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1888 Report on the Oyster Fisheries of Moreton Bay
Cecil S. Fison
Brisbane: James C. Beal, Government Printer, 1888.The most detailed of the reports to the Queensland Parliament on the oyster fisheries of Moreton Bay, stretching from Caloundra in the north to Point Danger in the south. The 1888 report came 2 years after The Oyster Act of 1886 which outlined transferrable leases for the bank and dredge collection and cultivation of oysters in Moreton Bay and attempted to make the industry more sustainable by introducing measures to stop the naked exploitation and then abandonment which earlier leases suffered from by less forward thinking license holders. The bay was divided into numerous dredge sections and portions of bank, and now having been in place since the Oyster Act of 1874 and with Fison settled into his role he largely reports on various developments related to the leases. The report is further extended with detailed reports on Queensland fisheries and oysters more broadly throughout the state including a more detailed report on oysters and fisheries in Maryborough, as well as with lengthy tables detailing leases and returns of oysters and fish. Includes 3 plates with 6 figures illustrating the development of oyster cultivation in Moreton Bay, a dugong, a Moreton Bay crustacea, and a clam from Barron River Cairns, as well as a map of the fishing area around Stradbroke, and 3 large fold out maps illustrating allotments in the central, northern and southern parts of the bay, and of the Maryborough region.
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A Queenly Colony: Pen Sketches and Camera Glimpses
[William Henry Traill]
Brisbane: Edmund Gregory, Government Printer, 1901.Photographs of early Queensland collected from various government departments depicting the state in the late 19th century with accompanying descriptive text by William Henry Traill. Depicts farming, industry, Brisbane, regional townships and farmlands, and notable individuals. An excellent copy in the original cloth.
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Mildura: Scenes from the Land of Winter Sunshine
G. V. & W. R. Hiscock
Melbourne: The Valentine Publishing Co., No date.Circa 1930s souvenir booklet of views of Mildura and surrounds.
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A Potter’s Tale
Ramu Velar
India: Tara Books, 2021.“The first title in Tara’s ‘MakersÂ’ series, this book unfolds as a life narrative as Ramu Velar tells us how he views his craft, vocation and life. Just as his fingers deftly mould a lump of clay to create sturdy pots and beautifully carved bowls, his memory creates sharp as well as dreamy vignettes – of his journey from a village potter to a resident craftsman in a museum. Richly textured photographs and evocative illustrations bring alive the world of an unusual and introspective artisan.” (publisher’s blurb)
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Omie Sa’are Ni’i’i Vahd’e (Omie Creation)
Rex Warrimou (Sabio)
Brisbane: Andrew Baker Art Dealer, 2016.Exhibition catalogue.
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Ujawe Mamu (Mother of Initiation Rites)
Sarah Ugibari
Brisbane: Andrew Baker Art Dealer, 2016.Exhibition catalogue.
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Luminous Mountain
Omie Artists
Brisbane: Andrew Baker Art Dealer, 2014.Exhibition catalogue.
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Hijominoe Modejade (Guided by Ancestors)
Omie Artists
Brisbane: Andrew Baker Art Dealer, 2015.Exhibition catalogue.
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Malu Sara
Dennis Nona
Brisbane: Andrew Baker Art Dealer, 2011. -
Arero Ajive (A New Light)
Ilma Savari (Ajikum’e)
Brisbane: Andrew Baker Art Dealer, 2016. -
Journals of Two Expeditions into the Interior of New South Wales, Undertaken by Order of the British Government in the Years 1817-18
John Oxley
London: John Murray, 1820.Oxley’s account of his explorations of the Lachlan and Macquarie Rivers: “the foundation work in the field of Australian inland exploration and the first detailed description of the interior of New South Wales.” (Jonathan Wantrup, Australian Rare Books, 1788-1900) FERGUSON 796, WANTRUP 107.
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Visions of the Floating World: The Cartoon Art of Japan
Mark Cotta Vaz
San Francisco: Cartoon Art Museum, 1992.Scarce catalogue for an exhibition of Japanese comic art at the Cartoon Art Museum, San Francisco. 2 copies in OCLC. Unrecorded in CiNii.
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4 Snapshot Photographs of a River Fishing Trip
Anonymous
[Australia]: Unknown, No date.1920s snapshot photographs of 2 men in their rowboat holding their catch and on the riverbank with their haul.
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Genshoku Nihon no Bijutsu 28 [Primary Colours of Japanese Art 28: Modern Architecture, Sculpture, Crafts]
Terukazu Akiyama
Tokyo: Shogakkan, 1972. -
Genshoku Nihon no Bijutsu 25 [Primary Colours of Japanese Art 25: Nanban Art and Western-style Painting]
Terukazu Akiyama
Tokyo: Shogakkan, 1970. -
Genshoku Nihon no Bijutsu 10 [Primary Colours of Japanese Art 10: Zen Temple and Stone Garden]
Terukazu Akiyama
Tokyo: Shogakkan, 1967. -
Genshoku Nihon no Bijutsu 4 [Primary Colours of Japanese Art 4: Shosoin]
Terukazu Akiyama
Tokyo: Shogakkan, 1968. -
Genshoku Nihon no Bijutsu 1 [Primary Colours of Japanese Art 1: Ancient Japanese Art]
Terukazu Akiyama
Tokyo: Shogakkan, 1970. -
Thorsbjerg Mosefund. Beskrivelse af de Oldsager, som i aarene 1858-61 ere udgravede af Thorsbjerg Mose ved Sonder-Brarup i Angel; et Samlet Fund,
Conr. Engelhardt [Helvin Conrad Engelhardt]
Kjobenhavn: I Commission Hos G. E. C. GAD, 1863...henhorende til den aeldre jernalder og bevaret i den kongelige samling Af Nordiske Oldsager I Flendsborg. A description of the antiquities, which in the years 1858-61 were excavated by Helvig Conrad Engelhardt at Thorsberg moor
in Anglia, a peat bog in which the Angles made votive offerings between 100 B.C. to A.D. 500, approximately. The finds are now on display in the State Archaeological Museum at Gottorf Castle. A scarce and important work of Iron Age archaeology with 18 copperplate engravings by J. Magn. Petersen. -
Mao’s Bestiary: Medicinal Animals and Modern China
Liz P. Y. Chee
Durham and London: Duke University Press, 2021.“A history of the rising use of “medicinal animals” in modern China. While animal parts and tissue had been present in Chinese medicine from an early date, the book argues that their role in the Chinese pharmacopiea greatly expanded and became systematized in the changed political and economic circumstances of the early Communist period. Mao’s Bestiary is the first book to place medicinal animals squarely within the historiography of Chinese medicine. In an age of controversy over the ethics and efficacy of faunal medicalization, its perpensity to foster zoonotic diseases and its devastating effect on wildlife conservation in China and worldwide, the book contributes a much-needed historical perspective, explaining the modern origins of what is too casually taken to be traditional practice” (publisher’s blurb)