbane: Queensland Museum, 2015.Photographs and stories from a 2015 exhibition at the Queensland Museum, celebrating twelve indigenous artists and educators.
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The Peter Hallinan Collection of Melanesian Art
AU$30.00 Read MoreAdd to cartSotheby’s
London: Sotheby’s, 1992.Illustrated price catalogue for an auction held in London on Monday the 7th of December, 1992.
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Infinite Vision: Paintings by Genevieve de Couvreur
AU$15.00 Read MoreAdd to cartGenevieve de Couvreur
Gold Coast: Keeaira Press, 2003.“Essay and catalogue of the work of Genevieve de Couvreur. The deep reds, oranges and purples are completely immersive, drawing the viewer deep within the work to a contemplative space heightened by the colour’s intensity. Her work wrings every drop of light energy it can from the rainbow.”
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The Art of Politics, The Politics of Art: The Place of Indigenous Contemporary Art
AU$25.00 Read MoreAdd to cartFiona Foley
Southport: Keeaira Press, 2006.“In October 2005 the Centre for Public Culture and Ideas hosted The Art of Politics/The Politics of Art conference in Brisbane. An impressive array of local and international Indigenous and non-Indigenous academics, art administrators and practicing artists were gathered together to discuss Indigenous art in mainstream Australia and in international arts practice. This book features contributions from Fiona Foley, Regina Ganter, Subba Gosh, Anna Haebich, Dillon Kombumerri, Ole Maiava, Louise Martin-Chew, Michael Mel, Djon Mundine Fiona Nicoll, Aaron Seeto, Franca Tamisari and Kelvin Yazzie.”
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Venus and the Female Intuition
AU$55.00 Read MoreAdd to cartClaus Brusen
The Netherlands: Salbru, 2007.Catalogue for a group exhibition of contemporary surreal and figurative artists on the feminine. This copy includes accompanying CD, Highest Heaven, Tweekunst.
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184 Frog Poems: 184 Boss Drovers
AU$40.00 Read MoreAdd to cartRobert MacPherson
Brisbane: Institute of Modern Art, 2001. -
Imaginary Accord
AU$30.00 Read MoreAdd to cartAileen Burns; Madeleine King; Johan Lundh
Brisbane: Institute of Modern Art, 2017.“Is an art institution only an imagined entity–a temporary constellation of agreements, negotiations, and arrangements–or is it something more fixed? This publication both documents and reinvigorates the fortieth anniversary activities of the Institute of Modern Art (IMA): the exhibition Imaginary Accord; the nine-part lecture series and two-day symposium, What Can Art Institutions Do?; and the online archive, 40years.ima.org.au, that charts the IMA and its immediate historical context. This series of creative and critical projects explored the historical mission of one of Australia’s oldest public galleries, while imagining what the founding principles of a contemporary art institution could mean today and for the future.” (publisher’s blurb)
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Stuart Ringholt: Kraft
AU$25.00 Read MoreAdd to cartCharlotte Day; Robert Leonard
Melbourne: Monash University Museum of Art, 2014.“As part of his diverse artistic practice, Stuart Ringholt leads audiences on naturist gallery tours, anger workshops, and participatory performances that invoke embarrassment, fear, laughter, and love. He also makes videos, absurdist sculptures, painted mirrors, and collages.”
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Simon Starling: In Speculum
AU$20.00 Read MoreAdd to cartMax Delany
Melbourne: Monash University Museum of Art, 2013.“English artist Simon Starlingwho won the prestigious Turner Prize in 2005is celebrated for his erudite projects. His works explore the legacies of modernism and globalisation by addressing peculiar histories surrounding specific objects and sites of art, design, and science. While they mine real histories, there is always something unexpected, excessive, witty, perverse, serendipitous, convoluted, or crafty about them.”
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The Critic’s Part: Wystan Curnow Art Writings, 1971-2013
AU$60.00 Read MoreAdd to cartChristina Barton; Robert Leonard; Thomasin Sleigh
Wellington: Adam Art Gallery, 2014. -
What Is Appropriation? An Anthology of Writings on Australian Art in the 1980s & 1990s
AU$45.00 Read MoreAdd to cartRex Butler
Brisbane: Institute of Modern Art, 2004.“It was probably Ad Reinhardt, though it could have been Sherrie Levine or even Andy Warhol, who remarked that you only know you are doing something original when everybody else is doing it. This book explores this and other paradoxes raised by the practice of appropriation the quotation and use of other artists’ work that became widespread in the 1980s. Why was the practice so uniquely popular in Australia? What did it say about the relationship of Australian art to the art of other countries; about white art to Aboriginal art; and about contemporary art to the art of the past? How and why does appropriation fundamentally challenge habitual ways of looking at pictures and thinking about art? The essays and pictures in this book provide answers to these questions, but always in the knowledge that the enigma of appropriation remains.”
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The Other North
AU$30.00 Read MoreAdd to cartJesse Jones
Berlin: Sternberg Press, 2017.