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Bonsai: Its Art, Science, History and Philosophy
Deborah R. Koreshoff
Brisbane: Boolarong Press, 2013.Illustrations by Deborah R. Koreshoff. Photography by Penny Wright.
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Kathakali: The Dance-Theatre
Kalamandalam Govindam Kutty
Calcutta: The Asiatic Society, 1999.Foreword by Anil Kumar Sarkar.
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Undo Your Raincoats And Laugh!
Peter Robins
Brentford: Red Robin, 1977. -
Imaging the World: A Journey from Visual Processing to Fine Art and Back Again
Henry R. Lew
Melbourne: Hybrid Publishers, 2018.Limited edition of 500 copies. This copy is unnumbered.
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Kazuo Ohno: Chronicle of a Lifetime, 1906-2010
Minoh Tokumitsu; Kayoko Mizobata; Butoh Research Institute
Tokyo: Canta, 2010. -
Homophile Studies in Theory and Practice
W. Dorr Legg; David G. Cameron; Walter L. Williams
San Francisco: ONE Institute, 1994.This copy signed by Walter L. Williams.
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Sexism in Award Winning Picture Books
Suzanne M. Czaplinski
Pittsburgh: Know, 1972.A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts (Educational Policy Studies) at the University of Wisconsin, 1972.
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The Wilde Century: Effeminacy, Oscar Wilde and the Queer Moment
Alan Sinfield
New York: Columbia University Press, 1994.From the Between Men – Between Women: Lesbian and Gay Studies series, edited by Lillian Faderman and Larry Gross.
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Performance Anthology: Source Book of California Performance Art
Carl E. Loeffler; Darlene Tong
San Francisco: Last Gasp, 1989.“Performance art is a major contemporary art form and California is recognized internationally as a pivotal area for innovative performance art activity. This updated edition of Performance Anthology offers an extraordinary documentation of California performance art from 1970 through 1989. The anthology provides a chronicle of the literature of artists’ publications, art journals, major books, and catalogues; introductions and original essays by artists and leading historians and critics of performance art in California; and photographs illustrating major works by California artists. Through the documentation of the literature, a framework is established of the artists, events, organizations and spaces that have been instrumental in launching and sustaining the performance art scene in California.”
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Footprints of the Future: Richard Neville’s Handbook for the Third Millennium
Richard Neville
Sydney: Richmond Ventures, 2002.Artist book by Australian author and Oz editor, Richard Neville.
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Irrititja – The Past: Antikirrinya History from Ingomar Station and Beyond
Ingkama Bobby Brown; Petter Attila Naessan
Gold Coast: Keeaira Press, 2012.Simplified writing of Pitjantjatjara/Yankunytjatjar language together with eco-history and Antikirrinya oral history of Ingkama (Ingomar Station) and surrounding areas of South Australia.
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Luke Roberts: Alphastation / Alphaville
Luke Roberts; Evie Franzidis
Brisbane: Institute of Modern Art, 2012. -
Students’ Britannica India (7 Volumes)
Encyclopaedia Britannica
New Delhi: Encyclopaedia Britannica, 2000. -
The Red Box: The Phantasma-Allegorical Portraits of Stacy Lande
Stacy Lande
San Francisco: Last Gasp, 2000. -
Eric White: It Feeds Itself
Eric White
San Francisco: Last Gasp, 2003. -
The Book of the Un: Friends of Smiley: Dissertations from Dystopia
John Rinaldi
San Francisco: Last Gasp, 2016.Sequel to “Chicken” John Rinaldi’s The Book of the Is (2012).
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Copro/Nason Fine Art: A Catalogue Raisonne
Jeremy Cushner; Jeff Fox; Arthur Katz
San Francisco: Last Gasp, 2006.A catalogue of fine art prints, with accompanying essays. Foreword by Greg Escalanted and Douglas Nason; Introduction by Robert Williams; Afterword by Jeremy Cushner. Unnumbered edition of 5,000 copies.
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Abraham Obama: A Guerrilla Tour Through Art & Politics
Don Goede; Ron English
San Francisco: Last Gasp, 2009. -
Mademoiselle
Mirka Lugosi; Marie-Laure Dagoit
San Francisco: Last Gasp, 2002.“Surrealist pranks meet discipline, tight corsets and stiletto heels to travel to the outer reaches of the sensual imagination. An illustrator with diversified fetishes, Mirka Lugosi expresses with her art the aesthetic delights of indulgement, the inherent humor of the sexual being and the warm sensuality of color.” (publisher’s blurb)
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Beat
Christopher Felver
San Francisco: Last Gasp, 2007.