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Nouveau Catalogue de Photographies Galantes
Guillaume Lemarie [Guy Lemaire]
Paris: Editions Astarte, 1997.Playful late 20th century pornographic photography in a 19th century style.
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Decent Exposures
Peter Simon
Berkeley: Wingbow Press, 1974.“This is not a book of Nude Photography (pictures of people who took their clothes off to be photographed) but portraits of people taken when they happened to have them off. They are representations of an alternative or, at least, the beginnings of one. A sensibility. A state of consciousness where it is not necessary to cover your genitals any more than your face, any more than your feelings, any more than your love, any more than your human soul.” (from the introduction by Asa Eliot)
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A Book About Australian Women
Carol Jerrems; Virginia Fraser
Melbourne: Outback Press, 1974.Classic Australian photobook. “A book about Australian women was published on the eve of International Women’s Year and following the establishment of the Office for Women’s Affairs by the Whitlam government in 1973. The book, described as a ‘collective portrait’, featured interviews by writer and artist Virginia Fraser, along with 131 photographs by Carol Jerrems of women from various walks of life. Some, such as Wendy Saddington, were already well known; others, such as Anne Summers, subsequently became prominent in their fields.” (National Portrait Gallery website)
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Telegraph 3 A.M.: The Street People of Telegraph Avenue, Berkeley, California
Richard Misrach
Berkeley: Cornucopia Press, 1974.First photobook of American photographer Richard Misrach (1949-), being street photography of the homeless residents of Telegraph Avenue in Berkeley, California.
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The Americans
Robert Frank
New York: Aperture and Museum of Modern Art, 1968.Introduction by Jack Kerouac. Second edition of Frank’s classic photobook, being revised and enlarged from the first and produced with MOMA.
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Golden Boy as Anthony Cool: A Photo Essay on Naming and Graffiti
Herbert Kohl; James Hinton
New York: The Dial Press, 1972.Important early study of urban text graffiti and tagging in New York. More than just a photobook, though Hinton’s work definitely gives it that distinction, Kohl, founder of the 1960s Open School movement, provides lengthy and invaluable insight into language and identity.
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Sideshow Alley: Infamy, the Macabre & the Portrait
Joanna Gilmour
Canberra: National Portrait Gallery, 2015.“Featuring a sometimes disquieting selection of portraits, Sideshow Alley combines history, biography and the art of portraiture with true crime, scandal and sensation. National Portrait Gallery Curator Joanna Gilmour introduces the relationship between death and portraiture via a focus on the various ways in which artists, photographers and entrepreneurs made use of portraits of Australian convicts and criminals: the canny or unscrupulous publishers trading in salacious prints and penny dreadfuls; the otherwise respectable people who put carte de visite of serial killers into their family albums; the photographic studios doing a brisk trade in portraits of heroes and villains; and the waxworks proprietors who, with their ‘Chambers of Horrors’, turned violence, misfortune and the macabre into a lucrative art form.” (publisher’s blurb)
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The Aboriginal Photographs of Baldwin Spencer
Baldwin Spencer; John Mulvaney
Melbourne: Viking O’Neil, 1987. -
Trautes Heim: Fotos aus dem Wirklichen Leben
Anna Blume; Bernhard Blume
Basel: Kunsthalle Basel, 1987.Exhibition catalogue.
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On Christopher Street: Transgender Stories
Mark Seliger
New York: Rizzoli, 2016.Photo book of the transgender community in New York’s Greenwich Village.
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Emergence
Cynthia MacAdams
New York: Chelsea House, 1977.Photo book of black and white portraits of women by Cynthia MacAdams. Emergence was MacAdams’ first published photo book and became an icon of 1970s feminist photography. Subjects include Patti Smith, Jane Fonda, Gloria Steinem, Laurie Anderson, Rita Mae Brown, Michelle Phillips, Judy Chicago, and many others. Introduction by Kate Millet and introductory poem by Diane di Prima, both of which are also subjects.
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Pagan Innocence
K. F. Wong
London: Jonathan Cape, 1960.Photobook of Sarawak’s indigenous peoples, the Dayak, taken in the late 1950s and published in London in 1960. 30 pages of text with an introduction by Malcolm MacDonald.
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The Garden of Adonis
Oliver Hill
London: Philip Allan & Co., 1923.The Arcadian, Uranian photography of architect Oliver Hill presented alongside quotes from the Romantic poets. The first of several lavish productions by Philip Allan of Hill’s Pictorialist images of children. This copy inscribed by Oliver Hill for Sidney Smith and dated September 1927, undoubtedly Witney blanket man Sidney Smith, Hill having designed Merryfield House for him and gifted upon the completion of construction.
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Wilfried Forster
Wilfried Forster
Berlin: Bruno Gmunder, 1990.German male photography. Mostly semi-nude physique fashion.
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Transes d’images: Anatomie de l’Art S&M
Guy Lemaire
Bruxelles: Les Editions Secretes, 1993.Fetish SM series by Belgian photographer Guy Lemaire. A lot of torture devices, also body suspension. Signed and numbered edition of 1,000 copies.
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A World of Nudes
Roy Dean
Los Angeles: Rho-Delta Press, 1975.Male nudes by English-American photographer, actor, stage designer, director, and writer Roy Dean (1925-2002). Born Leslie Joseph, son of English actress Hermione Gingold, during the early 1970s Dean turned increasingly to photography with a focus on the nude physique of LA’s male bodybuilders. During the 1980s Dean’s work brought the male nude to the eyes of the masses. This earlier work, A World of Nudes, has a more niche appeal. The stylish black and white photographs a fine presentation of physique photography. The earlier photographs in this work bearing resemblance to Tomatsu Yato’s Otoko, also published by Rho-Delta three years prior.
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135 Female Friends
Kishin Shinoyama
Tokyo: Shogakukan, 1979.135 female models captured by Japanese photographer Kishin Shinoyama (1940-2024). This copy inscribed by Kishin.
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Kishin’s Photo Workshop: Take it Snappy!
Kishin Shinoyama
Tokyo: Gakken, 1987.Shinoyama photo school. This copy inscribed by Kishin.
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Cover Girls 414 on Shukan Asahi, 1978-88
Kishin Shinoyama
Tokyo: The Asahi Shimbun Company, 1988.Covers from Japan’s oldest weekly magazine captured by Kishin Shinoyama between 1978 and 1988. This copy inscribed by Kishin.
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Hashi o wataru to / Beyond the Bridge
Kishin Shinoyama
Tokyo: Qantas, 1976.Collection of photographs of Australia by leading Japanese photographer Kishin, published and distributed by Qantas in the 1970s. The first half devoted to beach shots.