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Showing 181–200 of 1148 resultsSorted by latest
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Aucassin and Nicolete
AU$1,200 Read MoreAdd to cartMichael West; Main R. Bocher; Horace Mansion; Evelyn Paul
London: George G. Harrap & Co., 1917.Copy no. 1 of 125 numbered copies, signed by Evelyn Paul. An elaborate medieval-revival illumination of the anonymous chantefable, translated from the Old French by Michael West, with music by Horace Mansion. Evelyn Paul’s decorations draw on Pre-Raphaelite, Gothic Revival, and Arts and Crafts models, combining ornamental borders, initials, and binding into one of the more distinctive British gift-book productions of the period. The colour plates are by American illustrator Main Rousseau Bocher (1890-1976), then active between New York and Paris, shortly before the launch of the couture career for which he would become internationally known. After working as a fashion illustrator for Harper’s Bazaar and later as editor of French Vogue, he established the Paris house of Mainbocher in 1929, becoming the first American to achieve lasting success as a Paris couturier.
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Alphabet
AU$600 Read MoreAdd to cartAnthon Beeke
Hilversum: steendrukkerij de Jong & Co., 1970.A set of 30 cards, each depicting a letter of the alphabet or punctuation mark formed by nude women posed on the floor. A major work of prominent Dutch designer Anthon Beeke, originally titled Naked Ladies Alphabet and later renamed Body Type, of which Beeke said: “This alphabet was a reaction to the computer alphabet made by Wim Crouwel. I admit: it’s absolutely unreadable and hence unusable. But if you’re going to make something unusable, you can at least make something people are able to enjoy.” Photography by Geert Kooiman. Produced by Anna Beeke. Story by Ed van der Elsken. Jenkins’ readers most likely know Beeke from his design work for the Suck special issue, The Virgin Sperm Dancer.
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The Legman Book of Sex
AU$4,500 Read MoreAdd to cartGeorge Rhoads
: George Rhoads, 1954.A unique artist’s book by the American painter and sculptor George Rhoads (1926-2021) as a gift for his friend, the erotologist and folklorist Gershon Legman (1917-1999). The two met in Paris shortly after Rhoads’ arrival there in 1952, bonding over origami. The discipline of mechanical precision inherent in origami arguably foreshadows his later complex audiokinetic ball machine sculptures. Rhoads is known to have sent Legman letters embellished with foldings and comic drawings throughout the 1950s and 1960s (a small number of models survive in the Legman archive at the Origami Art Museum, Colonia del Sacramento), but the present volume is a substantially more ambitious and apparently earlier production, made in the opening years of their friendship, and directed squarely toward Legman’s lifelong scholarly fascination with erotic folklore and bawdy humour. The 58 leaves are each illustrated on the recto with original cartoon drawings. The first sixteen leaves carry two short erotic tales: one of ten leaves concerns the tale of a sex maniac; the second, of six leaves, recounts the adventures of “five little Fuckers and how they blew”; the remaining forty-two leaves illustrated with standalone erotic cartoons. The front cover with a colour illustrated title, the inside lower board signed by Rhoads with a decorative border, the date supplied in Legman’s hand. Of considerable research interest as a primary-source artefact of the Rhoads-Legman friendship, complementing the surviving body of gifted material preserved in the Legman archive at the Origami Art Museum. The erotic content places it at the intersection of Rhoads’ early Paris work and Legman’s lifelong scholarship on erotic folklore and bawdy humour, later culminating in his major study ‘Rationale of the Dirty Joke’ (First Series 1968; Second Series 1975). Provenance: ex the estate of Gershon Legman by descent via Neil Pearson.
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Archive of 31 Kinbaku Photographs and 2 Typed Letters Signed, Supplied to Jurgen Boedt for Secret Magazine, Fetish Photo Anthology, and Extreme
AU$2,500 Read MoreAdd to cartMaster K
Los Angeles: Master K, 1999-2002.Archive of kinbaku photographs supplied by Master K to Jurgen Boedt, editor and publisher of the Belgian fetish magazine Secret, accompanied by two signed letters detailing their intended editorial use. The first letter accompanied twelve black-and-white photographs (“Each is an illustration of classical shibari”) and a printed copy of his article ‘A Brief History of Shibari,’ subsequently published in Secret #20. It includes an authorial biography and acknowledges collaborators by name: “Although he usually only works with shibari enthusiasts, for this series of stills he collaborated with some of America’s best known fetish models. For helping in the mutual search for the artistic in the erotic he would like to thank: Devon, subgirl, Julie Simone and Michelle.” The second letter, warmly signed, accompanied further photographic contributions intended for two Boedt-edited hardcovers: the fourth volume of ‘Fetish Photo Anthology’ and ‘Extreme’, with Master K explaining: “I tried to combine the best of traditional kinbaku art with interesting photography in order to show the excitement, drama and passion felt by the truly engaged submissive. All the emotions shown here are real. There was no posing and everyone involved had a great time.” The material predates Master K’s book publications and documents an early phase of his public output and self-positioning within Western fetish publishing. He would later publish ‘Shibari, the Art of Japanese Bondage’ (2004) and ‘The Beauty of Kinbaku’ (2008; revised edition 2015), the latter translated into Japanese as ‘A Cultural History of Kinbaku’ (Suriensha, 2013). Beyond print, he served as rigger for the 2016 film ‘The Neon Demon’, starring Keanu Reeves and Elle Fanning, and was co-founder of the Los Angeles study groups Spring Tiger Ryu and LA Rope.
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Volume 1
AU$250 Read MoreAdd to cart[Bob Delmonteque]
[Los Angeles]: [Bob Delmonteque], [1957].Bob Delmonteque (1921-2011), a Detroit-born bodybuilder first gained fame as a physique model for Douglas of Detroit in the late 1940s before establishing his own Los Angeles based photography and mail-order business. This volume reproduces 25 original catalogue sheets at an enlarged scale, supplemented by a series of full-page plates, Models include Glenn Bishop, Richard Alan, and Norman Tousley, though Delmonteque himself appears frequently, both as photographer and subject.
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Occupied Spaces
AU$200 Read MoreAdd to cartBen Roberts; Naomi Colvin
London: Here Press, 2012.Photographic documentation of the private and communal spaces of the 2011-2012 Occupy London protest, with a short essay by Naomi Colvin. First edition, one of 250 copies (a second edition of 100 copies was printed in 2014).
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The Gay Haunt
AU$200 Read MoreAdd to cartVictor Jay
New York: The Other Traveller, 1972.Gay pulp fiction by Victor J. Banis under his Victor Jay pseudonym, one of several he employed for his prolific output of gay paperback fiction in the 1960s and 70s. Banis was a pioneering figure in gay genre fiction, among the first American writers to place openly gay protagonists at the centre of mass-market paperbacks, not as villains, victims, or cautionary figures, but as sympathetic leads in adventure, mystery, and comedy. This copy signed by Banis to the title page.
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The Gay Haunt
AU$400 Read MoreAdd to cartVictor Jay
New York: The Olympia Press, 1970.Gay pulp fiction by Victor J. Banis under his Victor Jay pseudonym, one of several he employed for his prolific output of gay paperback fiction in the 1960s and 70s. Banis was a pioneering figure in gay genre fiction, among the first American writers to place openly gay protagonists at the centre of mass-market paperbacks, not as villains, victims, or cautionary figures, but as sympathetic leads in adventure, mystery, and comedy. Part of Maurice Girodias’ The Olympia Press Traveller’s Companion Series, TC-484. “Can a handsome young gay stud go straight and marry the boss’s daughter? Sure, if the amorous ghost of his late boyfriend doesn’t materialize naked in his car, at his parties, and in his bed.” This copy signed by Banis to the title page.
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The Electric Automobile: Its Construction, Care and Operation
AU$400 Read MoreAdd to cartC. E. Woods
Chicago and New York: Herbert S. Stone & Company, 1900.One of the earliest monographs devoted to electric vehicles, covering their construction, maintenance, and practical operation at a time when electrics were serious competitors to petrol-powered cars. Clinton Edgar Woods (1863-1927), an electrical and mechanical engineer, founded the Woods Motor Vehicle Company in Chicago in 1896 and was a committed advocate of electric propulsion, anticipating that both electric and gasoline vehicles would displace horse-drawn transport. Writing at a moment when the relative futures of electric and gasoline power remained uncertain (though the limitations of battery range were already apparent) Woods expresses a cautious scepticism that would, for much of the following century, be borne out by the dominance of the internal combustion engine. “Will not a battery some time be made to run a vehicle 100 or more miles on one charge? While this may be possible, the writer hardly thinks it probable.”
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The Making of Mary
AU$100 Read MoreAdd to cartMichelle Kristy
King of Prussia: Creative Design Services, 1991.“Follow the transformation of Mark to Mary…” An erotic transitional story with illustrations by the author. Unrecorded in OCLC.
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Betty’s Latex Fashions Catalog (2 Volumes)
AU$200 Read MoreAdd to cartBetty’s Latex Fashions
Erin: Betty’s Services, No date.The first two catalogues for Canadian mail order rubberwear business Betty’s Latex Fashions.
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Tyson-Rose Rubber Garments Catalog (2 Volumes)
AU$100 Read MoreAdd to cartTyson-Rose Co.
Guttenberg: Tyson-Rose Company, No date.Two catalogues for New Jersey mail order rubberwear business Tyson-Rose Co.
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Domineta
AU$400 Read MoreAdd to cartGene Bilbrew; A. De Granamour; Ralph Gayl; Gene Paul
New York: Art Publications, 1965.3 femdom short stories with illustrations by Gene Bilbrew, noted African American fetish artist of the 1950s and 60s, under his Eneg moniker. Billed as a new Connoisseur publication (whether it was produced by Leonard Burtman, or riding off the back of the collapse of Selbee, is unknown) and as a Collector’s First Edition, together with a call for correspondence to be sent in from readers, however no further issues appear to have been produced. The first author, A. DeGranamour, whose contribution occupies more than half the volume, went on to pen numerous works of erotica published in the late 1960s and early 1970s.
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Sweet Gwendoline & Sir Dystic d’Arcy No. 1: The Race for the Gold Cup
AU$2,000 Read MoreAdd to cartJohn Willie [John Alexander Scott Coutts]
Los Angeles: J. A. S. Coutts, 1958.The complete cartoon serial of Sweet Gwendoline, reworked, finished, and published by the artist. The character first appeared in Coutts iconic fetish magazine Bizarre, which ran for 26 issues between 1946 and 1959 and remains the most influential fetish periodical of its era. Publishing under the pseudonym John Willie, Coutts work profoundly shaped later artists including Eric Stanton, Gene Bilbrew, and erotica publisher Leonard Burtman. Born in Singapore to British parents, Coutts lived in Brisbane and Sydney from 1926 to 1945, where he developed his signature aesthetic centred on high heels, corsetry, and bondage. During this period he produced photographs and drawings, often featuring his wife and model Holly Anna Faram, much of which informed the imagery of Bizarre’s early issues. After a short stint in the Australian Military Forces, Coutts emigrated to North America in 1945, publishing Bizarre soon after. This standalone title was published after Coutts had sold the magazine and relocated from New York to Los Angeles. The final 55-page narrative that Coutts published in magazine form in November 1958 was a significant reworking of the original Sir d’Arcy d’Arcy comic–almost a complete reimagining. The journey to this completed work had been long and winding, beginning in Bizarre, passing through Wink magazine, and briefly distributed by Irving Klaw as 10×8″ photographic sheets. The bound edition Coutts eventually published remains the only complete version.” (Richard Perez Seves, John Willie: The Story of John Alexander Scott Coutts). Two institutional holdings, at Yale University and the Kinsey Institute.
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Bootlove’s Premier Issue
AU$200 Read MoreAdd to cartD. Jackson
Palm Springs: Bootlove’s, 1979.One-shot American magazine devoted to interviews with professional dominatrixes about their footwear. The first in a series of titles by David Jackson’s Strictly Speaking Publishing Company, which went on to become an established force in fem-dom publishing through its long-running Domination Directory International (DDI) and Fantasy Fashion Digest. Unrecorded in OCLC.
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Robert Payne Presents The Levis Crowd
AU$400 Read MoreAdd to cart[John Embry]
: N.p., No date.A selection from the gay physique photographic archive of Bob Mizer’s Athletic Model Guild (AMG), compiled by Drummer magazine co-founder John Embry under his Robert Payne pseudonym in the years leading up the magazine’s beginnings. The publication brings together masculine imagery of the American outdoorsman in Levi’s, with a centre spread featuring prominent American porn actor and director Fred Halsted.
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R and R: A Flight Fare Story
AU$500 Read MoreAdd to cartKen Babbs
: Ken Babbs, 1984.Self-published short story by Merry Prankster and psychedelic icon Ken Babbs, featuring Marine helicopter pilots Huckelbee and Cochran on R&R at a Japanese brothel, the Five Hundred Club. An early version of what would become, in heavily edited form, chapter 7 of Babbs’ 2011 Vietnam novel, Who Shot the Water Buffalo?. The novel originated from a manuscript Babbs began during his service as a Marine helicopter pilot in Vietnam (1962-63) and took nearly fifty years to reach publication. The present pamphlet is the only known separate printing of any portion of that manuscript, preserving a pre-publication text substantially different from the finished novel. Inscribed by Babbs to counterculture collector and historian Rick Synchef. Unrecorded in OCLC.
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Fallopian Tube Fallopianna & Madness (2 Volumes)
AU$400 Read MoreAdd to cartGaby [Gabrielle Antolovich]
Sydney: Fallopian Tube Press, 1974.The first two (and likely only) publications of the Sydney lesbian feminist press Fallopian Tube, featuring feminist and lesbian poetry and texts. Gabrielle Antolovich was a prominent figure in Sydney’s gay liberation and feminist movements, an early member of the Campaign Against Moral Persecution (CAMP) who, with her then-partner Sue Wills, appeared on the ABC’s landmark Chequerboard documentary in 1972 as one of the first openly lesbian couples on Australian television. Antolovich resigned from CAMP’s executive in 1974, citing sexism within the organisation, the same year these publications appeared, amid a broader shift among lesbian activists toward autonomous feminist publishing. Fallopianna is one of 100 numbered first printing copies produced in April 1974. Madness is one of 200 numbered first printing copies produced in December of the same year. Contains an erotic text by pioneering Australian feminist artist Vivienne Binns, noted as ‘the piece that no other publication would print’, along with contributions by Kerryn Higgs, Kate Jennings, and others.
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Birth No. 3 Book 1 & 2: Stimulants: An Exhibition
AU$300 Read MoreAdd to cartTuli Kupferberg
New York: Birth, 1960.1960s Greenwich Village two part literary zine on drugs. Poetic contributions on alcohol, marijuana, peyote, opium, tobacco, tea, coffee, and other stimulants. Texts by Allen Ginsberg, William Burroughs, and many others, edited by American poet and co-founder of The Fugs, Tuli Kupferberg (1923-2010).
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The Doors Of Perception
AU$800 Read MoreAdd to cartAldous Huxley
London: Chatto & Windus, 1954.First Edition of Huxley’s classic psychedelic essay, The Doors of Perception, wherein he recalls his first experience on mescaline. The first English Edition with the jacket designed by John Woodcock. BROMER A68.2.