Prices in AUD. Shipping worldwide. Flat rate $8 postage per order within Australia. International by weight calculated at checkout. Read full terms.
-
Aesthetics After Historicism
AU$15.00 Read MoreAdd to cartWayne Hudson
Brisbane: Institute of Modern Art, 1993. -
Suja’s Daughter
AU$10.00 Read MoreAdd to cartOmie Artists
Brisbane: Andrew Baker Art Dealer, 2013.Exhibition catalogue.
-
The Rose and the Thorn
AU$10.00 Read MoreAdd to cartIndrani Ganguly
Brisbane: Indrani Ganguly, 2019.What I Know About Living My Kind Of Life zine by Sarah Muller and Indrani Ganguly laid-in.
-
Gentlemen of the Flashing Blade
AU$25.00 Read MoreAdd to cartBianka Vidonja Balanzategui
Brisbane: Boolarong Press, 2015.Studies in North Queensland History, Number 12. Foreword by Henry Reynolds. First published in 1990 by James Cook University.
-
Bonsai: Its Art, Science, History and Philosophy
AU$50.00 Read MoreAdd to cartDeborah R. Koreshoff
Brisbane: Boolarong Press, 2013.Illustrations by Deborah R. Koreshoff. Photography by Penny Wright.
-
Luke Roberts: Alphastation / Alphaville
AU$20.00 Read MoreAdd to cartLuke Roberts; Evie Franzidis
Brisbane: Institute of Modern Art, 2012. -
This Is My Heritage
AU$20.00 Read MoreAdd to cartMichael Aird; Mandana Mapar
Brisbane: Queensland Museum, 2015.Photographs and stories from a 2015 exhibition at the Queensland Museum, celebrating twelve indigenous artists and educators.
-
Not Just A School: St Peters Lutheran College
AU$10.00 Read MoreAdd to cartClarrie Burke; Nicky Boynton-Bricknell; Jan Hurwood
Brisbane: CopyRight, 2012. -
184 Frog Poems: 184 Boss Drovers
AU$40.00 Read MoreAdd to cartRobert MacPherson
Brisbane: Institute of Modern Art, 2001. -
Imaginary Accord
AU$30.00 Read MoreAdd to cartAileen Burns; Madeleine King; Johan Lundh
Brisbane: Institute of Modern Art, 2017.“Is an art institution only an imagined entity–a temporary constellation of agreements, negotiations, and arrangements–or is it something more fixed? This publication both documents and reinvigorates the fortieth anniversary activities of the Institute of Modern Art (IMA): the exhibition Imaginary Accord; the nine-part lecture series and two-day symposium, What Can Art Institutions Do?; and the online archive, 40years.ima.org.au, that charts the IMA and its immediate historical context. This series of creative and critical projects explored the historical mission of one of Australia’s oldest public galleries, while imagining what the founding principles of a contemporary art institution could mean today and for the future.” (publisher’s blurb)
-
What Is Appropriation? An Anthology of Writings on Australian Art in the 1980s & 1990s
AU$45.00 Read MoreAdd to cartRex Butler
Brisbane: Institute of Modern Art, 2004.“It was probably Ad Reinhardt, though it could have been Sherrie Levine or even Andy Warhol, who remarked that you only know you are doing something original when everybody else is doing it. This book explores this and other paradoxes raised by the practice of appropriation the quotation and use of other artists’ work that became widespread in the 1980s. Why was the practice so uniquely popular in Australia? What did it say about the relationship of Australian art to the art of other countries; about white art to Aboriginal art; and about contemporary art to the art of the past? How and why does appropriation fundamentally challenge habitual ways of looking at pictures and thinking about art? The essays and pictures in this book provide answers to these questions, but always in the knowledge that the enigma of appropriation remains.”
-
Zoe: A 20th Century Woman
AU$10.00 Read MoreAdd to cartEva Woodrow
Brisbane: Boolarong Publications, 1999.Inscribed “To Declan from Great Gramma, 16/7/2011”. Includes memorial booklet from the author’s funeral laid in.
-
Peter Madden
AU$20.00 Read MoreAdd to cartEvie Franzidis
Brisbane: Institute of Modern Art, 2011.“New Zealand collage artist Peter Madden draws much of his imagery from old issues of National Geographic. He plunders and reworks the magazines discredited empire of signs to forge his own. His surrealistic pictures, objects, and installationswith their watchmaker detail and intensityhave been described as microcosms and intricate kingdoms of flying forms Madden has one foot in the vanitas still-life tradition and the other in new-age thinking. On the one hand, he is death obsessed: a master of morbid decoupage. (Moths and butterfliessymbols of transient lifeabound. His assemblages in bell jars suggest some Victorian taxidermist killing time in his parlour.) On the other hand, with his flocks, schools, and swarms of quivering animal energy, he revels in biodiversity and magic. Maddens works manage to be at once morbid and abundant, rotting and blooming, creepy and fey. This book serveys Maddens work of the last ten years.” Essay by Tessa Laird. Interview by Robert Leonard.
-
Logical Unsanity: Literal Arts Journal (Issue 3, Spring 2008)
AU$20.00 Read MoreAdd to cartYarran L. Jenkins
Brisbane: Logical Unsanity Books, 2008.A collection of fiction, non-fiction, poetry, and contemporary surreal, fantastic, and psychedelic artwork, edited by Yarran L. Jenkins. Featuring the words of Terry Bisson, Alex Downs, John Sacelli, Joshua Beane, Hakim Bey, Yarran Jenkins, Karen Mezentsef, James Joehnline, David Mankey, Kirk A. C. Marshall, Tad Padaguan, Ben Walker, Charles Eisenstein, Shayne Keyles, David Beris Edwards, Sarah Kelly, and Brooke Alexander. The artworks of Joseph Larkin, Roy Villalobos, Ian Pyper, RIchard Powell, Jon Beinart, Kain White, Leszek Kostuj, Leou Leou, David Mankey, Cameron Gray, Bruce Rimell, Kenneth Appleby, Andrea Trenbeath Lowen, Sarah Elston, and Daniel Worth. ISSN: 1836-4535.