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Les Amours de Psyche et de Cupidon
J. De La Fontaine
Paris: Defer de Maisonneuve, 1791.The Loves of Psyche and Cupid by Jean De La Fontaine with colour illustrations based on paintings by M. Schall. One of the most striking editions of Fontaine’s adaptation of the story of Cupid and Psyche with coloured stipple engravings by Bonnefoy, Mme Demonchy, and Colibert after Jean-Frederic Schall. This copy with the advertisement leaf (often lacking) announcing the publication of Milton’s Paradise Lost, with an additional portrait engraving frontispiece by Edelinck after H. Rigault, and an original drawing dedication “quatre amis dont la connaissance avait commence par le Parnasse” [four friends whose acquaintance had begun at Parnassus]: La Fontaine, Racine, Moliere, and Boileau, in pen and Indian ink enhanced with gold and colouring on vellum signed L. Benard 1893, bound in a fine signed binding by the Paris bookbinder Salvador David (1859-1929).
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Salome. Drame en un acte.
Oscar Wilde
Paris and Londres: Librairie de L’Art Independant and Elkin Mathew et John Lane, 1893.First edition, one of 600 copies, the title page device by Felicien Rops. MASON 348. This copy rebound in a fine signed art nouveau binding by Hatchards, Piccadilly, without the wrappers, with a plentiful quantity of blank leaves at the rear to allow for the binding design.
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Confessions of an English Opium-Eater
Thomas De Quincey
London: Taylor and Hessey, 1822.First edition of the highly influential autobiographical account of De Quincey’s laudanum addiction. The establishing literary work in the artistic field of drug taking and creative expression. This copy with the half-title and without the advertisement leaf, in a fine signed 1911 Zaehnsdorf binding, with protective case.
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Les Paradis Artificiels: Opium et Haschisch
Charles Baudelaire
Paris: Poulet-Malassis et de Broise, 1860.First edition of Baudelaire’s Artificial Paradises, on the drug experiences of hashish and opium and their relationship with creative expression, being accounts from within the walls of Le Club des Haschischins and a translation and adaptation of Thomas De Quincey’s Confessions of an English Opium-Eater. CARTERET I:126. This copy rebound in a fine half leather binding without the wrappers.
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Le Spleen de Paris
Charles Baudelaire; L. Lafnet
: Les Bibliophiles Franco-Suisses, 1940 [1941].One of 106 numbered copies reserved for members of the final illustrated book by Luc Lafnet, with 90 etchings each with tissue guard.
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Les Fleurs du Mal
Charles Baudelaire; Armand Rassenfosse; Henri Noulhac
Paris: Les Cent Bibliophiles, 1899.One of 115 numbered copies of the first, and widely considered the best, illustrated edition of The Flowers of Evil, being the chef d’oeuvre of Belgian artist Armand Rassenfosse, with nearly every page of the text illustrated with Symbolist colour etchings and nude women. This copy from the collection of actor and bibliophile Barry Humphries, with his bookplate; bound in a fine binding signed Noulhac 1918, with multi-rule borders and silk doublures framed with inlaid leather strips and flowers at the corners. Illustrated with a portrait frontispiece, throughout with hundreds of colour illustrations and tailpieces, as well as 6 plates and a page of text with tailpiece outside of the text. Bound at the rear is a Juin 1897 Specimen being the leaf of XX La Geante with an alternative tailpiece illustration and the chapter plate for Les Fleurs du Mal, an etched menu cover for a Les Cent Bibliophiles Dinner for Fleurs du Mal, 6 Mai 1901 by Rassenfosse, as well as 17 additional etchings by Evert van Muyden and other artists.
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Les Fleurs du Mal
Charles Baudelaire; Almery Lobel-Riche; Henri Blanchetiere
Paris: M. A. Blaizot, 1917.One of 12 on Japon Imperial from a deluxe edition of 24 numbered copies of The Flowers of Evil illustrated by Almery Lobel-Riche and published on the occasion of the 50th anniversary of Baudelaire’s death. This copy from the collection of actor and bibliophile Barry Humphries, with his bookplate; bound in a fine binding signed H. Blanchetiere 1923, with illustrative inlays, the upper board depicting a branch of flowers with a reclining nude woman around which a snake slithers, the spine with a lyre motif, the lower board with a cat, and the inner boards decorated with inlaid leather floral patterns in an Art Nouveau style after Charles Meunier by Henri Blanchetiere. Illustrated throughout by Lobel-Riche with 43 etchings in multiple states: a frontispiece portrait of the author in 2 states, 40 etchings in 4 states, 1 etching in 6 states (Le Chat), and 1 etching in 3 states (a rejected plate for Les Yeux de Berthe), as well as an original signed drawing in pen, ink and crayon at the front (for La Geante), an original watercolour (for Chanson d’apres-midi), and 2 original sketches (for La Mort des amants and Priere d’un paien).
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Bacchus Wonder-wercken
D. P. Pers
T’Amstelredam: Dirck Pietersz, 1628.Waer in Het Recht Gebruyck en Misbruyck des Wijns, door verscheyden vermaeckelijcke eerlijcke en leerlijcke historien wort afgebeeld, ende lasteringe der Dronckenschap met levende verwen afgemaelt. Hier is by-gevoeght De Suyp-stad, of Dronckerts Leven: waer in alle hare gebouwen, manieren, aert, wetten &c. en alles wat by den Dronckaerts gebeurt, boertlijcker wyse word af-geschildert… /[Bacchus Wonder-works: Which in The Lawful Use and Misuse of Wine, by various entertaining honest and instructive history is depicted, and the blasphemies of Drunkenness are painted with living pains. Here is by-joined The Suyp-town, or Dronckert’s Life: where in all her buildings, manners, aert, laws &c. and everything that happens by the Dronckaerts is painted off …] Dutch work on wine by the bookseller Dirch Pieters Wittepers, illustrated with title vignette and 4 engravings by Gillis van Scheyndel in the text. Another work on The Hague, ‘s Graven-Hage, by Jacob vander Does (1668) without the title page or engravings bound before it.
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Philosophical Recreations, or Winter Amusements
John Badcock
London: T. Hughes, No date.A Collection of Entertaining & Surprising Experiments in Mechanics, Arithmetic, Optics, Hydrostatics, Hydraulics, Pneumatics, Electricity, Chemistry, Magnetisism, & Pyrotechny, Or Art of Making, Fire Works, together with the wonders of the Air Pump, Magic Lanthorn, Camera Obscura, &c. &c. &c. and a variety of Tricks with Cards. (circa 1828). TOOLE STOTT 77.
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Chemical Amusement, Comprising a Series of Curious and Instructive Experiments in Chemistry,
Fredrick Accum
London: Thomas Boys, 1817.Which are Easily Performed, and Unattended by Danger. 103 chemistry experiments with magical application for the conjuring chemist. The rare first edition with the 60 page, A Descriptive Catalogue of the Apparatus & Instruments Employed in Experimental and Operative Chemistry, in Analytical Mineralogy, and in the Pursuits of the Recent Discoveries of Voltaic Electricity, Manufactured and Sold by the author, at the rear, the separate title on the verso of pp. 191. Friedrich Accum (1769-1838) was a German chemist who lived in London from 1793 to 1821. He played a key role in the establishment of gas lighting in London and wrote a number of popular chemistry works, most notably campaigning against the unscrupulous use of chemical additives in food in his 1820 A Treatise on Adulterations of Food and Culinary Poisons. HALL 1, TOOLE STOTT 1. This copy in a Zaehnsdorf half leather binding with the author’s calling card laid in and the bookplates of magicians Roland Winder and Ricky Jay.
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Silva: or, A Discourse of Forest-Trees, and the Propagation of Timber in his Majesty’s Dominions: ..
John Evelyn; A. Hunter
York: A. Ward for J. Dodsley, T. Cadell, J. Robson, T. Durham, W. Crrech and J. Balfour, 1776.with An Historical Account of the Sacredness and Use of Standing Groves. One of the most influential works on forestry ever published in which Evelyn implores landowners to plant trees. This, the 1776 edition, being the First Edition edited by Scottish physician Alexander Hunter and with illustrations by German engraver and botanist John Miller. This copy with the portrait frontispiece of Evelyn by Francesco Bartolozzi, 8 pages of subscribers including James Boswell, Joseph Banks, and Edward Gibbon (among many others), and the large folding explanatory table; also the armorial bookplate of William Moore and with neat marginalia to three leaves providing further commentary on remarkable oaks from the regions.
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Mademoiselle Javotte, ouvrage peu moral, ecrit par elle-meme, et publie par une de ses amies
[Paul Baret]
[Paris]: A Bicetre, 1788.Mademoiselle Javotte, a work of little morality, written by herself, and published by one of her friends. An anonymous tale (often attributed to Paul Baret / Paul Barrett) in which the heroine engages in sex work to escape poverty. A racy reworking of a closely titled 1757 moral work, whereas this one has little. This copy illustrated with 2 erotic etchings.
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Le Pornographe, ou Idees d’un Honnete-Homme sur, un Projet de Reglement pour les Prostitutes,
[Nicolas Restif de La Bretonne]
Londres and La Haie: Jean Nourse and Gosse Junior, 1770.Propre a prevenir les Malheurs qu’occafionne le Publicisme des Femmes. Avec Des Notes Historiques et Justificatives. [The Pornographer, or Ideas of an Honest Man on a Draft Regulation for Prostitutes, Proper to Prevent the Misfortunes Occurring from the Publicity of Women. With Historical and Justificatory Notes]. Second Edition of the classic 18th century utopian text on sex work in which Bretonne envisions prostitution as a public institution with numerous social and medical benefits. This copy in a likely 20th century rebind in quarter leather with new endpapers, and extra-illustrated with one erotic illustration bound in at page 16.
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Le Pornographe, ou Idees d’un Honnete-Homme sur, un Projet de Reglement pour les Prostitutes,
[Nicolas Restif de La Bretonne]
Londres and La Haie: Jean Nourse and Gosse Junior, 1769.Propre a prevenir les Malheurs qu’occafionne le Publicisme des Femmes: avec Des Notes Historiques et Justificatives. [The Pornographer, or Ideas of an Honest Man on a Draft Regulation for Prostitutes, Proper to Prevent the Misfortunes Occurring from the Publicity of Women: with Historical and Justificatory Notes]. First edition, second issue (with an updated title page removing reference to the Paris printer Delalain) of the classic 18th century utopian text on sex work in which Bretonne envisions prostitution as a public institution with numerous social and medical benefits.
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Dictionnaire Botanique et Pharmaceutique,
[Nicolas Alexandre]
Paris: Du Fonds de la Veuve Leconte, 1759.Botanical and Pharmaceutical Dictionary containing the Principal Properties of Minerals, Plants, and Animals of use with the most used internal and external Pharmacy Preparations in Medicine, & in Surgery. All taken from the best Authors, especially the Moderns. Useful work for young Pharmacists & Surgeons, Hospitals, Communities, & charitable People who dress the Poor. Mid-eighteenth century edition of the portable medical dictionary attributed to the Benedictine Nicolas Alexandre (1654-1728). 24 editions appeared from 1716 to 1846.
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Dictionnaire Portatif de Cuisine, d’Office, et de Distillation;
Anonymous
Paris: Chez Vincent, 1767.Portable dictionary of cooking, office, and distillation: containing the manner of preparing all kinds of meats, veal, game, fish, vegetables, fruits, etc.: the manner of making all kinds of jellies, pastes .. : and of composing all kinds of liqueurs .. : work equally useful to the most skilled office and kitchen chefs .. : medical observations have been added which make known the property of each food, relative to health, and which indicate the foods most suitable for each temparment.
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Ecole Pratique des Accouchemens.
J. B. Jacobs
A Gand: Chez J. F. Vander Scheuren, 1785.First French translation of the important Dutch obstetrics manual by Jan Bernard Jacobs (1734-1790). At the time of its appearance, it was one of the most complete treatises on the art of childbirth and remained a standard work into the middle of the nineteenth century being described as a pearl of scientific production from the last years before the French Revolution.
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Alle de Copyen van Indagingen, als mede alle de Gedichten Op de Tegenwoordige Tyd toepasselyk
[UTRECHT SODOMY TRIALS]
No place: No publisher, [1730].A relic of the Utrecht sodomy trials, the large scale persecution of homosexual men in the Netherlands starting in 1730. Without author or publisher, literally the title translated to [All the copies of summonses, as well as all the poems applicable to the present time], listing of men accused of sodomy, with charges and sentences, many of death, accompanied by long moralistic poems on the depravity of the crime. 2 parts in one, the second part, Vervolg op alle de Copyen, being a continuation. This copy with the second part ending at page 94 with the final charge in October of 1730 and ending with the poem by P. Schim. Copies of various sizes are noted of part 2, perhaps indicating different issues, from page 94 to 151 the list continues to 1731, perhaps being issued later.
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A Treatise on Gonorrhea Virulenta, and Lues Venerea
Benjamin Bell
Edinburgh: G. Mudie and Son, 1797.Primarily regarded as surgeon, Bell is considered to be the first Scottish scientific surgeon. His scientific approach is especially evident in this treatise in which he convincingly argues, against the prevailing medical opinion of the time, that gonorrhea and syphilis are separate diseases. Bell’s work is foundational to the modern understanding of sexually transmitted infections (STIs). The rare Second Edition, corrected and enlarged.
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A General Abridgment of Law and Equity (30 Volumes)
Charles Viner
London and Dublin: Printed for G. G. J. and J. Robinson, T. Payment, E. and R. Brooke, T. Whieldon and J. Butterworth; and L. White, 1791-1806.Alphabetically Digested Under Proper Titles; With Notes and References to the Whole. The Second Edition in 24 volumes with a considerably enlarged index, and with the 6 volume supplement, An Abridgment of the Modern Determinations in the Courts of Law and Equity .. By Several Gentlemen in the respective branches of the law (London: A. Strahan, 1799-1806). English jurist Charles Viner (1678-1756) devoted most of his life to the compilation of this work, being an extensive compendium of legal lore descended from Rolle’s Abridgment. “[T]he most voluminous production of any single individual in the whole bibliography of the Common Law. Whatever is to be found in the old Abridgments, or in all printed and several MS. Reports anterior to Geo. III., Mr. Viner has translated, abridged, remodelled, and introduced or referred to in his work.” (J. G. Marvin, Legal Bibliography, or a thesaurus of American, English, Irish and Scotch law books: together with some continental treatises)