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The Forgotten Frames: A Photographic Voyage with the People of Bastar
Manoj Kumar Jain
[Uttar Pradesh]: Manoj Kumar Jain, 2014. -
Vedic and Mesopotamian Interactions
N. Kazanas
Adyar: The Adyar Library and Research Centre, The Theosophical Society, 2007. -
Three Years in Cachar: With a Short Account of the Manipur Massacre
M. J. Wright; James H. Hartley
London: S. W. Partridge & Co, [1895].An account by a lady missionary of life in Assam, describing the people and their way of life and her encounters with wild animals. It also includes her description of the events in Manipur in 1890-91 when a military expedition was sent to respond to the murders of five British soldiers by insurgent Manipuris. Five Manipuri commanders were hanged for waging war against the British, who installed the boy Meidingngu Churachand on the throne.
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A Potter’s Tale
Ramu Velar
India: Tara Books, 2021.“The first title in Tara’s Makers series, this book unfolds as a life narrative as Ramu Velar tells us how he views his craft, vocation and life. Just as his fingers deftly mould a lump of clay to create sturdy pots and beautifully carved bowls, his memory creates sharp as well as dreamy vignettes of his journey from a village potter to a resident craftsman in a museum. Richly textured photographs and evocative illustrations bring alive the world of an unusual and introspective artisan.” (publisher’s blurb)
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The Lajjagauri and Anandanayaki: A New Light on the Nature and Worship of the Adi-Mata, the Primordial Mother
Ramacandra Cintaman Dhere
Melbourne: Monash University Publishing, 2020.Translated from Marathi and with an introductory chapter and annotation by Jayan Bhalcandra Bapat. “Lajjagauri is perhaps one of India’s oldest goddesses with images of her in South Asia dating back to the Indus Civilisation c. 3,000 to 1,500 BC. Her devotees can be traced back even earlier to the Ukraine c. 10,000 BCE. In India, new finds continue to expand the geographical spread of Lajjagauri’s devotees, most recently to Odisa. Dhere’s work on Lajjagauri is based on tireless pursuits of her image throughout western India. In contrast to the other thousands of Indian goddesses whose images are super abundant, Lajjagauri has become more reclusive as other deities have risen.” (publisher’s blurb)