Prices in AUD. Shipping worldwide. Flat rate $8 postage per order within Australia. International by weight calculated at checkout. Read full terms.
-
From River Banks to Shearing Shed: 30 Years with Flying Arts
AU$30.00 Read MoreAdd to cartMarilyn England
Brisbane: Suzanne Wickenden, 2009. -
Tokyo GlamRock: The Work of Matsukage and Ujino
AU$40.00 Read MoreAdd to cartChris Horrocks
: iMMprint, 2002.The art, music and design of the Japanese duo Matsukage and Muneteru Ujino.
-
O’Keeffe, Preston, Cossington Smith: Making Modernism
AU$30.00 Read MoreAdd to cartLesley Harding; Denise Mimmocchi
Sydney and Melbourne: Art Gallery of New South Wales and Heide Museum of Modern Art, 2016. -
Keeping Culture: Aboriginal Tasmania
AU$60.00 Read MoreAdd to cartAmanda Jane Reynolds
Canberra: National Museum of Australia Press, 2006. -
Robert Dickerson: Against The Tide
AU$40.00 Read MoreAdd to cartJennifer Dickerson
Brisbane: Pandanus Press, 1994. -
Sculpture is Everything
AU$30.00 Read MoreAdd to cartKathryn Elizabeth Weir
Brisbane: Queensland Art Gallery, 2012. -
Darkness & Light: The Art of William Robinson
AU$30.00 Read MoreAdd to cartLynne Seear; William Robinson
Brisbane: Queensland Art Gallery, 2001.This copy with the pencil signature of Shirley Lahey, niece of artist Vida Lahey, with a laid in letter from the Queensland Art Gallery thanking her for allowing them to reproduce one of Vida’s paintings in this book.
-
Gajin Fujita: Made in L.A.
AU$65.00 Read MoreAdd to cartGajin Fujita
Venice: L. A. Louvre, 2011.Catalogue for an exhibition by American graffiti artist Gajun Fujita.
-
Kenneth Macqueen: 14th November – 9th December, 2017
AU$30.00 Read MoreAdd to cartKenneth Macqueen
Brisbane: Philip Bacon Galleries, 2017.Exhibition catalogue.
-
Cressida Campbell: 12 – 28 October, 2017
AU$40.00 Read MoreAdd to cartCressida Campbell
Brisbane: Philip Bacon Galleries, 2017.Exhibition catalogue exhibiting at Mossgreen, Woollahra.
-
Rick Griffin
AU$60.00 Read MoreAdd to cartRick Griffin; Gordon McClelland
New York: Perigree, 1980.Monograph on leading American psychedelic poster artist Rick Griffin (1944-1991). Includes cover and poster designs for Grateful Dead and others and his underground comix work which regular appear in Zap Comix.
-
Painting Collection of Mrs. S. K. Ling
AU$250.00 Read MoreAdd to cartS. K. Ling
Kowloon: C. S. Ling, 1935.Foreword and epilogue is in English and Chinese, primarily illustrations. 32 colour plates and one colour photograph of Mrs. S. K. Ling.
-
Forty Drawings of Fishes made by the Artists who accompanied Captain James Cook on his Three Voyages to the Pacific, 1768-71, 1772-75, 1776-80; Some Being Used by Authors in the Description of New Species
AU$300.00 Read MoreAdd to cartP. J. P. Whitehead
London: Trustees of the British Museum (Natural History), 1968. -
Plants of the Americas
AU$800.00 Read MoreAdd to cartNikolaus von Jacquin; Christopher Mills
London: The Folio Society, 2016.Deluxe oversize Folio Society facsimile of the Second Edition of Nikolaus von Jacquin’s Selectarum stripium Americanarum historia with a Commentary Volume by Christopher Mills and 3 prints. One of 750 numbered copies. This copy without the envelope containing 3 prints.
-
The Big Archive: Art from Bureaucracy
AU$30.00 Read MoreAdd to cartSven Spieker
Cambridge and London: The MIT Press, 2008.“The typewriter, the card index, and the filing cabinet: these are technologies and modalities of the archive. To the bureaucrat, archives contain little more than garbage, paperwork no longer needed; to the historian, on the other hand, the archive’s content stands as a quasi-objective correlative of the “living” past. Twentieth-century art made use of the archive in a variety of ways–from what Spieker calls Marcel Duchamp’s “anemic archive” of readymades and El Lissitzky’s Demonstration Rooms to the compilations of photographs made by such postwar artists as Susan Hiller and Gerhard Richter. In The Big Archive, Sven Spieker investigates the archive–as both bureaucratic institution and index of evolving attitudes toward contingent time in science and art–and finds it to be a crucible of twentieth-century modernism.” (publisher’s blurb)
-
Rues et Visages de New-York
AU$2,200.00 Read MoreAdd to cartChas Laborde; Paul Morand
Paris: Lacouriere, 1950.Streets and Faces of New York. The final, and posthumous, of Charles Laborde’s series of works on famous world cities, having previously produced similar volumes on Paris (1926), London (1928), Berlin (1930), and Moscow (1935). The New York volume produced from sketchbooks he made on his trip in 1932, containing 15 accompanied by text by Paul Morand. One of 200 numbered copies on Arches from a total edition of 230.
-
La Ballade de la Geole de Reading
AU$1,000.00 Read MoreAdd to cartOscar Wilde; G. Cornelius
Paris: Javal et Bourdeaux, 1927.French edition of Wilde’s The Ballad of Reading Gaol illustrated with 15 coloured copper engravings by Jean-Georges Cornelius. One of 225 numbered copies.
-
Wine, Women and Words
AU$80.00 Read MoreAdd to cartBilly Rose; Salvador Dali
New York: Simon & Schuster, 1948.The first trade paperback edition of Billy Rose’s autobiography with illustrations by Salvador Dali. This copy with 9 Rose related clippings laid in.
-
Teddy Candoval and the Butch Gardens School of Art
AU$115.00 Read MoreAdd to cartC. Ondine Chavoya; David Evans Frantz
Los Angeles, New York, Monterey Park & Williamstown: Inventory Press, Independent Curators International, Vincent Price Art Museum & Williams College Museum of Art, 2024.“Accompanying the artistÂ’s first retrospective, this title examines the work of artist Teddy Sandoval. A central figure in Los Angeles’s queer and Chicanx artistic circles, for 25 years Sandoval produced subversive and playful artworks in a range of mediums that explored the codes of gender and sexuality, particularly transforming conceptions of masculinity.” (publisher’s blurb)
-
John Shirlow: Ten Etchings
AU$1,000.00 Read MoreAdd to cartJohn Shirlow
Melbourne: The Lytlewode Press, 2005.Portfolio of ten etchings printed directly form Shirlow’s plates accompanied by an essay in letterpress by the publisher, Robert C. Littlewood, and a photographic frontispiece. The portfolio created by master Brisbane binder Fred Pohlmann in the style of Shirlow’s 1904 folio Five Etchings. Each etching titled in pencil and stamped with a facsimile signature. The etchings are of eight views of Melbourne, one of Sydney Harbour, and one of Hobart. Limited to 100 numbered copies signed by the publisher. This copy with the letterpress prospectus.