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The Lowbrow Art of Robert Williams
Robert Williams
San Francisco: Last Gasp, 2022.“A reprint edition of the classic book of Robert Williams paintings, drawings and comics. This edition is enhanced with newer, more vibrant and accurate color images. This book is the first featuring the amazing artwork of Robert Williams, containing an overview of Williams’s early work until 1979. T-shirt designs, comics, posters, and all paintings are accompanied by a text commenting on them and introducing Mr. Williams to the public.” (publisher’s blurb)
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Robert Dickerson: Against The Tide
Jennifer Dickerson
Brisbane: Pandanus Press, 1994. -
Sculpture is Everything
Kathryn Elizabeth Weir
Brisbane: Queensland Art Gallery, 2012. -
Darkness & Light: The Art of William Robinson
Lynne Seear; William Robinson
Brisbane: Queensland Art Gallery, 2001.This copy with the pencil signature of Shirley Lahey, niece of artist Vida Lahey, with a laid in letter from the Queensland Art Gallery thanking her for allowing them to reproduce one of Vida’s paintings in this book.
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Gajin Fujita: Made in L.A.
Gajin Fujita
Venice: L. A. Louvre, 2011.Catalogue for an exhibition by American graffiti artist Gajun Fujita.
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The Fourteen Stations
Francesco Clemente
London: Whitechapel Art Gallery, 1983.Catalogue for an exhibition by Italian painter Francesco Clemente (1952-).
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Kenneth Macqueen: 14th November – 9th December, 2017
Kenneth Macqueen
Brisbane: Philip Bacon Galleries, 2017.Exhibition catalogue.
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Cressida Campbell: 12 – 28 October, 2017
Cressida Campbell
Brisbane: Philip Bacon Galleries, 2017.Exhibition catalogue exhibiting at Mossgreen, Woollahra.
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Rick Griffin
Rick Griffin; Gordon McClelland
New York: Perigree, 1980.Monograph on leading American psychedelic poster artist Rick Griffin (1944-1991). Includes cover and poster designs for Grateful Dead and others and his underground comix work which regular appear in Zap Comix.
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H.R.H. Princess Mary’s Streeton: Her Wedding Gift from the Women of New South Wales
Christie’s; [Arthur Streeton]
[London]: Christie’s, [2012].Catalogue for the sale of Arthur Streeton’s 1922 painting, Sydney Harbour (from the City), which was given as a gift to H.R.H. Princess Mary as a wedding gift, and then passed to George Lascelles, 7th Earl of Harewood, and auctioned by Christie’s following his passing.
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Painting Collection of Mrs. S. K. Ling
S. K. Ling
Kowloon: C. S. Ling, 1935.Foreword and epilogue is in English and Chinese, primarily illustrations. 32 colour plates and one colour photograph of Mrs. S. K. Ling.
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Forty Drawings of Fishes made by the Artists who accompanied Captain James Cook on his Three Voyages to the Pacific, 1768-71, 1772-75, 1776-80; Some Being Used by Authors in the Description of New Species
P. J. P. Whitehead
London: Trustees of the British Museum (Natural History), 1968. -
Plants of the Americas
Nikolaus von Jacquin; Christopher Mills
London: The Folio Society, 2016.Deluxe oversize Folio Society facsimile of the Second Edition of Nikolaus von Jacquin’s Selectarum stripium Americanarum historia with a Commentary Volume by Christopher Mills and 3 prints. One of 750 numbered copies. This copy without the envelope containing 3 prints.
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The Big Archive: Art from Bureaucracy
Sven Spieker
Cambridge and London: The MIT Press, 2008.“The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a variety of ways–from what Spieker calls Marcel Duchamp’s “anemic archive” of readymades and El Lissitzky’s Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive–as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art–and finds it to be a crucible of twentieth-century modernism.” (publisher’s blurb)
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Rues et Visages de New-York
Chas Laborde; Paul Morand
Paris: Lacouriere, 1950.Streets and Faces of New York. The final, and posthumous, of Charles Laborde’s series of works on famous world cities, having previously produced similar volumes on Paris (1926), London (1928), Berlin (1930), and Moscow (1935). The New York volume produced from sketchbooks he made on his trip in 1932, containing 15 accompanied by text by Paul Morand. One of 200 numbered copies on Arches from a total edition of 230.
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La Ballade de la Geole de Reading
Oscar Wilde; G. Cornelius
Paris: Javal et Bourdeaux, 1927.French edition of Wilde’s The Ballad of Reading Gaol illustrated with 15 coloured copper engravings by Jean-Georges Cornelius. One of 225 numbered copies.
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Wine, Women and Words
Billy Rose; Salvador Dali
New York: Simon & Schuster, 1948.The first trade paperback edition of Billy Rose’s autobiography with illustrations by Salvador Dali. This copy with 9 Rose related clippings laid in.
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Utopia: The Genius of Emily Kame Kngwarreye
Margo Neale; Emily Kngwarreye
Canberra: National Museum of Australia Press, 2008. -
A Cybernetic Romance
Laurence M. Gartel
Salt Lake City: Gibbs Smith, 1989.Monograph of digital artist Laurence Gartel (1956-) with works from 1979-89. Introduction by South Korean artist and founder of video art Nam June Paik.
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Teddy Candoval and the Butch Gardens School of Art
C. Ondine Chavoya; David Evans Frantz
Los Angeles, New York, Monterey Park & Williamstown: Inventory Press, Independent Curators International, Vincent Price Art Museum & Williams College Museum of Art, 2024.“Accompanying the artistÂ’s first retrospective, this title examines the work of artist Teddy Sandoval. A central figure in Los Angeles’s queer and Chicanx artistic circles, for 25 years Sandoval produced subversive and playful artworks in a range of mediums that explored the codes of gender and sexuality, particularly transforming conceptions of masculinity.” (publisher’s blurb)