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The Beauty of the Female Form
Bertram Park; Yvonne Gregory
London: George Routledge & Sons, 1934.First printing of the first nudist / naturist volume from the English ‘Seen by the Camera’ series, 48 photographs by the prolific husband and wife photography team. An introduction by the photographs followed by numerous critical annotations doing its best to put forward the seriousness of nude photographs and that such publications were for serious students of art and science, a long-held stance dropped in the second book of the series.
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Nudes of All Nations: A Collection of Forty-Eight Studies by Leading Photographers
Walter Bird
London: George Routledge & Sons, 1936.One of nude photography volumes from the English ‘Seen by the Camera’ series, this volume showing a variety of nude women from different nations around the world. About half are of European ancestry taken by well known photographers suich as Walter Bird, Perkhammer, John Everard, Hoppe, and Manasse. The latter half includes women from Africa, Asia, the Far East, and the Pacific, including a photograph of a Central Australian Aboriginal woman and of two Maori women. One of the most popular in the series, with numerous reprints, this is the first printing.
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Sun Bathers
Bertram Park; Yvonne Gregory
London: George Routledge & Sons, 1935.The second nudist / naturist volume from the English ‘Seen by the Camera’ series, a companion to The Beauty of the Female Form. An introduction by Alan Warwick followed by 48 photographs by the husband and wife photography team. Though the second such book in the series, it is credited as being the first book to directly link its intent to nudism.
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The English / Scottish / Irish / Welsh Maid: Forty-Eight Camera Studies of the Nude by Roye (4 Volumes)
Roye
London: George Routledge & Sons, 1939-1942.Complete set of the four nudist volumes, in their dust jackets, on women of the United Kingdom by Horace Roye (1906-2002) from the Seen by the Camera series published in the early years of WWII. Each volume with a foreword on the beauties of the relative land followed by 48 black and white nude photographs. Roye was a class above many of his contemporaries and this four volume set is a clear demonstration of his talents. All of the photos in this series are of a single female model taken outdoors in numerous settings from numerous angles, beautifully captured and well printed, showing an ease and enjoyment between photographer and model. Roye’s battle against the censors is on show as well with the airbrushing at times barely attempted.