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Sexual Politics in Modern Iran
Janet Afary
Cambridge: Cambridge University Press, 2009.From the collection of Dr. Gary Simes, book-plate pasted down, date written inside rear cover, and minor notes throughout in pencil.
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Gentlemen of the Flashing Blade
Bianka Vidonja Balanzategui
Brisbane: Boolarong Press, 2015.Studies in North Queensland History, Number 12. Foreword by Henry Reynolds. First published in 1990 by James Cook University.
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Abraham Obama: A Guerrilla Tour Through Art & Politics
Don Goede; Ron English
San Francisco: Last Gasp, 2009. -
Health Quality in Indigenous Communities: A Culturally Secure Quality Framework for Aboriginal and Torres Strait Islander Health Services
Christine Ryan
Gold Coast: Keeaira Press, 2010. -
A People’s Movement: Reconciliation in Queensland
Charmaine Foley; Ian Watson
Gold Coast: Keeaira Press, 2001. -
Trolling for Sharks: Adventures of a Teacher in a Remote Aboriginal Community
Trev Brown
Gold Coast: Keeaira Press, 2005.“This collection of short stories tell of Trev Brown’s time as a teacher at the Angurugu School on Groote Eylandt in the Gulf of Carpentaria. Being a manual arts teacher Trev put his practical skills to good use. Even if you are not interested in things mechanical it is impossible to put the book down until you find out what happens to the outboard engine that he finds at the bottom of a river and struggles to get going. He tells of rebuilding boats and cars, modifications to his house, rivets falling from airplanes, Friday nights at the Bartalumba Bay Fishermen’s Club and water-skiing in shark and crocodile-infested waters. Even the time he spent in the classroom had its share of excitement. Like the time an upset student arrived at school with his father’s spears and a few ended up through the school doors. Another time parents had to scare off crocodiles and sharks from the nearby river so a swimming carnival could be held, as the residents of the nearby mining town did not want Aborigines using the local swimming pool. Trevs skillful writing keeps the reader amused as you discover how exciting a schoolteacher’s life can be.” (publisher’s blurb)
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Ey! Iran: Contemporary Iranian Photography
Mandana Mapar; Htamid Severi
Gold Coast: Gold Coast City Art Gallery, 2006.“In Ey! Iran, social realities of hope, temptation, nostalgia and introspection are captured through the Persian lens. The exhibition depicts a culture surprisingly familiar to ours – narratives of family life, suburban sprawl and poignant observations on a country immersed in longstanding customs and traditions. The artists take on issues of identity, gender and social restrictions and by doing so capture a side of Iran which is often contrary to that presented by the Pentagon and the western media. Catalogue of exhibition held at the Gold Coast City Art Gallery in 2006. Artists include; Dadbeh Bassir, Shadi Ghadirian, Amirali Ghasemi, Mohammad Ghazali, Arash Hanaei, Ghazale Hedayat, Peyman Houshmandzadeh, Bahman Jalali, Hana Mirjanian, Reza Paydari, Leila Pazooki, Sadegh Tirafkan, Hamila Vakili, Hossein & Angela Valamanesh and Mohsen Yazdipour.”
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This Is My Heritage
Michael Aird; Mandana Mapar
Brisbane: Queensland Museum, 2015.Photographs and stories from a 2015 exhibition at the Queensland Museum, celebrating twelve indigenous artists and educators.
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The Peter Hallinan Collection of Melanesian Art
Sotheby’s
London: Sotheby’s, 1992.Illustrated price catalogue for an auction held in London on Monday the 7th of December, 1992.
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Two Women, Two Worlds: Friendship Swept by Winds of Change
Audrey McCollum
Hanover: Hillwinds Press, 1999. -
The Politics of School Decentralization
George R. LaNoue; Bruce L. R. Smith
Lexington: D. C. Heath and Company, 1973. -
Not Just A School: St Peters Lutheran College
Clarrie Burke; Nicky Boynton-Bricknell; Jan Hurwood
Brisbane: CopyRight, 2012. -
What Is Appropriation? An Anthology of Writings on Australian Art in the 1980s & 1990s
Rex Butler
Brisbane: Institute of Modern Art, 2004.“It was probably Ad Reinhardt, though it could have been Sherrie Levine or even Andy Warhol, who remarked that you only know you are doing something original when everybody else is doing it. This book explores this and other paradoxes raised by the practice of appropriation the quotation and use of other artists’ work that became widespread in the 1980s. Why was the practice so uniquely popular in Australia? What did it say about the relationship of Australian art to the art of other countries; about white art to Aboriginal art; and about contemporary art to the art of the past? How and why does appropriation fundamentally challenge habitual ways of looking at pictures and thinking about art? The essays and pictures in this book provide answers to these questions, but always in the knowledge that the enigma of appropriation remains.”
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The Other North
Jesse Jones
Berlin: Sternberg Press, 2017. -
Paris Mirabilia: Journey Through A Rare Enchantment
Ivan Cenzi
Modena: Logos Edizioni, 2017. -
Charas: The Improbable Dome Builders
Syeus Mottel
Brooklyn: Pioneer Works Press, 2017.A story of the ’70s: when six New York ex-gangsters met Buckminster Fuller and built a geodesic dome.
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Dancing Korea: New Waves of Choreographers and Dance Companies
Kim Malborg
Seoul: Hollym, 2012. -
New masterpieces of 100 Eshi: generation 2
Kouichi Yabuuchi
Tokyo: BNN, 2013.Includes fold-out poster.
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Gaia Calls: South Sea Voices, Dolphins, Sharks & Rainforests
Wade Doak
Studio City: Divine Arts, 2012. -
Rad American Women A-Z
Kate Schatz
San Francisco: City Lights Books, 2015.