Pi O
Melbourne: Strawberry Press, 1974.

First poetry collection by Greek-Australian anarchist poet Pi O, who describes himself on the rear cover as an Armchair Libertarian. Tirades against the Trendies of Fitzroy interspersed with mathematically influenced concrete poems. He won the 2024 Patrick White Literary Award.

Shelton Lea
Melbourne: Shelton Lea, 1969.

Self-published broadside of two poems (Vietnam; Wrecked lungs) by Australian poet Shelton Lea published 26/5/1969 from his 84 Bridge Rd, Richmond address.

Shelton Lea
[Mountain View]: [Shelton Lea and Christine Webb], No date.

Self-published collection of poems by Australian poet Shelton Lea with illustrations by Chrissy [Christine Webb] published during their prolific 1980s photocopy output from their cottage at Mountain View. Two copies recorded in Trove, at the State Library of Victoria and Monash, a further copy also located in the Papers of Shelton Lea at UNSW.

Shelton Lea; Karl Gallagher
Mountain View: Podsucker Press, No date.

Self-published collection of poems by Shelton Lea and Karl Gallagher under another Webb-Lea Mountain View imprint, Podsucker Press. Two copies recorded in Trove, at the National Library of Australia and the State Library of Victoria, a further copy also located in the Papers of Shelton Lea at UNSW.

Shelton Lea
[Mountain View]: Clough Press, No date.

Self-published collection of poems by Australian poet Shelton Lea with illustrations by Christine Webb under another Webb-Lea Mountain View imprint, Clough Press (the cottage they lived in also known as Clough Cottage). A single copy recorded in Trove, at the State Library of Victoria, a further copy also located in the Papers of Shelton Lea at UNSW. This copy matching the record at SLV with the additional loosely inserted single sheet with the untitled poem with the first line “i’m here today for a winge.”

Shelton Lea
[Mountain View]: [Shelton Lea], No date.

Poem printed in Lea’s usual 1980s photocopy Mountain View output, this piece about his relationship with the red-headed Irish prostitute Maggie, and her death by his side in a Melbourne park. Georgeff’s Delinquent Angel tells the story: “Shelton had, at various times, fallen into the arms of prostitutes. There was a history of unconditional mateship between Shelton and those girls, even from his early days in Kings Cross. They’d provided a safety net for him and he had reciprocated. Shelton believed in the notion of the good-hearted prostitute. ‘I’ve met a whole lot of them in my life and they’ve treated me kindly. They don’t treat themselves very kindly.’ Maggie was an Irish girl with mad flaming hair. She was a junkie. She was the girl Shelton had gone to after the break up with Barbara. Candle, her hoon (pimp) had her installed upstairs in a building in Fitzroy. ‘Any nap-jack could come and fuck her for ten bob, and Candle would take the money.’ She wanted to get away and Shelton had fought Candle to take her. They went to the seaside for a few days. When they came back, they took a flagon of port and went to the park, the dying ground, with the blackfellas and shared it with them. Shelton fell asleep in the sun on the grass, near the highrise flats. ‘Maggie slid around the corner for a dose of methadone. She came back and drank more port and when I woke up she was lying next to me dead.’ He wrote a poem for Maggie and said he thought it was grand and full of life. ‘That’s what it is to be a poet, to sing about life. There’s no time for bitterness, but I don’t walk through that park when I don’t think about Maggie …’ A single copy recorded in Trove, at the State Library of Victoria, a further copy also located in the Papers of Shelton Lea at UNSW.

Shelton Lea; Frank Kellaway
Mountain View: Clough Press, No date.

Tribute pamphlet issued under another Webb-Lea Mountain View imprint, Clough Press (the cottage they lived in also known as Clough Cottage): two poems by Lea and one by Frank Kellaway in memory of John Reed, the Heide patron with which both Lea and his mentor Barrett Reid were closely associated. The rear cover carries an acknowledgement of the Ministry for the Arts grant that, per Georgeff, supported Lea’s prolific output during this period. A single copy recorded in Trove, at the State Library of Victoria.

Shelton Lea
Mountain View: Podsucker Press, 1988.

Self-published collection of Lea’s poetry, illustrated by Webb, produced at the couple’s Mountain View cottage under the Podsucker Press imprint, continuing the series begun with Split Lips and Spare Angels. A single copy recorded in Trove, at the State Library of Victoria, a further copy also located in the Papers of Shelton Lea at UNSW.

Christine Webb; Shelton Lea
: Merripen Press, No date.

Collection of drawings by Christine Webb with accompanying poems by Shelton Lea and Don Maynard, recording a trip together with Barrett Reid for some lollygagging in the Queensland sun at Caloundra on the Sunshine Coast. Unrecorded in Trove; the only copy traced is held among the Papers of Shelton Lea at UNSW Canberra. This copy inscribed by Webb to Lea, with the illustrations hand-coloured by her.

Shelton Lea; Christine Webb
Mountain View: Podsucker Press, 1987.

Second of the Webb-Lea Podsucker Press poetry pamphlets, gathering works by Terry Harrington, Ruth Cowen, Phil Motherwell, Mal Morgan, Rosemary Nissen and Barrett Reid, Lea’s long-time mentor, with illustrations throughout by Webb. Georgeff’s biography of Lea, Delinquent Angel, names Spare Angels specifically as representative of the couple’s photocopied, hand-distributed chapbook production of this period, and quotes a letter from Webb to Reid describing a photocopying mishap that displaced the poem ‘Point Lonsdale’ from its intended place at the front of the pamphlet to the back, where Ruth Cowen’s ‘Forever Vere’ was meant to sit. A single copy recorded in Trove, at Monash.

Shelton Lea; Christine Webb
[Mountain View]: Podsucker Press, 1986.

Australian poetry anthology self-published by Christine Webb and Shelton Lea from their cottage at Mountain View, Victoria, under the imprint Podsucker Press. Bringing together Lea and others from the Melbourne poetry scene: Phil Motherwell, Solly Elenberg, Robert Harris, David Shepherd, Eric Beach, Don Maynard, Ken Smeaton and Robin Horowitz, with illustrations throughout by Webb. The earliest of the couple’s home productions under this imprint.