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Shiriaitai: Eriko Sato
AU$80.00 Read MoreAdd to cartNishida Koki
Tokyo: Shogakukan, 2016.Glamour / soft erotica photobook of Japanese actress Eriko Sato.
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Warning: Noriko Tachikawa
AU$50.00 Read MoreAdd to cartHajime Sawatari
Tokyo: Wanibukkusu, 1999.Glamour / soft erotica photobook of 1990s Japanese actress Noriko Tachikawa.
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Our Girls: Aussie Pin-ups of the 40s and 50s
AU$50.00 Read MoreAdd to cartMadeleine Hamilton
Melbourne: Arcade Publications, 2009.The art of the pin-up and personal stories of the ladies who graced the pages of Pix, Man, and other Australian men’s magazines of the 1940s and 1950s.
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Dreamboys 4: A Special Issue of Blue
AU$100.00 Read MoreAdd to cartMarcello Grand
Sydney: Studio Magazines, 2003.The fourth instalment of the Blue magazine special issues focusing on masculine beauty through the lenses of 50 photographers who are interpreting the theme of athletic prowess and bodily strength. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Dreamboys Volume III: A Special Issue of Blue
AU$100.00 Read MoreAdd to cartMarcello Grand
Sydney: Studio Magazines, [2002].The third instalment of the Blue magazine special issues focusing on masculine beauty through the lenses of 46 photographers who are interpreting the theme of athletic prowess and bodily strength. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Dreamboys Volume 2: A Special Issue of Blue
AU$100.00 Read MoreAdd to cartMarcello Grand
Sydney: Studio Magazines, [2001].The second instalment of the Blue magazine special issues focusing on masculine beauty through the lenses of 66 photographers who are interpreting the theme of athletic prowess and bodily strength. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Dreamboys: A Special Issue of Blue
AU$60.00 Read MoreAdd to cartMarcello Grand
Sydney: Studio Magazines, 2000.The first instalment of the Blue magazine special issues focusing on masculine beauty through the lenses of photographers who are interpreting the theme of athletic prowess and bodily strength. (not only) Blue was a glossy coffee table art magazine produced between 1995 and 2007 by Studio Magazines in Sydney, who also published the successful photography magazine, Black+White. “Blue’s agenda is to showcase artists whose work is an authentic representation of gay relationships, gay lifestyles and gay issues” (Blue’s editorial statement) and it did so in a large format filled with nude and semi nude art photography. The premiere issue featured William Yang, Tom Bianchi, Pierre et Gilles, Edmund White, Fiona McGregor, and Ian Roberts, and over its 12 year history featured work from top photographers and features on artists and celebrities including Robert Mapplethorpe, Leigh Bowery, Boy George, Erwin Olaf, k.d. lang, Bruce of LA, Dennis Rodman, Elton John, John Waters, Karl Lagerfield, Jeffrey Smart, Yukio Mishima, Paul Cadmas, William S. Burroughs, George Platt Lynes, Gilbert and George, Rupert Everett, Uma Thurman, Wilhelm von Gloeden and countless others.
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Vanilla Partner
AU$150.00 Read MoreAdd to cartTorbjorn Rodland
[London]: MACK, 2012.Photobook by Norwegian photographer Torbjorn Rodland from works made in Oslo, Tokyo, Beijing, and Los Angeles, “combining images of fetishized isolation in a layout that rejects the linear structure of thematic photography books. .. Reconstructed scenes of ultrasoft BDSM read like twisted metaphors for photography’s ability to freeze or capture. The book title, dripping in innuendo, also poses a question about the ambiguity of the relationship between the artist and his medium.” (from publisher’s blurb)
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Le Panier aux Ordures suivi de Quelques Chansons, Ejusdem Farine
AU$550.00 Read MoreAdd to cart[Armand Gouffe]
Canton [Bruxelles]: W. Field et Tching-Kong [Gay & Douce], No date.Belgian clandestine publication of the erotic poems of Armand Gouffe. The erotic title vignette depicts a young lady lifting her skirt to a priest in a kitchen. This copy from the collection of erotophile Gershon Legman, with bibliographical notes in his hand and signed by him. Legman’s note reads as follows: “[Bruxelles: Gay & Douce 1875] Enfer 29; BM. PC. 1769. 1st ed. as : Le Panier aux ordures, par Armand Gouffe et autres. [Paris – London: John Camden Hotten, for Lord Houghton, 1865.]. 36 f., lg 8vo. Hand-drawn facsimile by H.J. Bellars, erotic drawings by Ulm. No copy.* 2nd ed. (first typographical): [title as here,] [Libreville, a a la Society pour la propagation des livres de l’Enfer’ [Bruxelles: Jules Gay], 1866. vi, 154 p. smal 8vo. (106 copies.) BM.PC. 31 g. 4; Coll. G.L. 1957 G. Legman.” The asterisk from above reads, at bottom of page, “except that of Pierre Louys, coll. Bottin, Nice, in 1962].” Laid in also is a folded piece of typescript from Legman noting “SOLD to RP02/2016” (that is, Richard Press, from his widow) and then the explanation of the woodcut engraving at title page, “probably by Gilbert,” “showing a priest kneeling before a woman holding up her skirts before a kitchen fireplace to show her cunt.” 151 pp. And with occasional pencil marginalia translations into English (mostly of titles).
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Chansons Folles
AU$500.00 Read MoreAdd to cart[Gustave Nadaud]
Evreux: Charles Herissey, 1887.Collection of 41 erotic songs with musical score by Gustave Nadaud and published anonymously with a fine frontispiece engraving by Henry Somm. One of 75 numbered copies on Japon (of a total edition of 300). This copy with a two-page signed letter by the author in purple ink dated 29 Avril 1882, written on nice stationery that features the letterhead Rue Charles Laffitte, 63, Neuilly, (Seine); and a two-page song composed on the same stationery in the same purple ink.
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Gisele et Pierrette ou Les Esclaves d’Island Castle
AU$800.00 Read MoreAdd to cartJames Starbine
Paris: Libraire Artistique et Edition Parisienne Reunies, 1932.French 1930s sadomasochist novel. With illustrations by Gaston Smit, signed in the images as G. Topfer.
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Flagellees: La Flagellation des Femmes dans la Rome Antique
AU$550.00 Read MoreAdd to cartJean de Virgans
Paris: Librairie Franco-Anglaise, 1922.1920s French flagellation novel with illustrations by Gaston Smit signed in the image as both G. Smit and G. Topfer.
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Confidences Egarees
AU$550.00 Read MoreAdd to cartLiane Laure [Liane de Lauris]
Paris: Collection des Orties Blanches, 1932.1930s French flagellation. Jean Fort publication under his sadomasochistic imprint Collection des Orties Blanches. Illustrated with 16 plates by Dagy [Daniel Girard], this copy with 5 of the plates hand-coloured.
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Les Amies de Lady Chattieley
AU$400.00 Read MoreAdd to cartGeorges de Chanrosey [Chanrosay]
Paris: Librairie des Editions Modernes, No date.1930s French flagellation and sadomasochistic novel with the title recalling D. H. Lawrence’s Lady Chatterley’s Lover. Illustrated with 12 black and white plates by W. Floger [Edouard Bernard / Edward Alexander Bernard].
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Human Negotiations
AU$500.00 Read MoreAdd to cartKatharina Hesse; Lara Day
Beijing: Three Shadows Photography Art Centre, 2011.Photo book of Bangkok female and transsexual sex workers. Photography by Katharina Hesse with text based on interviews by Lara Day. This copy signed by Hesse.
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Die Funktion des Orgasmus: Zur Psychopathologie und zur Soziologie des Geschlechtslebens
AU$500.00 Read MoreAdd to cartWilhelm Reich
Leipzig, Wien, Zurich: Internationaler Psychoanalytischer Verlag, 1927.First Edition of Reich’s psychoanalytical study of orgasm and neurosis. His first full monograph on the subject of orgastic potency arguing that neurotic illness arises form the inability to achieve complete orgastic release. A foundational Reichian work which he dedicated to Freud.
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Public Fitting
AU$2,500.00 Read MoreAdd to cartTim Johnson
Sydney: Tim Johnson, 1972.A 1972 artist’s book by Sydney conceptual artist (now painter) Tim Johnson (1947-), containing 40 full page black and white street photographs which show the wind lifting the skirts of women on the streets of Sydney. Produced during his time as co-founder of one of Sydney’s first artist-run spaces, Inhibodress, alongside Mike Parr and Peter Kennedy, the work forms a key part of Johnson’s early-1970s investigations into public space, social conditioning, and eroticism. While the images might initially appear voyeuristic (see upskirt), they are best understood through the lens of his contemporaneous performances, Disclosure and Fittings. Those live works staged situations to expose and analyze unconscious “sexual mores” and “sex-role conditioning”, manipulating participants’ clothing in a gallery, provoking direct responses. Public Fitting explores similar themes through the “found performance” of the street, framing the wind as an unwitting collaborator and the women’s reactions as unscripted data on social behaviour. Published alongside a Super 8 film of the same name (featuring different images as compared with the film in the collection of the Gallery of Modern Art, Brisbane), the film’s duration underscores the work’s non-erotic, analytical dimension. In contrast, the book’s static images are more readily misread as purely voyeuristic. This copy bears a later manuscript title on the spine, “Public Fitting – XXX”, a direct annotation of the work’s perceived erotic content, demonstrating the very social-sexual condition the artist sought to examine. Beyond this conceptual framework, the work also serves a vidid record of women’s fashion in early-1970s Sydney, an era dominated by the miniskirt. The edition size is unstated, though several sources, including the Art Gallery of New South Wales, state that 200 copies were produced. This copy with an additional folded sheet containing 5 further small images of a woman’s underwear (perhaps from a different source), the artist’s stamp with his 54 Albermarle St address, and the contemporary signature Micheal [Mansell?] dated 17th/4/72.
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Krishna: The Divine Lover: Myth and Legend through Indian Art
AU$50.00 Read MoreAdd to cartEnrico Isacco
Boston: David R. Godine, 1982. -
Oiran
AU$400.00 Read MoreAdd to cartTetsuji Takechi
Tokyo: Tokyo Academy of Arts, 1983.First edition photobook issued to accompany Takechi Tetsuji’s controversial late-career film Oiran, “A mixture of romance and sex combined with surrealistic horror elements.” The story is loosely based on the work of Jun’ichiro Tanizaki in which a 19th century Japanese prostitute moves to America and her dead lover manifests as a mole on her leg. Takechi was a prominent critic and kabuki director before moving into directing films in the 1960s. His 1964 feature Hakujitsumu is regarded as the first big budget pink film (Japanese movies with nudity or sexual content), and also the first Japanese production subjected to systematic fogging censorship. The following year, Black Snow (1965), led to his arrest on indecency charges, a landmark case he ultimately won, significantly reshaping Japanese film censorship and opening the way for the flourishing of the pink eiga genre through the late 1960s and 1970s. After a decade-long hiatus from cinema, Takechi returned with a more explicit remake of Hakujitsumu before directing Oiran in 1983. The film again brought him into conflict with the censors whom “edited and fogged in 98 different places, altering the film from a near-hardcore opus to a very soft costume drama.” Takechi promoted the film by proclaiming it featured “the first multicoloured penis in Japanese cinema.” The present photobook, issued uncensored, retains many of the film’s erotic stills and remains an important visual record of Takechi’s work. As usual for the period, explicit male nudity is absent. References: WEISSER: The Sex Films: Japanese Cinema Encyclopedia.
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The Leatherman’s Handbook II: Updated Second Edition
AU$200.00 Read MoreAdd to cartLarry Townsend
New York: Carlyle Communications, 1989.A completely new sequel to the definitive exploration of the gay S&M leather scene.